Indie Folk
Ranking: Every Sufjan Stevens Album from Worst to Best
Sufjan Stevens has come to be one of the quintessential voices in contemporary indie rock, but it’s not a title he earned overnight. The songwriter is known for being prolific, having written eight solo studio albums, several collaborative albums, original material for Luca Guadagnino’s 2017 film Call Me by Your Name, and even multiple Christmas albums. He writes, performs, and records most of the music himself, sometimes playing more than 10 instruments on a single record. He even once vowed to make an album for each of the 50 US states (though, we all know how that turned out). Throughout each of his records, he’s explored banjo-led folk, electro-pop, grandiose indie rock, glitchy experimentalism, and instrumental new-age music. Stevens is the epitome of a musical polymath. What’s impres...
Dawes Share the Origins of New Single “Didn’t Fix Me”: Stream
Our new music feature Origins gives artists the challenge of digging into the various influences behind their latest tracks. Today, Dawes reveal the things that “Didn’t Fix Me”. Now more than ever, we’re all on our own journeys to try and feel just a little bit better. Of course, the double-edged sword of it all is no matter how good a place we find ourselves in, this year has made it ever more clear that such harmony is frail. But as anyone with any experience giving or receiving mental health advice will tell you, that’s normal. Feeling 100% all the time is an unfeasible expectation — and that’s okay. If you ever need a reminder of that, Dawes have delivered what could be the perfect musical hug with their new song “Didn’t Fix Me”. Taken from the band’s forthcoming Good Luck with Whateve...
Artist of the Month Anjimile’s Giver Taker Is a Startlingly Beautiful Prayer to the Present: Review
The Lowdown: Anjimile Chithambo might be new to the spotlight, but he’s been paying attention for a long time. His debut album, Giver Taker, carries a wide variety of influences — among them church choirs, ’80s pop, African music, and indie-folk — and melds them together as if they were born for this, born to flow into one another. The Boston-based trans musician wrote much of Giver Taker while in treatment for drug and alcohol abuse, and many of the songs are also concerned with his experiences coming out as trans and non-binary. As such, the entire album is papered with transformation, but through lenses of tenderness: the love implicit in confessions and the awe of one’s own resilience in the face of socialization and struggle. The Good: Would that I could just plop every single lyric f...
Angel Olsen and Composer Emile Mosseri Share Cover of “Mr. Lonely”: Stream
Back in July, Focus Features shared the trailer for writer/director Miranda July’s new film, Kajillionaire. The preview promised some quirky cons — and a new cover of the Bobby Vinton classic “Mr. Lonely” from Angel Olsen and composer Emile Mosseri. Today, a standalone stream of the pair’s rendition has been revealed. It’s a soft and haunting version, sounding like it could have come from Olsen’s Whole New Mess sessions. Add in the distant organ, and there are definitely some David Lynch vibes. In a press statement, Olsen recalled receiving the first text message from July asking her to work on the song with Mosseri. “So I met with them both, and we talked about cadence and we talked about life and we talked about the film,” Olsen said. “And Miranda directed me to sing the cover in the way...
The Mountain Goats Reveal New Single “Get Famous”: Stream
Next month, The Mountain Goats will drop their second album of the year, Getting Into Knives. A first preview came via “As Many Candles As Possible”, which featured contributions from Al Green’s own organist Charles Hodges. The indie outfit is now sharing another single in “Get Famous”. While most wish for popularity and success, The Mountain Goats are making us seriously reconsider these lofty dreams. The new song encourages listeners to follow their ambitions, but paints fame as something not at all worth coveting. Or as a press release succinctly puts it, frontman John Darnielle sings the title “as if it were a curse.” “Cold, grey world/ All these obedient sheep/ They act like they know, but they’re all sound asleep/ You arrive on the scene like a message from God/ Listen to the people ...
Phoebe Bridgers Performs Three Punisher Songs on CBS This Morning: Watch
Phoebe Bridgers has kept up her prolific streak into September. After taking part in a Daniel Johnston livestream tribute, playing a Tiny Desk (Home) concert in a miniature Oval Office, and covering Radiohead in a church, Bridgers stopped by CBS This Morning over the weekend for a Saturday Sessions performance. Bridgers delivered a trio of tracks off her latest full-length, Punisher, one of our favorite albums of the year thus far. Dressed in her now familiar skeleton suit, she sang “Garden Song”, “I Know the End”, and one of 2020’s best songs, “Kyoto”. Watch all three performances below. Earlier this summer, Bridgers contributed to a voters’ rights compilation alongside R.E.M., Hayley Williams, Angel Olsen, and others; teamed with Courtney Barnett to cover Gillian Welch’s “Everything...
