Indie Folk
Aldous Harding Announces New Album Warm Chris, Shares “Lawn”: Stream
Aldous Harding has a new album on the way. The New Zealand musician’s fourth studio album, Warm Chris, is out March 25th on 4AD, and lead single “Lawn” is available to stream now. Warm Chris follows Harding’s 2019 album Designer, and, like its predecessor, was produced by English musician John Parish. Harding discussed the making of the record in a statement. “It was recorded in my favorite place on earth — Rockfield Studios with John Parish, H. Hawkline, Steve Rockford, and engineer Joe Jones,” she said. “Listening back, it sounds to me like there’s something completely new happening with my voice. The vocals are tiny. I won’t try to speak about sound too much, because it’s here, and I don’t want to ruin or create a surprise. It reminds me personally/musically of ...
Lord Huron Announce 2022 North American Tour
Lord Huron are hitting the road this summer. The Michigan indie folk band have announced a headlining North American tour in support of their latest album, Long Lost. The trek kicks off in Las Vegas on May 17th and sees them hitting Portland, Cleveland, Atlanta, Toronto, and New York, among other cities. Notably, in June, the rockers are set to play two nights at Morrison, Colorado’s famous Red Rocks Amphitheatre. The tour wraps up August 21st at Columbia, Maryland’s Merriweather Post Pavilion. Folk duo First Aid Kit lend support on the band’s final few dates, including at stops in Chicago, Toronto, and New York. Lord Huron have plenty of festival dates sprinkled in with their headlining shows. Before the tour properly kicks off, they’ll perform at the One Big Holiday Festival in Riviera C...
Kevin Morby and Hamilton Leithauser on Characters in Their Songs, Demoitis, and Fear-Based Exercise
Listen via Apple Podcasts | Spotify | Google Podcasts | Stitcher | Pocket Casts | Radio Public | RSS Kevin Morby and Hamilton Leithauser stopped by the WFPK studios during their tour together and spoke with Kyle Meredith about the history of their friendship and writing the song “Virginia Beach” together. The pair also perform the song, as well as Morby’s “Campfire” and Leithauser’s “The Stars of Tomorrow.” Related Video Morby then spoke about releasing the demos to Sundowner and both artist’s experience with demoitis (a phenomenon by which you listen to one version of something so frequently that the proper recording becomes difficult to accept.) Advertisement Meanwhile, Leithauser talks about living in Washington, DC during...
Song of the Week: Best Coast and The Linda Lindas Collaborate on the Vibrant “Leading”
We’re taking a break from our Annual Report to highlight the Song of the Week. In this feature, we talk about the song we just can’t get out of our head each week. Find these songs and more on our Spotify Top Songs playlist. For our favorite new songs from emerging artists, check out our Spotify New Sounds playlist. This week, Best Coast is back with a little help from rising stars The Linda Lindas. Pop culture right now seems dominated by a certain amount of sentimentality. Rebooting and revamping have become the norm, and people are starting to push back on the oversaturation. Best Coast probably weren’t intending to jump into that exact discourse with their latest, “Leading,” but the opening line is a relatable statement nonetheless: “Nostalgia’s overrated, or maybe it’s just complicate...
Squirrel Flower Announces New Planet EP, Shares “ruby at dawn” and “unravel”: Stream
Squirrel Flower (born Ella Williams) released the album Planet (i) back in June, but it looks like she’s still got astronomy on the mind. Today the artist announced her Planet EP, out January 28th on Polyvinyl. To preview the release, she has shared two new singles: the original track “ruby at dawn” and a cover of Björk’s song “unravel.” Clocking in at seven tracks, Planet compiles Squirrel Flower’s self-recorded Planet (i) demos, leftover songs from the album’s studio sessions, and her Björk cover. In a statement, Williams explained that she saw releasing these odds and ends as a way for fans to better understand her artistic process. “I’ve always felt that the pieces and process and secrets behind a finished record are the most important parts,” Williams said. “Most of these so...
Phoebe Bridgers Performs “Savior Complex” in Austin City Limits Clip: Exclusive
Phoebe Bridgers has seemingly been everywhere in indie rock circles since her monster 2020 album Punisher. This weekend, she’ll cross another achievement off her list: performing on Austin City Limits. The singer-songwriter taped a set for the legendary PBS program in October in between performances at the festival of the same name, and today, Consequence has an exclusive first look at the show. Watch Bridgers perform “Savior Complex” below. Though she ditched her famous skeleton onesie (her backing band kept the uniform, however), Bridgers’ live rendition of the Punisher ballad otherwise stayed true to the original, down to the quiet cry of violin and smoky trumpet solo. Her resigned tale of a doomed relationship fills the theater with her trademark bittersweetness, especially with i...
