Heavy Culture
Heavy Culture: Oxymorrons on Queens Upbringing, Haitian Heritage, and Fighting Stereotypes
Heavy Culture is a monthly column from journalist Liz Ramanand, focusing on artists of different cultural backgrounds in heavy music, as they offer their perspectives on race, society, and more as it intersects with and affects their craft. The latest installment of this column features Deee and KI of the band Oxymorrons. Oxymorrons are keeping busy in 2022. After kicking off the year on the ShipRocked cruise, the band is currently wrapping up a tour with Grandson and Royal & The Serpent. Heavy Consequence recently caught up with brothers Deee and KI of Oxymorrons to discuss all things music and culture. The vocalists spoke candidly about their upbringing in Queens, New York, their Haitian roots, and how that shaped who they are and their music. They also discussed their 2021 release, ...
Heavy Culture: Alien Weaponry on Māori Ideology, New Album Tangaroa, and Touring with Gojira
Heavy Culture is a monthly column from journalist Liz Ramanand, focusing on artists of different cultural backgrounds in heavy music, as they offer their perspectives on race, society, and more as it intersects with and affects their craft. The latest installment of this column features Lewis and Henry de Jong of Alien Weaponry. New Zealand metal act Alien Weaponry have recently released their latest album, Tangaroa, and they also wrapped up a tour supporting supporting Gojira and Knocked Loose. The band’s music is written and sung in both Māori and English, with themes that center around the ideologies and history of the culture. Heavy Consequence caught up with brothers Lewis de Jong (vocals, guitar) and Henry de Jong (drums) while they were on the road with Gojira. They spoke about tour...
Heavy Culture: Nova Twins on Racial Identity, Representation of Women of Color in Heavy Music, and More
Heavy Culture is a monthly column from journalist Liz Ramanand, focusing on artists of different cultural backgrounds in heavy music, as they offer their perspectives on race, society, and more as it intersects with and affects their craft. The latest installment of this column features Amy Love and Georgia South of the Nova Twins. UK duo Nova Twins released their debut album, Who Are the Girls?, in 2020. They kicked off 2021 by curating a compilation called Voices for the Unheard, which showcases alternative and rock artists of color. Proceeds from this compilation went to The Black Curriculum, which is an initiative to address the lack of Black British history in UK classrooms. Bandmates Amy Love and Georgia South describe their music as “urban punk,” but it melds several genres together...
Heavy Culture: Palaceburn Singer Meredith Bell and Hyro the Hero on Juneteenth and Being Black in America
Heavy Culture is a monthly column from journalist Liz Ramanand, focusing on artists of different cultural backgrounds in heavy music, as they offer their perspectives on race, society, and more as it intersects with and affects their craft. The latest installment of this column features Palaceburn singer Meredith Bell and Hyro the Hero and focuses on Juneteenth and other topics. Juneteenth has just been declared a federal holiday in the United States by the Biden administration. The day, marked on June 19th, commemorates the end of slavery as the date the last remaining slaves in Texas learned of their freedom in 1865, two years after Abraham Lincoln’s Emancipation Proclamation was signed. Philadelphia-based Palaceburn began their music journey with their EPs The Awakening in 2013 and Curs...
Heavy Culture: Chthonic’s Freddy Lim Talks Politics and Metal, Premieres “Oceanquake” Live Video
<span class="localtime" data-ltformat="F j, Y | g:ia" data-lttime="2021-05-14T18:06:27+00:00“>May 14, 2021 | 2:06pm ET Heavy Culture is a monthly column from journalist Liz Ramanand, focusing on artists of different cultural backgrounds in heavy music as they offer their perspectives on race, society, and more as it intersects with and affects their music. The latest installment of this column features an interview with Chthonic frontman Freddy Lim. Freddy Lim has intertwined his life as both a politician and musician. In 2020, Lim was re-elected to Taiwan’s parliament, where he first won a seat in 2016. He’s also been going strong as frontman of the Taiwanese metal band Chthonic for more than 25 years. As countries around the world continue to have COV...
