Film Reviews
Glass Onion: A Knives Out Mystery Is a Silly, Absurd and Downright Fun Sequel: TIFF Review
This review is part of our coverage of the 2022 Toronto International Film Festival. The Pitch: Famous Southern detective Benoit Blanc (Daniel Craig), whom we first met in the 2019 flick Knives Out, is in a pandemic-induced funk when he receives an invitation from eccentric billionaire Miles Bron (Edward Norton) to his next big case in Greece. There, on a remote island, Bron’s closest friends and “disrupters” congregate for a murder mystery party at his Glass Onion house — a spot so lavish even the Mona Lisa is there, on loan from the Louvre. There’s former model-turned-fashion-designer Birdie Jay (Kate Hudson), controversial social media star Duke Cody (Dave Bautista), brilliant scientist Lionel Toussaint (Leslie Odom Jr.), right-wing politician Claire Debella (Kathryn Hahn), and Bron’s s...
Chevalier Shines an Elementary Light on a Nearly Forgotten Master: TIFF Review
This review is part of our coverage of the 2022 Toronto International Film Festival. The Pitch: You have heard of Mozart, Beethoven, and countless other European composers that helped shape music as we know it. However, it’s likely that you have never heard of Joseph Bologne, known professionally as Chevalier de Saint-Georges, whose work was largely destroyed when slavery was reinstated throughout France in 1802. It is an absolute shame, but thankfully, what has been preserved has been rediscovered over the years, establishing him as the first Black composer of the classical eras. Now, his story, or at least some of it, has been adapted for the screen thanks to director Stephen Williams and screenwriter Stefani Robinson. Chevalier shows Bologne, played by Luce breakout Kelvin Harrison Jr.,...
The Fabelmans Sees Steven Spielberg Turn The Camera On Himself: TIFF Review
This review is part of our coverage of the 2022 Toronto International Film Festival. The Pitch: If you are familiar with Steven Spielberg beyond his movies, you likely know that he had a bit of an unconventional upbringing. His mother was an eccentric character, while his father seemingly loved her unconditionally as they moved around the country. However, that came to a halt when they suddenly announced their divorce when he was a senior in high school. It was this critical event, and the infidelity that Related Video fueled it, that helped shape the themes of Spielberg’s movies for the rest of his career. This influence is especially apparent in his latest film, The Fabelmans. Swapping out the Spielberg name with that of the titular family, this film is nonetheless his most personal to d...
My Policeman Review: Harry Styles and Cast Arrest in Essential Queer Story
This review is part of our coverage of the 2022 Toronto International Film Festival. The Pitch: In 1950s Britain, same-sex relationships are illegal. Gay men are arrested and thrown in jail for “unlawful” acts, or beaten by a hateful public. Those who pursue relationships must do so in secret or risk everything — their careers, families and maybe even lives. Enter a handsome but simple policeman named Tom (Harry Styles), who falls in love with an educated museum curator named Patrick (David Dawson). The pair hide their affair until Tom meets a schoolteacher named Marion (Emma Corrin) and decides to marry her in pursuit of a “normal” life. Related Video Fast forward several decades and Marion (now played by Gina McKee) takes in Patrick (Rupert Everett) following a stroke, angering Tom (Linu...
Barbarian Is Your New Bonkers Horror Favorite of 2022: Review
The Pitch: On a dark and stormy night in Detroit, Tess (Georgina Campbell) shows up at her AirBnB only to find someone already staying there: sensitive, looming, but slightly disarming Keith (Bill Skarsgård). Turns out they’ve both rented the place on the same night, and there’s nowhere else to stay, so Tess decides to take Keith up on his offer to crash together. After all, what’s the worst that could happen? Eat Your Heart Out, Gabriel: How do you write a review of a film that’s genuinely, truly, deeply best enjoyed blind? That’s the challenge ahead for us, dear reader, but let’s give it a shot. The solo feature directorial debut of Zach Cregger (one of the founding members of The Whitest Kids U’Know), Barbarian shares a surprising amount of DNA with Psycho, especiall...
Three Thousand Years of Longing Is Very Much George Miller’s Version of a Fairy Tale: Review
The Pitch: Alithea (Tilda Swinton) is an aloof and solitary scholar who travels to Istanbul for a conference; browsing through the markets one day, she purchases a small glass bottle that intrigues her. Back at her hotel room, she uses her electric toothbrush to clean some dirt off the bottle, and poof! Out comes a Djinn (Idris Elba) who, after taking a few minutes to catch up with the 21st century and the existence of the English language, does his job and offers Alithea three wishes. Alithea, though, is a scholar of mythology, and so she’s immediately wary of the Djinn’s offer, given the centuries of precedent which suggests that no good can come of magical wishes. So she asks the Djinn to tell her his life story: How he came to be imprisoned in the bottle, and why he has been imprisoned...
