Film Reviews
The Nostalgia of Hocus Pocus 2 Only Serves Itself
Hocus Pocus 2, the long-awaited-by-some sequel to the 1993 fantasy comedy horror film rocking the same name, is best summed up with a stray fart joke. A newly resurrected Mary Sanderson (Kathy Najimy), one of the three nefarious Sanderson sisters (Salem witches whose 1600s reign of terror over the town ended by the noose) stumbles into a Walgreens. She and her siblings, Sarah (Sarah Jessica Parker) and Winifred (Bette Midler), are in search of provisions, and lured into entering the pharmacy by the film’s teen heroes. One by one they walk in. Mary, awed by the automatic doors, steps through and immediately, casually, unwarrantedly trumpets her flatulence. End scene. Farts are funny when they have a point. Hocus Pocus 2’s fart has no point. Mary farts because the filmmakers, producers, and ...
The Greatest Beer Run Ever Is a Pretty Likeable Movie, and That’s a Huge Problem: Review
The Pitch: Peter Farrelly is back with his first film since Green Book, a biopic about an average white guy from New York in the 1960s who learned a lot about the world by stepping outside of his comfort zone in the American South, whilst simultaneously charming the more worldly people around him. His new one, The Greatest Beer Run Ever, is a little different: it’s a biopic about an average white guy from New York in the 1960s who learns a lot about the world by stepping outside of his comfort zone in the Vietnam War, whilst simultaneously charming the more worldly people around him. This time, Zac Efron stars as Chickie Donahue, a shiftless merchant mariner who has a lot of friends serving in Vietnam. Chickie resents the cynical attitude the American media and youth culture have towards t...
Chan-wook Park’s Decision to Leave Is a Sizzling Romantic Thriller: Review
This review is part of our coverage of the 2022 New York Film Festival. The Pitch: A mountain climber is found dead at the bottom of one of Busan’s most intimidating peaks. An accident? Probably. But ace Busan detective Hae-jun (Park Hae-il) still finds himself drawn to the man’s Chinese widow, Seo-rae (Tang Wei), with whom he shares a beguiling, unspoken connection. She’s elusive, enigmatic; he grows more obsessed with her the longer he watches her on long stakeouts. And the closer the two get, the harder it is for him to see the woman she truly is — and the harder for her to hide it. The Mist: If there’s one thing you can count on from a Chan-wook Park film, it’s that it will be chock full of surprises. That’s certainly true of Oldboy, Stoker, and The Handmaiden, thre...
NYFF Review: Bones And All Sucks the Marrow Of Its Horrific Premise
This review is part of our coverage of the 2022 New York Film Festival. The Pitch: Something’s a bit off about Maren (Taylor Russell) — when we first meet her, she looks like an ordinary teen just trying to finish high school and fit in with her new environment. But it’s not long before a get-to-know-you sleepover (and a torn-off ring finger) reveals her for who she is: an “eater,” someone with the insatiable need to consume human flesh. Fed up with the constant moving and the pressure of looking after such a dangerous girl, her father (André Holland) abandons her one morning, leaving only her birth certificate and a cassette tape detailing his account of their early years together. The rest, as he narrates, is up to her. Related Video Thus begins her odyssey to track down her long-mi...
The Munsters Review: Rob Zombie’s ‘60s Sitcom Reboot Embraces Its Campy Source Material
The Pitch: Herman Munster, a big goofy lummox made of reanimated dead bodies in the style of Frankenstein’s monster, marries the ghoul of his dreams, a vampire named Lily. But the newlyweds aren’t shacked up in her father The Count’s castle in Transylvania for long before they’re unceremoniously kicked out, and decide to start a new life in America. The Munsters is rock star-turned-horror auteur Rob Zombie’s reboot of the CBS series of the same name, which ran for two seasons in the mid-‘60s, and then staggered around for decades in syndication like the living dead. And while the Netflix film is a prequel, detailing Herman and Lily’s meet cute before the birth of their sitcom son, werewolf boy Eddie Munster, it’s otherwise impressively faithful to the source material’s look and sense of hu...
Bros Refuses to Apologize For The Specifics of Queer Romance (Except When It Does): Review
The Pitch: Bobby Lieber (Billy Eichner) is a successful pillar of the gay community in New York City: He’s got a popular podcast, he’s the director of what’s soon to be the nation’s first LGBTQ+ history museum, and he was just named “Cis White Gay Man of the Year.” The only thing missing is a man in his life, but Bobby isn’t into all that: “Love is not love,” he stresses early on to his friends, rejecting the oft-used gay rights sentiment as a lie to get straight people to treat queer folks like human beings. Instead, he chips away at one awkward Grindr hookup after another. But fortune changes when Bobby runs into hunky estate lawyer Aaron (Luke Macfarlane) at a club; they each clock the other as angry and boring, respectively, and their shared fatigue for the performative, ima...
