Out August 14th via Never Say Die Records, “Revenge of the Unicorns” will be the producer’s third EP. For the average 15-year-old, life is still pretty simple. They might pass their time on TikTok, learn how to drive a car, or get a low stakes after-school job. For prodigal producer Moore Kismet, their day-to-day isn’t all that different—just add playing high-profile livestream concerts, traveling for gigs, and consistently making trailblazing music. This week, the artist can also tack on the release of their third EP, Revenge of the Unicorns. Out Friday, August 14th via Never Say Die, the six-track EP includes the previously released “Flair,” featuring Momma Kismet, their mother, “Adore” with Leotrix and “Duplex” with V...
Shirley Manson doesn’t do nostalgia. Cooped up in her Los Angeles studio, the fierce frontwoman has agreed to chat about the days she spent writing and recording Garbage, the double-platinum debut LP that launched her band as genre-smashing harbingers of a new alt-rock sound. But she’s going to tell the story her way. “You try walking in insane 100-degree heat through Madison, Wisconsin in black combat boots, thick black tights, a kilt, and you’re sweating your fucking arse off,” Manson tells SPIN, speaking of the unromantic trudges she spent nearly a year retreading between her hotel room and Smart Studios — then a headquarters for well-traveled producers Butch Vig, Steve Marker, and Duke Erikson. It was summer 1994 (then fall, then winter, then spring ‘95) as the foursome methodically wo...
Affable, good-natured to a fault, the usually upbeat Scotsman Simon Neil reluctantly admits to feeling a tad flustered lately. There’s not much that can bring down this fun-loving frontman for chart-topping rock trio Biffy Clyro, but our current coronavirus crisis and the attendant lockdown has come damned close. He turned 40 last year, having endured several personal upheavals, but he’d spent two studious years composing the group’s reflective new A Celebration of Endings set, their ninth, and six months perfecting it in the studio. “And then just as you’re about to reveal it to the world, the world makes other plans, saying No, you just can’t release this now,” Neil sighs over the phone while explaining the necessary postponement from spring. “And then not being able to bring it to life ...
He’s best known as Bruce Springsteen’s legendary E Street Band guitarist (and consigliere) but in 1982, Steven Van Zandt, a.k.a. Little Steven, was in heavy rotation on MTV with “Forever,” Little Steven and the Disciples of Soul’s debut single. A few years later, Van Zandt recruited a collective of famous musicians including Miles Davis, Bono and Bob Dylan for Artists United Against Apartheid to protest South Africa’s institutionalized racial segregation with “Sun City” which garnered two Grammy nominations (Best Rock Performance By A Duo Or Group With Vocal, Best Music Video, Long Form). By 1999, when Van Zandt set aside his solo career to rejoin Springsteen after a 15-year absence, he’d released six records that eventually went out of print. [embedded content] Tomorrow (July 31), V...
Days before our interview, Bfb Da Packman texts to say that we can talk, “any day any time.” When the 25-year-old rapper answers the phone, it’s clear he wasn’t kidding. His voice cuts in and out as he moves a recently delivered table inside his Houston home. From there, he hits Chick-fil-A for some french fries, yelling to the cashier, “Be smoove, baby!”, before pulling away. Then, he heads to the grocery store to buy some “pop” (soda) for his manager at the post office. Confident and polite, Bfb convinces the woman cashier to stream his music and follow him on Instagram. On the phone, his jovial personality and disarming, unabashed honesty make him endearing immediately. There doesn’t seem to be any artifice. If nothing else, he knows his audience. “I don’t know how other artists treat y...
For many years, journalists have been asking Slipknot and Stone Sour frontman Corey Taylor not if but when he’s going to take the plunge and record a solo album. And until about a year-and-a-half ago, Taylor usually dismissed the question without giving it much more thought or insight. “But it kept coming up, for some reason, and so the more I started thinking about it, I was like, ‘Well, what the hell would it even sound like?’” Taylor tells SPIN over the phone. “I had kind of stockpiled these songs I’d written over the years, and I realized, ‘Oh, it would sound like these songs.’” If those asking were intentionally trying to subliminally plant the solo album idea in Taylor’s head, well, it worked. On Oct. 2, Roadrunner Records will release his first set of solo material, in the form of C...
Alessia Cara spent last summer finding strength in pain. She gravitated further toward the melancholic pop tracks she’s known for, harnessed all the negative emotions she remembers feeling at the time and twisted them all into the bubbly six-track concoction, This Summer; her third release and first nontraditional project, created entirely on tour. And this (actual) summer hasn’t been much different. The Grammy-winning singer-songwriter returned July 17 with This Summer: Live Off the Floor, an acoustic reimagination of last year’s emotive EP, complete with recording sessions done mostly on a studio floor, a full band — credited entirely on the project’s cover art like some of her favorite vintage jazz records — and an overarching charitable cause behind it. [embedded conten...
Two years ago, Dominique Purdy, better known as Koreatown Oddity, torched the werewolf mask he wore during his shows. “I haven’t been performing with it [since 2017] and ain’t nobody says shit,” Purdy jokes. “I got more hair on my face and more hair on my head. Maybe they thought I had the wolf head-on for real.” Little Dominique’s Nosebleed (Stones Throw), the latest album from the independent Los Angeles-based rapper, is the first with his face on the cover. Fittingly, it’s also his most personal and profound. Little Dominique’s Nosebleed is a memoir scored by Purdy’s progressive beats, his sincere and sometimes hilarious look in the rearview mirror as he rolls into the latter half of his 30s. He raps conversationally, delivering insightful punchlines with a great comedian’s timing as he...
Tomorrowland is known for creating one-of-a-kind immersive experiences, constantly pushing the boundaries of live event production and culture. With the announcement of Tomorrowland Around the World, the festival’s first virtual concert, expectations and anticipation are at an all-time high. Steve Aoki is no stranger to digital concerts, headlining the highly publicized Fortnite in-game concert experience, “Party Royale,” alongside deadmau5 and Dillon Francis back in May 2020. Ahead of Aoki’s Tomorrowland Around The World performance, EDM.com spoke to the Dim Mak Records founder about his thoughts on Tomorrowland’s debut in the digital concert space, his take on virtual events post COVID-19, and his new Latin music label Dim Mak En Fuego. ...
It’s been a quarter-century since the Presidents of the United States released their eponymous debut. And while the record found its way onto virtually zero year-end lists, its quirky tunes have somehow — against the alternative odds — endured. Name another band that incites a shopper to look around the fruit aisle at the local grocery store in preparation of warding off an ensuing ninja attack. Or a band that has, for the last 25 years, caused you hum, “kitty at my foot and I want to touch it…” Peaking at number six on the Billboard 200 Chart, Presidents of the United States of America produced four singles (“Lump,” “Peaches,” “Kitty,” and “Dune Buggy”) that dominated mid-‘90s radio and earned heavy MTV rotation back when the network actually played music videos. [embedded con...