A Zoom malfunction meant we had to restart midway through our conversation, but Oscar-nominated composer Germaine Franco was more than understanding — because Encanto was a COVID production. “Usually you want to be in the same room so everybody’s listening to the same mix, the same speaker, the same environment,” she tells Consequence via Zoom. “But I was presenting cues on Zoom, and everyone had different headphones. It was so tricky to say, ‘Okay, I’m going to play this. I have no idea what it sounds like on your end.’” Prior to Encanto, Franco’s film work included The Book of Life, Dope, Tag, and Coco — her Oscar nomination this year, for the lively Colombian-influenced score of Disney’s latest animated feature, makes history, as she’s only the sixth woman ever to be nominated for...