Weird: The Al Yankovic Story Shines Thanks to a Deadpan Daniel Radcliffe: Review
This review is part of our coverage of the 2022 Toronto International Film Festival. The Pitch: Based on the 100% true story of comedian/musician/renegade polka king’s rapid rise to superstardom, Weird: The Al Yankovic Story is an “unflinching” look at “Weird” Al Yankovic’s chaotic life. From his childhood as a closeted accordion player, to his brief flirtation with the hot underground polka scene, to his excessive rock and roll lifestyle to his artistic struggles, to his tumultuous romance for the ages with Madonna, and his deadly feud with a legendary drug lord, writer/director Eric Appel and co-writer Al Yankovic pull no punches. This is as real and serious as it gets. Related Video Generic Blues: A fake biopic of “Weird” Al Yankovic is most likely a foolproof formula. How wrong can you...
Kaley Cuoco and Pete Davidson Charm in the Time Loop Rom-Com Meet Cute: Review
The Pitch: It’s a tale as old as time: Gary (Pete Davidson) and Sheila (Kaley Cuoco) meet at a bar, and it’s basically love at first sight. She notices him because he’s the only one in the bar not watching the Big Game. He notices her because she’s funny, witty, unexpected, and a little kooky; their droll senses of humor bounce off each other like electricity. As their night goes from bar to restaurant to slow walks and talks along the riverside, it seems like their moment-one spark is too good to be true. Well, that might be because it is: It doesn’t take long for Sheila to fess up to the fact that their spontaneous meeting wasn’t so spontaneous: She’s lived this night dozens of times before, thanks to a magical tanning machine in a nearby nail salon that zaps you back 24 hours in ti...
Ballistic: Ecks vs. Sever Is the Worst-Reviewed Movie on Rotten Tomatoes — 20 Years Later, Is It Still That Bad?
According to Rotten Tomatoes, there has never been a movie quite like Ballistic: Ecks vs. Sever. The 2002 film, which stars Antonio Banderas and Lucy Liu as espionage agents on opposite ends of an action-packed conspiracy, turns 20 years old today, and it bears one of the most unfortunate distinctions in the entire entertainment industry: It has 118 reviews on Rotten Tomatoes, and every single one of them says it’s bad. Ballistic: Ecks vs. Sever is not the only movie with a 0% on the internet’s best-known review aggregator, but not all the zero-percenters are equal on that site. Even notorious duds like Jaws: The Revenge and Highlander II: The Quickening only have a fraction of the reviews have been logged for Ballistic. The odds that out of 118 critics, not a single one of them ever gave ...
Confess, Fletch Review: Jon Hamm Finds His Perfect Post-Mad Men Role
The Pitch: Irwin M. “Fletch” Fletcher (Jon Hamm), an investigative journalist of some repute, arrives in Boston to help his lady friend Angela (Lorenza Izzo) retrieve some of her father’s paintings from an eccentric art dealer (Kyle McLachlan). But before he can unpack his bags, he finds a dead body in the apartment he’s borrowing. Pegged by two homicide detectives (Roy Wood Jr. and Ayden Mayeri) as the primary suspect, Fletch has to clear his name, secure the missing artwork, and fend off the advances of Angela’s stepmother (Marcia Gay Harden). Cards on the Table Time: Since he broke into the global consciousness through his still-outstanding work as morally bankrupt ad man Don Draper in AMC’s Mad Men, Jon Hamm has seemed content to serve as a utility player: For the better part of 15 yea...
Moonage Daydream Captures David Bowie’s Legacy and a Life Lived Magnificently: Review
The Pitch: The new David Bowie documentary, Moonage Daydream, succeeds not only for what it is, but what it isn’t. That has a lot to do with the clichés — and, occasionally, limitations — of the well-trodden format of the music documentary. We know bad ones — or just boilerplate ones — when we see them. They typically open in medias res; the subject mumbles something backstage through celluloid grain and a plume of smoke. Here come the talking heads: Jakob Dylan, Dave Grohl, Bono. The director takes us from the cradle to the grave — and you’re left a few bucks poorer, wondering if this is all music is, in the end. But never fear: Brett Morgen is at the wheel of Moonage Daydream, the new documentary plumbing the depths of Bowie. You may remember Morgen because he directed Kurt Cobain: Monta...
See How They Run Review: An Engaging Meta Riff on the Fun of a Whodunnit
The Pitch: In part thanks to Daniel Craig’s Benoit Blanc, detective stories are having a bit of a moment right now, but stories of mysterious murders have been around for eons, with Agatha Christie being one of the 20th century’s pioneers in the genre. It’s Christie’s legacy that plays a huge role in See How They Run, which takes its inspiration from a famed play of the writer’s, but still has its own original mystery to unfurl. In the new film, directed by first-time feature director Tom George, it’s the 1950s, and a murder has taken place at the theater where Christie’s The Mousetrap has just celebrated its 100th performance. Enter Inspector Stoppard (Sam Rockwell) and Constable Stalker (Saoirse Ronan) to investigate, with everyone present the night of the death, including producer Petul...
