For a few minutes as Code Orange’s gear was being set up for a daytime gig on Coachella’s opening weekend, things were looking grim. The festival’s club-like Sonora tent was mostly empty, with scattered fans up front and rows of couches along the walls filled with reclining festival-goers recovering from the desert heat. It wasn’t an ideal scenario for one of the band’s usual wild, enraged performances. When the six players finally stepped onto the stage (to the ethereal, cerebral sounds of Bjork’s “Hunter”), they looked like they were ready for a fight. Dressed as commandos and garage-rockers, Code Orange quickly erupted with the single “Out for Blood,” all crushing riffs and industrial-strength rage. Singer Jami Morgan, sporting a motorcycle jacket and black shorts with the sides of his ...
Kiernan Shipka has some unconventional advice for getting to know a new co-star — do drugs with them. Or pretend to do drugs with them, as she tells Consequence. The Mad Men and Chilling Adventures of Sabrina alum stars with Diane Kruger (Inglourious Basterds, National Treasure) in Swimming With Sharks, a six-episode limited series that was originally produced to debut on the dearly departed streaming service Quibi. After Quibi shut down literally as the series was finishing up production, it (along with other Quibi series) was rescued by the Roku Channel for distribution. Based on the acclaimed 1994 indie film about a young assistant dealing with a tyrannical Hollywood boss, creator Kathleen Robertson flipped the genders of the leads to introduce the character of Lou Simms (Shipka), an as...
ILLENIUM is the hero Gotham needs right now. The electronic music superstar has teamed up with DC Comics and leading apparel brand Electric Family for a rare Batman merch collab. The DC-branded, limited edition collection is available now. One look at the threads is all it takes to realize the undeniable synergy between the DJ’s and superhero’s respective imagery. The dark skies of Gotham are an ideal canvas for ILLENIUM’s incandescent “phoenix” emblem and likeness, which glides around the iconic Bat-Signal. A t-shirt from Electric Family’s new “Batman” collection in collaboration with DC Comics and ILLENIUM. c/o Electric Family Electric Family has long operated in the vanguard of electronic dance music and fashion. Over the years, the compan...
It’s been exactly 585 Fridays since Rebecca Black released “Friday.” In that time, she’s gone from a 13-year-old with pop star dreams to one of the most eternal and viral internet sensations of all time to an electronic alt-pop singer capable of putting on one of the most over-the-top and ridiculous Coachella DJ sets in recent festival history. During her early Saturday evening “Rebecca Black & Friends” set at the Do LaB, Black introduced a wide variety of guests, including Big Freedia, bass phenom Blu DeTiger, and Slayyyter (with who she collaborated with last year) — while also busting out a stadium-style t-shirt cannon to fire into the crowd shirts reading things like “REBECCA BLACK REPLACED KANYE WEST AS THE COACHELLA 2022 HEADLINER” and “I LIKE REBECCA BLACK AND I CAN PROVE IT DUE...
Only four years ago, Fontaines D.C. released their first set of singles — one of which being “Boys In The Better Land,” an anthemic romp about the idea that the grass is always greener on the other side. Now, the boys of Fontaines D.C. have moved to London to see for themselves. For their brilliant third album, Skinty Fia—which is undoubtedly their most complex and nuanced album yet—the Irish rockers are digging even deeper into their Irish identity, looking both outward and inward, and offering empathetic observations and plainspoken truths. The expansive sound that Fontaines D.C. employs on Skinty Fia (out Friday, April 22nd) is a logical advancement from 2020’s Grammy-nominated A Hero’s Death, but the storytelling throughout points to a band totally unafraid of the unknown. “There ...
Ed. Note: Head here to find our complete coverage of Coachella 2022. If you aren’t familiar with Josh Freese’s prolific career, ask the following question: What do Sting, DEVO, The Offspring, The Vandals, Nine Inch Nails, 100 gecs, and Danny Elfman have in common? They’ve all recorded, written, or toured with Josh Freese behind the drum kit at some point in their lengthy careers. If “drummer for the stars” is any metric of Freese’s success, then he’s one of the most successful drummers of all time. Last weekend at Coachella, Freese had quite the engagement on Saturday — performing with hyperpop icons 100 gecs around 6:00 p.m., and then again with composer and frontman Danny Elfman at 9:00 p.m. Such a hectic performance schedule is nothing new for Freese, who proudly takes on as m...
The new Showtime series The Man Who Fell to Earth isn’t a remake — it continues the story of the cult classic Nicholas Roeg film, which starred David Bowie as Thomas Jerome Newton, a mysterious alien whose arrival on our planet ends in tragedy. So while the show starts decades after the film, with the arrival of a new titular man who’s fallen to Earth (Chiwetel Ejiofor), the original man is still there, albeit with a new face in veteran stage and screen actor Bill Nighy, beloved from roles in Love Actually, Pirates of the Caribbean, and Shaun of the Dead. Despite Bowie no longer being alive, there was never a question of continuing the story without the presence of Thomas Jerome Newton, according to co-creator Jenny Lumet. “He’s important — the first alien and the second alien that was alw...
Today, Blunts & Blondes released his debut album Story of a Stoner—and fittingly on 4/20, the de facto national holiday dedicated to stoners. “I just hope people accept it,” the electronic music star tells EDM.com. “I hope people like it. It’s not just EDM, it’s not just rave music. So I hope people take it for what it is and listen to it.” One of the most genuine cuts from the 13-track album is the confessional “4:30,” a languid tune featuring Cotis, who croons, “I just smoke all my days away. I don’t feel nothing, yeah. I just smoke all my pain away.” The song’s aching lyrics provide fans a glimpse into life following a breakup as its protagonist searches for redemption from someone they presumably hurt. Taking the lack of response to heart, they re...
It was just two months ago that Claire Cottrill was serenading a New York City crowd in the middle of a makeshift living room. The affair would have been low-key except for the fact that the indie-rock star— who goes by Clairo—was performing for nearly 6,000 people at Radio City Music Hall. “I remember soundcheck was pretty unbelievable—just seeing the entire venue empty was was very intimidating,” Clairo says over the phone from Seattle ahead of her show at the Paramount Theatre. The night was a landmark moment for the 23-year-old musician who had released her sophomore album, Sling, nearly a year ago. “Coming into touring, it was really beautiful to be able to see how different songs affected people,” she explains. “It still shocks me when people know the words to some of these songs ev...
Hatchie‘s debut album Keepsake was a beautifully dreamy, widescreen statement for the Australian artist, but throughout the album was a thick fog the enveloped the sweet surroundings. Now, for her glorious second album, Giving The World Away, out this Friday (April 22nd), the fog has cleared and revealed Hatchie in her truest form. Where Keepsake dabbled heavily in shoegaze and ’90s era dream pop, Giving The World Away doubles down hard, creating anthemic pop hooks out of homespun beats and powerful moments of crystalline rock. It’s a logical progression for Hatchie (born Harriette Pilbeam), but don’t think her carefully-calculated aesthetic takes away from the vulnerable truth of her lyrics—Hatchie is more open than ever before on Giving The World Away, and as she works to disma...