Anand Wilder Shares Origins of New Single “I Don’t Want Our Love to Become Routine”: Exclusive
With our recurring new music feature Origins, artists connect with listeners by revealing the inspirations behind their latest songs. Today, former Yeasayer member Anand Wilder shares his new solo track “I Don’t Want Our Love to Become Routine.” Two years after the breakup of Yeasayer, former member Anand Wilder is readying his debut solo album. I Don’t Know My Words is set to arrive on March 25th, 2022, and Wilder has today shared a new single off the LP, “I Don’t Want Our Love to Become Routine.” The track is a more delicate representation of the folk pop Wilder displayed on previous single “Delirium Passes.” With piano tip-toeing in the background, he sings of the realistic hardships of longterm relationships. “I see a couple that mate together/ Because they hate themselves,” he si...
Houndmouth on Good for You’s Midwestern Style with a Southern Gothic Twist
Listen via Apple Podcasts | Spotify | Google Podcasts | Stitcher | Pocket Casts | Radio Public | RSS Houndmouth’s Matt Meyers and Shane Cody catch up with Kyle Meredith to talk about their new album, Good for You. Advertisement Related Video The pair welcomed Meredith into the very practice space and recording studio that they made the record, affectionately known as The Green House. Coming from Southern Indiana (just across the river from Louisville), Houndmouth take us inside the characters that populate the new LP’s songs and tell about basing the lyrics in the Midwest with a Southern Gothic twist. They also explain why they return to the Kentucky Derby in the title track and how it ties in with the song “Las Vegas” and Ma...
Basia Bulat Announces New Album The Garden, Shares Title Track: Stream
Basia Bulat has announced The Garden, a new album that features string quartet reimaginings of 16 songs from her discography. The record is set to hit streaming services February 25th via Street City Records, with physical copies releasing March 25th. To preview the album, Bulat has shared its title track, which you can stream below. While Bulat has been known to play with string instruments (including her go-to autoharp), The Garden beefs up the Canadian folk singer’s past songs with complete arrangements by composers Owen Pallett, Paul Frith, and Zou Zou Robidoux. She co-produced the record with Mark Lawson, known for his work with Arcade Fire and Beirut. In a statement, Bulat said The Garden allowed her to revisit songs whose meanings have changed since she first wro...
The Antlers Drop Surprise Losing Light EP, Announce 2022 Tour
It took The Antlers seven years to release this year’s Green to Gold, but now the duo is back with their second release in nine months. Today Peter Silberman and Michael Lerner surprise released Losing Light, an EP that reimagines four songs from their last record. They’ve also kept the ball rolling with word of their first tour since 2019. Losing Light trades The Antlers’ typical indie rock sound for an electronic edge. In a statement for the EP, frontman Silberman described the project as an exercise in imagining the future of music and technology. “How would these songs sound if they were being reconstituted from memory fifty years from now, after decades of technological evolution, alongside analog and digital degradation?” the artist asked. “I began to consider how...
Of Monsters and Men Reflect on the “Beautiful, Dark Forest” of My Head Is an Animal at 10
It’s been a decade since Of Monsters and Men released their debut album My Head Is an Animal in their home country of Iceland in September 2011. The success of the LP and its rollicking lead single “Little Talks” led to a deal with Republic Records, over a million records sold, a permanent spot on the festival circuit both in Europe and Stateside, and an enduring, fervent fanbase. “It’s a super special album,” Ragnar (“Raggi”) Þórhallsson, the group’s co-lead vocalist/guitarist, tells Consequence over Zoom. “I’ve always cared for it — the simplicity of it is that it’s hard to create something simple and beautiful, and I think that album is that.” Released internationally in April 2012, My Head Is an Animal grabbed listeners not just for its catchy melodies, but for the group’s sense of adv...
The Mountain Goats’ Divorce Anthem “No Children” Becomes TikTok Sensation
Nearly two decades after it was first released, The Mountain Goats’ divorce anthem “No Children” has given the prolific indie rock veterans a whole new audience after recently going viral on TikTok. Much of the fascination surrounding the song centers around its dark lyrics, offering new fans an unlikely entryway into the group’s formidable discography, which boasts an impressive 20 albums in total. As Vox reports, “No Children” first gained a modest following at the top of 2021 and once again this summer. In early October, however, The Mountain Goats truly became TikTok famous after @jamesryanb shared a reaction video to the 2002 song’s lyrics. “This song is way too depressing,” he opined. “It sounds like a middle aged man crying over a girl he met in high school. Like get over it du...
