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Anvil Announce New Album Impact Is Imminent, Unleash “Ghost Shadow”: Stream

Canadian heavy metal progenitors Anvil are returning with their 19th studio album, Impact Is Imminent, on May 20th. The band has shared the video for lead single “Ghost Shadow” ahead of the release date. Over 40 years into their career, Anvil continue to churn out spirited rippers like “Ghost Shadow.” Frontman Steve “Lips” Kudlow’s charismatic vocals and sharp riffs guide this one, with founding drummer Robb Reiner’s pounding syncing into a thrash-like groove with Christopher “Christ” Robertson’s bass work. “‘Ghost Shadow’ is my sixth sense telling me I’m being watched!” Kudlow remarked via a press release. “Could be internet trolls or paranormal phenomenon! Either way the song is heavy as f**k!!” Advertisement Related Video Impact Is Imminent was produced by Martin “Mattes” Pfeiffer (U.D....

Terror Announce New Album, Share “Can’t Help But Hate” Featuring George “Corpsegrinder” Fisher: Stream

Hardcore vets Terror have announced a new album, Pain Into Power, arriving May 6th. The band has also shared the lead single “Can’t Help But Hate” featuring George “Corpsegrinder” Fisher of Cannibal Corpse. The new song clocks in at a minute and 26 seconds — ample time for the Los Angeles punks to rip through a blaster. Corpsegrinder is right at home amid the hardcore flurry, providing some beefy background growls to complement Terror frontman Scott Vogel’s aggressive throat-shredding vocals. For Pain Into Power, Terror reunited with founding guitarist and Nails leader Todd Jones, who produced the new record and brought along the crushing sound his projects are known for. Advertisement Related Video “Todd is super intense and focused and analyzes all angles of songs and band situations,” V...

Devil Master Announce New Album, Unveil Video for “Acid Black Mass”: Stream

Devil Master have announced their eagerly anticipated sophomore album, Ecstasies of Never Ending Night. Ahead of the April 29th release date, the Philadelphia-based band has shared the video for lead single “Acid Black Mass.” The new album sees Devil Master exploring a more mystical and darkly numinous path in lieu of the self-described “childish Satanism” of their debut album. This is best exemplified in the album art for Ecstasies, which depicts an enchanting fantasy-scape. That doesn’t mean the band has dropped its core black metal and punk rock influences. Devil Master once again tap into the infernal majesty of Celtic Frost and raw street punk of GISM on “Acid Black Mass,” though the overall arrangement and playing is tighter and more atmospheric. A DIY camcorder-shot video of the ban...

Meshuggah Unveil New Song “Light the Shortening Fuse”: Stream

Meshuggah have unleashed “Light the Shortening Fuse,” the second single from their upcoming album Immutable (out April 1st). Following the powerful lead single “The Abysmal Eye,” Meshuggah deliver another crushing piece of progressive metal mastery. The compact and syncopated riffs of “Light the Shortening Fuse” have a heavier emphasis on groove, making the song a bit more accessible. But the Swedish band sacrifices none of its trademark brutality or songwriting complexities in the process. Thankfully we won’t have to wait much longer to hear the rest of Immutable, which drops in less than a month. The LP was recorded at Sweetspot Studios in Halmstad, Sweden, and mixed by Rickard Bengtsson and Staffan Karlsson. Vlado Meller (Rage Against the Machine, System of a Down) handled the mast...

Soul Glo Unleash “Driponomics” Ahead of Upcoming Album: Stream

Philadelphia hardcore band Soul Glo have shared the new song “Driponomics” from their upcoming album Diaspora Problems, arriving March 25th. Soul Glo blew us away with the album’s excellent lead single “Jump!! (Or Get Jumped!!!)((by the future))” and its invigorating music video. New song “Driponomics” takes a more experimental approach to the band’s fusion of punk, hip-hop, and industrial. Featuring a guest verse by Philly rapper Mother Maryrose, the track is an uncompromising sonic commentary “on capitalism and economic disparity.” “’Driponomics’ is for everyone doing what they have to do to get by and to get fly,” the band commented via a press release. “Oftentimes lower-income and working class people are criticized for how they survive out here, especially in times of crisis. People a...

Ghost Unleash New Song “Twenties” Ahead of Upcoming Album Impera: Stream

Ghost have shared “Twenties,” the latest single from their forthcoming album, Impera, arriving March 11th. “Twenties” delivers a heavier and more propulsive sound than previous single “Call Me Little Sunshine.” It also boasts ominous lyrics that ring poignant given the “historical events unfolding on the world stage (however incidental),” as the press release put it. The opening stanza is chilling: “Listen up, hatchet man,” sings Papa Emeritus IV (aka Tobias Forge). “Send controls for the heart of the land / Kill ’em all / It is time / You’re the next in the chain of command.” The song drops a day before Ghost wrap up their co-headlining US tour with Volbeat. The final concert is tomorrow (March 3rd) in Anaheim, California, and concludes a thrilling run of shows that saw the live premiere ...