Heavy Culture: Asian and AAPI Musicians Speak Out on Anti-Asian Violence and Experiences with Racism
<span class="localtime" data-ltformat="F j, Y | g:ia" data-lttime="2021-05-03T17:37:05+00:00“>May 3, 2021 | 1:37pm ET Heavy Culture is a monthly column from journalist Liz Ramanand, focusing on artists of different cultural backgrounds in heavy music as they offer their perspectives on race, society, and more as it intersects with and affects their music. The latest installment of this column features Asian and AAPI rock and metal musicians discussing the recent wave of Anti-Asian violence and their own experiences with racism. In this installment of “Heavy Culture,” Asian and AAPI (Asian American and Pacific Islander) rock and metal artists recount experiences of racism and share their thoughts and feelings on the rise in violence against people of Asi...
Heavy Culture: Moonspell’s Fernando Ribeiro Talks Hermitage, Pandemic, Growing Up in Portugal, and More
Heavy Culture is a monthly column from journalist Liz Ramanand, focusing on artists of different cultural backgrounds in heavy music as they offer their perspectives on race, society, and more as it intersects with and affects their music. The latest installment of this column features an interview with Moonspell frontman Fernando Ribeiro. The year 2020 made most of us embrace our hermit-like ways. Little did Moonspell singer Fernando Ribeiro know that the word Hermitage that he came across in 2017 would be an apt title for the band’s brand new album. The new release Hermitage is the veteran Portuguese gothic metal band’s 12th full-length studio album. The LP focuses on topics such as solitude and isolation, but also on community. Heavy Consequence caught up with Ribeiro via Skype in mid-M...
Heavy Culture: Living Colour on Their Upbringings, Pandemic Life, and Getting Out the Vote
Heavy Culture is a monthly column from journalist Liz Ramanand, focusing on artists of different cultural backgrounds in heavy music as they offer their perspectives on race, society, and more as it intersects with and affects their music. The latest installment of this column features an interview with the Living Colour drummer Will Calhoun, guitarist Vernon Reid and bassist Doug Wimbish. Since 1985, Living Colour have blended rock, metal, and blues to form a sound all their own, inspiring many artists along the way. This year, the rock pioneers are celebrating 30 years of their sophomore album, Time’s Up, which yielded such hits as “Type”, “Love Rears Its Ugly Head”, and “Elvis Is Dead”. This edition of “Heavy Culture” spans several months, as we first caught up with the members of Livin...
Heavy Culture: Musicians on Protests, Power, and the Pandemic
Clockwise from Upper Left: Skin, Rasheed Thomas, William DuVall, Cammie Gilbert, Elias Soriano, Militia Vox, AJ Channer, Prika Amaral Heavy Culture is a monthly column from journalist Liz Ramanand, focusing on artists of different cultural backgrounds in heavy music as they offer their perspectives on race, society, and more as it intersects with and affects their music. The latest installment of this column features multiple rock and metal musicians recounting their early experiences of racism. The year 2020 will go down as one of the most difficult and memorable in the history of the world. As a global pandemic continues to wreak havoc on the physical and economic health of countries across the world, protests for justice and equality have led to notable progress in the battle again...
Heavy Culture: Rock Musicians on What It Means to Be Black in America in 2020
Clockwise from Upper Left: Vincent Price, WIlliam DuVall, Cammie Gilbert, AJ Channer, Skin, Rasheed Thomas Heavy Culture is a monthly column from journalist Liz Ramanand, focusing on artists of different cultural backgrounds in heavy music as they offer their perspectives on race, society, and more as it intersects with and affects their music. The latest installment of this column features multiple rock and metal musicians recounting their early experiences of racism. The death of George Floyd while in police custody earlier this year has had a profound impact on the nation and the world. In recent months, people from all walks of life have joined together to protest injustice that Black Americans have been facing for ages. In last month’s installment of “Heavy Culture”, several musicians...
Heavy Culture: Musicians Recount Early Experiences of Racism
Heavy Culture is a monthly column from journalist Liz Ramanand, focusing on artists of different cultural backgrounds in heavy music as they offer their perspectives on race, society, and more as it intersects with and affects their music. The latest installment of this column features multiple rock and metal musicians recounting their early experiences of racism. Racism is real. Colorism is real. Implicit biases are real. Injustice is real. It is rooted in ignorance. As a Caribbean woman, the first time I experienced racism was a vivid memory in the first grade. A white, female classmate, the same age as me — about 6 or 7 years old — told me I was dirty, ugly, and that I did not deserve the new stationery my mom bought for me. Even as a child, I felt that this classmate had disdain for me...