Angel Olsen Covers George Harrison’s “Beware of Darkness” from Quarantine: Watch
The pressure to be productive while in quarantine continues to be very real, but Angel Olsen has made it look fairly effortless. In addition to rolling out a stellar new album, Whole New Mess, she’s spent the last few months sharing cover after cover. In March, she took on Roxy Music’s “More Than This”, followed by the Tori Amos original “Winter” in April. For her latest reworking, Olsen has tackled “Beware of Darkness” by George Harrison. Originally appearing on The Beatles guitarist’s All Things Must Pass album, the 1970 track was described by Olsen as “pretty great.” Her rendition, uploaded directly to IGTV late Thursday night, is similarly impressive in its vulnerability and starkness. “I’m just messing around like a tired sad shit,” Olsen wrote of her version, which was filmed in...
Colin Meloy and Laura Veirs Join Raye Zaragoza on New Song “They Say”: Stream
Colin Meloy (photo by David Brendan Hall), Raye Zaragoza (photo by Cultivate Consulting), and Laura Veirs Folk artist and protest music songwriter Raye Zaragoza has announced a new album, Woman in Color. Due out October 23rd through Rebel River Records, it’s being previewed today with a single called “They Say”, featuring harmonica from The Decemberists frontman Colin Meloy and banjo arrangements courtesy of veteran folk musician Laura Veirs. A timely number, it finds Zaragoza taking the US government to task for its piss-poor response to the coronavirus crisis. “This song is about the dysfunction of American power structures. It’s about how the systems built to support the people don’t support all people,” she explained in a statement. “Especially during a pandemic, it’s been ex...
Phoebe Bridgers Covers Radiohead’s “Fake Plastic Trees” in a Church: Watch
In addition to releasing one of the year’s best albums so far, Phoebe Bridgers has spent the summer months covering a number of iconic artists. In June, she shared her official recording of John Prine’s “Summer’s End”, which she then followed up with a rendition of Gillian Welch’s “Everything is Free”, done in collaboration with Courtney Barnett. Now, Bridgers has taken on an alt-rock classic in “Fake Plastic Trees”. The indie folk artist’s Radiohead cover came as part of the BBC Radio 1 program Phil Taggart’s Chillest Show. And chill it certainly was. Bridgers recorded her delicate version of The Bends original inside of a church with help from rising R&B star Arlo Parks, who provided icy piano accompaniment. Bridgers previously covered “Fake Plastic Trees” live in concert in 2017, as...
The Decemberists’ Colin Meloy Shares New Song “Slint, Spiderland”: Stream
Colin Meloy of The Decemberists has shared the new solo song “Slint, Spiderland”. The Decemberists have been in hibernation since 2018, when the band released I’ll Be Your Girl and the Traveling On EP. Currently, Meloy is writing his fifth book, having published four children’s titles since 2011. But in April, as the reality of quarantine settled in, he had a bizarre experience that caused him to set the prose aside. As Meloy told NPR, he watched a documentary about the making of the Slint album Spiderland, when the normalcy of what he was doing suddenly struck him as bizarre. He said, “I don’t know that it particularly spoke to the current moment in any way other than it felt completely disconnected from it. Thing is about the lockdown and the quarantin...
Big Thief’s Adrianne Lenker Announces Two Solo Albums, Shares “anything”: Stream
Adrianne Lenker of Big Thief has revealed two new solo albums, songs and instrumentals. Both projects are due out October 23rd, and Lenker has provided a preview with the new single “anything”. This wasn’t part of the plan. Lenker had hoped to be on tour with Big Thief most of this year, capitalizing on the success of their twin 2019 releases U.F.O.F. and Two Hands. But when the pandemic scuttled that trek, the notoriously prolific songwriter retreated to a one-room cabin in the mountains of western Massachusetts. With the help of engineer Philip Weinrobe, she embarked on an all-analog (AAA) recording process. They began each day with an improvised acoustic jam, and they ended each session with the same. These off-the-cuff explorations landed on the instrument...
Angel Olsen Reveals New Album Whole New Mess: Stream
Angel Olsen has released her new album Whole New Mess. Stream it below via Apple Music and Spotify. Today’s release follows last year’s stunning All Mirrors, which was one of the best records of 2019 and the 2010s overall. However, whereas that effort was an opulent extravaganza of 11-piece string arrangements and orchestral ambiance, Whole New Mess is a decidedly quieter and more intimate affair. It mostly features early, acoustic renditions of songs off All Mirrors, but also offers some new material like the beautiful title track. It’s technically the first true solo album Olsen’s made since her 2012 debut Half Way Home, but she sounds comfortable as ever in this raw and emotive musical environment. In a revealing interview with Pitchfork, Olsen opened up about how the aforemen...