Rise Against Announce Summer 2022 North American Tour with The Used and Senses Fail

Rise Against have announced Summer 2022 North American tour dates. To mark the occasion, the Chicago punk band has offered up a new remix by IDLES. We previously reported on Rise Against’s spring North American dates, which precede a slew of European performances and festival appearances. After that, the band will embark on the newly announced summer leg, rounding out a busy 2022 itinerary. The Used and Senses Fail will be along for summer outing, which kicks off July 15th in Las Vegas and runs through an August 18th show in Detroit. Tickets go on sale Friday (March 4th) via Ticketmaster, with pre-sales beginning as early as tomorrow (March 1st). Advertisement Related Video Meanwhile, UK post-punk act IDLES’ reworking of “Talking to Ourselves” adds a synthy pulse to the otherwise guitar-dr...

Spirit Adrift Share Cover of Pantera’s “Hollow”: Stream

Spirit Adrift have covered Pantera‘s “Hollow” to celebrate the 30th anniversary of the latter’s iconic Vulgar Display of Power album. The cover sees the Austin-based Spirit Adrift faithfully paying homage to their Texas metal forebearers. As one of Pantera’s more mid-tempo, melodic songs, “Hollow” works well within Spirit Adrift’s traditional heavy metal framework. It’s no surprise that the song and Vulgar Display of Power were a major influence on singer-guitarist Nate Garrett. “Vulgar Display of Power was a massive influence on my understanding of powerful songwriting, memorable arrangements, riffing, drumming, singing, and heavy metal in general”, Garrett said in a press release. “I studied the entire album from an early age, and the standout track to me has always been ‘Hollow.’ I...

Coheed and Cambria Announce Summer 2022 North American Tour, Unveil “The Liars Club” Single: Stream

Coheed and Cambria have announced a Summer 2022 North American headlining tour, with support from Dance Gavin Dance and Mothica. The band has also unleashed “The Liars Club” as the latest single from their forthcoming album, Vaxis II: A Window of the Waking Mind, out May 27th. The new tour announcement comes in the midst of Coheed and Cambria’s previously announced winter “Great Destroyer Tour,” which continues tonight (February 22nd) in Oklahoma City. The newly unveiled summer outing, which will see Coheed playing large-scale amphitheaters and arenas, has been dubbed “A Window of a Waking Mind Tour.” That one kicks off July 12th in Miami, Florida, and runs through an August 17th show in Troutdale, Oregon. Tickets for the winter trek are currently on sale via Ticketmaster, while the summer...

Grace McKagan Unveils New Song “Baby That’s Rock N Roll”: Stream

Grace McKagan, the daughter of Guns N’ Roses bassist Duff McKagan, has unveiled the music video for her new song “Baby That’s Rock N Roll.” Grace goes for a garage-rock sound this time around, combining a driving beat with fuzzed-out guitars. Director Connor Ellmann’s Super 8-style video adds to the vintage aesthetics, as Grace rides through the Hollywood hills on the back of a motorcycle. “The single speaks to the current mainstream attitude towards rock music, and how distorted it is from the original depth and authenticity from which it was derived,” Grace McKagan said in a press statement. “I’m not the guru on what rock is or isn’t, but the personification of the genre has evolved a lot, especially in these past couple of years. Studs, dirty sex, a guitar riff on a pop song, and wearin...

Trivium’s Matt Heafy Announces Debut Ibaraki Album, Shares “Akumu” Featuring Nergal: Stream

Trivium frontman Matthew Kiichi Heafy has announced Rashomon, the debut album from his black metal solo project Ibaraki. The Ihsahn-produced LP arrives May 6th via Nuclear Blast. Ahead of the release date, Heafy shared the second single from the project, “Akumu,” which features guest vocals by Behemoth’s Nergal. It was co-written by Heafy and Ihsahn, with Nergal translating the lyrics into his native Polish. “‘Akumu’ translates to ‘nightmare’ — and with this piece, I encourage the listener to work to find their interpretations of what they feel from the lyrics, music, and the haunting visuals of the music video,” Heafy remarked in a press release. “I have always been fascinated by Sagazan’s ‘Transfiguration,’ and for years, I have wanted to pay homage to his works with a performance art pi...

Ed Sheeran and Bring Me the Horizon Unleash Collaborative Take on “Bad Habits”: Stream

Following an onstage collaboration at the Brit Awards, Ed Sheeran and Bring Me the Horizon have released a studio version of their heavier take on Sheeran’s smash hit “Bad Habits.” Sheeran and Bring Me the Horizon performed the song together last week during the Brits, the UK’s equivalent of the Grammys, with BMTH adding a metalcore flavor to the pop superstar’s No. 1 single. Sheeran and BMTH singer Oli Sykes traded verses, with the band adding some heavy breakdowns, leading up to Sykes’ screams at the very end. The studio version reproduces the same arrangement while adding some polish to the finished product. For Bring Me the Horizon, the collaboration with Sheeran isn’t as surprising as it may seem. The band has moved away from its deathcore and metalcore sound in recent years, embracin...