The upcoming Netflix series Murderville stakes an early claim to the title of “wildest comedy of 2022,” bringing together a number of elements, including cop parody, improv comedy, and famous people being pranked, to deliver something remarkably unique. And while the first season has yet to premiere, if you ask showrunner Krister Johnson who he might want to involve in Season 2, he has an answer: Dave Grohl of the Foo Fighters. Each episode of Murderville features a trainee detective (played by a celebrity) being paired up with senior detective Terry Seattle (Will Arnett) to solve a crime — the catch being that while everyone else involved has a script, the “trainee” has no idea what’s going on, and has to improv their way through each scene before ultimately coming up with the answer to w...
This feature was co-authored by Lev Kotia, Nakul Sharma and Bayleigh Bogan. As the streaming landscape competition continues to get more competitive between the likes of Spotify, Apple, Amazon and others, finding competitive advantages to drive paid subscribers has never been more complex. Despite a crowded landscape, some platforms have carved out a unique place for themselves in the world of music streaming that creates a focused and unique value proposition for creators and fans. One such platform is Audius, which uses blockchain technology to offer clarity and transparency for artists. Through Audius’ disruptive platform, artists can upload their music and have an immutable record of owning that content. If the content is misused, musicians can easily prove ownership of the intell...
If you’ve been a fan of David Bazan’s music for the past few decades, you know that releasing a surprise album is a sign of personal growth and acceptance. The veteran indie rocker has released numerous albums — both under the Pedro the Lion moniker and as a solo artist — that have dealt with his messy break with Christianity and the psychological damage the Church caused him. Keeping close tabs on his emotional state both with himself and his fans is something that he has always valued. But when it came time to release his new Pedro the Lion album, Havasu (which he spent the past year quietly recording), the idea of presenting this batch of songs all at once without advance singles seemed like the right thing to do. Since reviving Pedro the Lion after nearly 15 years, Havasu marks his sec...
It’s probably possible to spend an entire decade discussing Bill Cosby, the comedy legend who was eventually revealed to be a serial predator. For We Need to Talk About Cosby, director W. Kamau Bell got four hours. “Showtime was great about giving us every minute they could, to let us push it as far as we could. Some of these episodes are like 59:59,” he tells Consequence in a Zoom interview. Bell, who also currently hosts CNN’s United Shades of America, brought his insight as a comedian who grew up as a “child of Bill Cosby,” as well as his experience working in documentary television, to the four-part series, which premiered at the 2022 Sundance Film Festival before its Showtime debut. The series tracks the entirety of Cosby’s career, putting into context the importance of the strides he...
Stacked heels, glam Gucci ensembles and delightfully lascivious asides, Måneskin’s Saturday Night Live debut stunned. It was tamer than the quartet’s club show at New York City’s Bowery Ballroom gig in October, where bassist Victoria De Angelis played with only black electrical tape over her nipples and frontman Damiano David spat water (Iggy Pop-style) into the eager mouths of the rabid young female crowd. De Angelis and David then gleefully leaped into the arms of their adoring acolytes to crowd-surf, before David invited the entire audience on stage. They accepted. [embedded content][embedded content] Everyone who could fit clambered onto the stage and squeezed in next to the band as they played. Dozens of thrilled, disbelieving women shimmied onstage. Possessed of the smolder of Elvis ...
If you’re watching a James Gunn project, you can expect a few things going in: An arch, darkly comic tone, characters as acerbic as they are morally questionable, and lots and lots (and lots and lots) of needle-drops. For Peacemaker, Gunn’s spinoff of last year’s endearing revamp of The Suicide Squad, his musically-literate mind zeroed in on one very specific genre: ’80s Scandinavian hair metal. After all, it’s pretty much the only type of music Christopher Smith, aka Peacemaker (John Cena) will listen to, the kind of thrashing, ballad-heavy stuff that fuels his flag-waving antihero. It’s suffused into every aspect of the show’s fabric, from Cena (in his thighty-whities) singing along to the Quireboys’ “I Don’t Love You Anymore” in Episode 1 to the stone-faced opening sequen...
Our Track by Track feature gives artists the opportunity to share the inspiration and stories behind each song on their latest release. Today, Yard Act frontman James Smith takes a deep dive into the songs behind their debut album, The Overload. British post-punk band Yard Act have unveiled their debut album The Overload today (January 21st). It’s safe to say that Yard Act are observers: The Overload is filled with statements that summarize our modern condition, both in their native England and the rest of the world around it. Led by frontman James Smith and rounded out by bassist Ryan Needham, guitarist Sam Shjipstone, and drummer Jay Russell, Yard Act are among the newest class of conscious rockers coming from across the pond. Every sound in The Overload feels deliber...
As a member of celebrated electronic music duo The Funk Hunters, the CEO of Westwood Recordings, and the co-founder of Midnight Agency, it’s not hard to tell that Nick Middleton has a passion for the music industry. Covering everything from music production to marketing and more, Middleton is involved in every step of the process. But that wasn’t his initial aspiration. In an interview with EDM.com, Middleton tells us that he “never really had music as a dream career” and he believed his passion was in film. Throughout high school and progressing into college, Middleton worked in film. He made documentaries, taught post-production, and even ran a film school on Galiano Island called The Gulf Island Film & Television School (GIFTS). It was his work at GIFTS...
It feels like the Wu-Tang Clan has been around forever, and their rise to fame is certainly a well-documented one. Between group member autobiographies (RZA’s Wu-Tang Manual and The Tao of Wu, U-God’s Raw, Buddah Monk’s ODB The Dirty Version, Raekwon’s From Staircase to Stage) and documentaries (Showtime’s Wu-Tang Clan: Of Mics and Men and Hulu’s Wu-Tang: An American Saga) it might be assumed that every angle of the Clan’s story has been examined. The epic From the Streets of Shaolin: The Wu-Tang Saga (Hachette Books) proves that is decidedly not the case. (Credit: Alice Arnold) Billed as “the most three-dimensional portrait of Wu-Tang to date,” this revelatory book is the work of S.H. Fernando, a golden-era hip-hop journalist present for some of the Clan’s most legendary studio sessions, ...