<span class="localtime" data-ltformat="F j, Y | g:ia" data-lttime="2021-05-17T21:23:26+00:00“>May 17, 2021 | 5:23pm ET If aliens invade, there’s nobody in the universe you’d rather call than John Boyega. The Star Wars hero got his start battling extraterrestrials in 2011’s Attack the Block, and as Deadline reports, he’ll be returning to the role that made him famous in the upcoming Attack the Block 2. Boyega’s breakout came playing Moses, a small-time crook who saved the neighborhood from hostile invaders. Writer and director Joe Cornish (The Kid Who Would Be King) hit on a giddy combination of comedy, horror, and social commentary, and while Attack the Block failed to break even at the box office, ...
The Addams Family will soon welcome a very fitting guest: Tim Burton. According to Deadline, the veteran Gothic filmmaker is heading to television for the first time ever for a new live-action adaptation of America’s spookiest family. Sources tell the publication that Burton is negotiating to both executive produce and — get this — possibly direct all episodes of the new reboot. Oh, it gets better: Burton will also be joined by Smallville masterminds Alfred Gough and Miles Millar, who will serve as executive producers, head writers, and showrunners of the series. Additional details are scarce if non-existent at the moment, but Deadline states the show would be set in modern times and would instead follow the point of view of young Wednesday Addams. This would certainly give it a YA slant. ...
Listen via Apple Podcasts | Spotify | Google Play | Stitcher | RSS “You know, Halloween is a very strange holiday. Personally, I don’t understand it. Kids worshipping ghosts, pretending to be devils? Things on TV that are completely inappropriate for younger viewers. Things like the following half hour. Nothing seems to bother my kids, but tonight’s show, which I totally wash my hands of, is really scary. So if you have sensitive children, maybe you should tuck them into bed early tonight instead of writing us angry letters tomorrow. Thanks for your attention.” Tired of Smarch Weather? Put down your cursed frogurt and join us for a late-night fog walk through the night gallery of The Simpsons’ Treehouse of Horror episodes. That’s right, we’re ta...
This review is part of our coverage of the 2020 Beyond Film Festival. The Pitch: In a small and snow-covered mountain town, a series of murders suddenly create a sizable body count, leaving the townsfolk frightened and the humble police force confused. When a rumor runs through town that a werewolf is behind the kills, coinciding with full moons and savagely torn apart corpses, John Marshall (Jim Cummings) is suddenly tasked with proving that lycanthropes are a campfire tale. This proves difficult when it’s added to his long list of pre-existing duties, such as taking care of his teenage daughter and watching over his sickly father. It’s Like Fargo With Werewolves: Jim Cummings is a jack-of-all-trades when it comes to film. No, seriously, the guy has dipped his toes into everything. Writin...
The Pitch: Millie Kessler (Kathryn Newton) is a year removed from her father’s death and her family is still grieving. While her sister Char has fittingly taken the role of matriarch, appropriate considering her career in the police force, her mother has taken to the bottle. It’s also senior year for Millie at Blissville High and things aren’t particularly promising; the boy she likes doesn’t seem interested, she’s constantly picked on by teachers and students alike, and she’s anxious at the idea of leaving her mom behind. Keeping her grounded are best friends Josh (Misha Osherovich) and Nyla (Celeste O’Connor). Things take a very sudden turn, however, when she’s attacked by the legendary Blissfield Butcher (Vince Vaughn) with a mystical knife that has them swap bodies. Now, she has 24 hou...
Edgar Wright is staying spooky. As Deadline reports, the Baby Driver filmmaker has added another project to his plate. It’s called Stage 13, a ghost story from Amblin Partners that reads like a ghoulish comedy in the vein of, say, Warm Bodies. Written by Saturday Night Live alum Simon Rich, who based the screenplay on his own short story-of-the-same-name, Stage 13 follows a silent film-era actress who has haunted the titular soundstage for decades. Her afterlife changes when she meets a struggling director, and the two find a way to work together. It’s easy to see why this project would tickle Wright’s funny bone. The story digs right into his roots, back when he was still cutting his teeth on Spaced and Shaun of the Dead. So, this should be quite a delight, all things considered. Editors&...
Feature artwork by Cody Schibi (Purchase Prints + More). Few movies are written with a sequel in mind. That is, of course, if you have a franchise planned, in which case you’re being both ambitious and presumptuous. Even rarer is a movie that demands a sequel. Sure, there are a few rare gems that manage to further the storyline, or at least retain some of the magical elements that made their predecessor work so well. But, more often than not, sequels just feel like a retread and another sign that Hollywood is running out of ideas. Gremlins 2: The New Batch is an exception to that rule. In 1989, director Joe Dante was given complete creative control by Warner Bros. to followup 1984’s Gremlins — and he milked that control for everything it was worth. There’s breaking the fourth wall in an on...