Samaritan Proves That Some Superheroes Should Remain Retired: Review
The Pitch: You’ve heard of Superman. You’ve heard of the Punisher. You’ve even heard of Hancock, but you likely have never heard of Samaritan. However, Overlord director Julius Avery wants you to know his name. Adapted from the Mythos Comics series of the same name, this film centers around a young boy named Sam (Javon Walton) with a love for the titular long-thought-dead superhero named Samaritan. Sam has a hunch that the revered hero is still alive, but can’t really prove it as more than a fan theory. The legend goes that Samaritan went to battle with his equally strong yet villainous brother Nemesis over twenty-five years ago, both of them dying in the chaos. Without any real evidence that he’s right about Samaritan still being alive, Sam spends his time doodling, finding scrap metal to...
Spin Me Round Serves Up An Amusing but Messy Slice of Dark Comedy: Review
The Pitch: Amber (Alison Brie) runs the Bakersfield outpost of Tuscany Grove, a popular Olive Garden-adjacent family eatery chain. Great at her job but yearning for something more, Amber gets the opportunity of a lifetime when her boss (Lil Rel Howery) selects her for an all-expenses-paid work retreat to Italy. Amber’s excitement is doubled when her best friend Emily (Ego Nwodim) suggests a tantalizing possibility during her time in Europe: What if she falls in love? On the trip, she meets a group of other lucky Tuscany Grove managers, including the nosy Deb (Molly Shannon), the arrogant Fran (Tim Heidecker), and the friendly Dana (Zach Woods). Most notably, she’s introduced to Nick Martucci (Alessandro Nivola), the chain’s wealthy, handsome owner. Nick immediately takes a liking to Amber ...
Orphan: First Kill Is the Most Bonkers Horror Prequel In Years: Review
The Pitch: Remember Esther (Isabelle Fuhrman), the precocious tot who turned out to be a thirtysomething psychopath from Estonia with hypopituitarism? The one who terrified Vera Farmiga and her well-to-do New England family in 2009’s surprisingly chilling Orphan? In the grand tradition of Annabelle: Creation and Ouija: O-ouija-n of Evil, The Boy director William Brent Bell takes us back to Esther’s beginnings, thirteen years later and with a fraction of the budget. Perhaps “beginnings” is a bit of a stretch, to be fair: a more accurate title would be Orphan: Second (or Maybe Third?) Kill, as we’re introduced to little Leena in 2007 Estonia, two years prior to the first film’s events. She’s not Esther yet, but she has already offed her first host family, the one Ver...
Review: Aubrey Plaza Breaks Bad in the Tense Thriller Emily the Criminal
This review was part of our coverage of the 2022 Sundance Film Festival. The Pitch: Emily (Aubrey Plaza) just can’t catch a break. She’s a college dropout, reeling from a felony aggravated assault conviction that follows her to every job interview, tens of thousands of dollars in student loan debt weighing her down like a ball and chain. It’s calcified her to the world, approaching each new interview just waiting for the next reason she’ll be rejected. All she’s got to her name are her wits and a can of pepper spray. But a rare opportunity appears when a coworker at her degrading catering gig turns her onto a way to make some extra money: show up at a warehouse at the proper hour, perform a small-scale credit card scam with boosted flatscreens, and you earn $200 in an hour. You ...
Day Shift Review: Jamie Foxx’s Vampire Hunter Movie Boasts Great Fight Scenes and Formulaic Comedic Beats
The Pitch: Bud Jablonski (Jamie Foxx) is a San Fernando Valley pool cleaner, but his mundane job is a cover for other, more exciting work. Casing the house next door while skimming a pool, he puts on a ski mask, loads up on weapons, and storms inside. The resident, a frightened old woman, asks “Who are you? What are you doing in my room?” Without answering, Bud blasts away at her with a shotgun. The woman, revealing herself as a vampire and baring her fangs, stands up with a gaping hole in her torso, and begins fighting back. Day Shift is the directorial debut of J.J. Perry, a veteran stuntman who played Scorpion and other masked fighters in 1997’s Mortal Kombat: Annihilation, and choreographed the intense fight scenes in Steven Soderbergh’s Haywire. And the scene that opens the vampire hu...
They/Them Review: Kevin Bacon-Starring Slasher Proves Hollow
The Pitch: Conversion therapy is the pseudo-scientific process of trying to change a person’s sexuality or gender identity through manipulation, abuse and torture. Generally operated by religious groups who claim to be doing their victims a favour, this practice is generally carried out in isolated retreats on groups of young people. The new horror film They/Them attempts to frame this specific real-world evil through a likely more familiar horror movie iconography. After all, the idyllic American summer camp has been a home for terror for decades, in the form of brutal murders and/or adolescent awkwardness. A nice trip to the woods offers young people a place of freedom, disconnected from who you’ve been before — while the offer to serial killers is simply a place, disconnected. Most famo...
