Since David Weiss and Don Fagenson christened themselves the Brothers Was and formed Was (Not Was) in 1979 Detroit, a ridiculous number of great musicians have gone through the band’s ranks: Wayne Kramer of the MC5, The Knack frontman Doug Fieger, legendary jazz trumpet player Marcus Belgrave, Ozzy Osbourne, Elvis Costello, and even Frank Sinatra, Jr.. You won’t find another funk band to enlist most of these guys, much less all of them. And their guests are just a hint of what gives Was (Not Was) its distinctive flavor. There wasn’t a more towering presence in the group’s fold than Hillard “Sweet Pea” Atkinson, whom, alongside fellow soul singer Sir Harry Bowens, made up the two-headed dragon of the band’s animated presence. But as sadly reported earlier this morning, Mr. Atkinson died on ...
In 1964, in more or less about to be Swinging London, “My Boy Lollipop” made sense. It was a love song, it was a pop song, Shirley Bassey couldn’t have sung it, and that was pretty much the pop demarcation point then. It was bouncy, catchy, gloriously silly and earnest; everywhere you went you heard it because it was always on the radio and there was only one radio station that played pop music at the time, BBC radio, and one nascent, unlicensed pirate radio station, Radio Caroline, that started up the same year but wasn’t yet prevalent. For a nine-year-old boy totally uninterested in music in those days, on the grounds it wasn’t round and you couldn’t kick it, “My Boy Lollipop” was revelatory. First of all, it’s omnipresence can’t have been unique because all pop hits were as much a part ...
Numerous artists, industry professionals and fans consider SoundCloud the best platform for unheralded music to reach its true potential. Its direct, artist-centric approach has enabled bedroom artists to reach fanbases all over the world, and it has equipped emerging talent to turn their SoundCloud game into longterm careers. In this series, our aim is to showcase the best new music we discover on the platform—music that oftentimes can’t be found anywhere else. In addition, we shine a light on talented artists who are either breaking through on the platform or have used it to attract an active following in the past. Underground Vibes 048 includes explosive gems from Taw and Late June, atmospheric soundscapes by Duke & Jones, club-ready tracks by Chace and Sparkee x LIINKS, and mo...
With self-isolation and quarantine orders in effect across the globe, people are connecting through music online more than ever. With unity at its bedrock, the EDM scene has been leading the way, with new drive-in raves, virtual festivals, and artist livestream events every week. Iconic producer Laidback Luke has taken notice, vlogging himself listening to demos submitted to his website, interviewing dance music industry leaders affected by COVID-19, and even offering a DJ livestream tutorial. Laidback Luke’s team at Mixmash Records took things a step further while working on the remix contest for his new single “We Found Love,” a beautiful future house collaboration with Dutch dynamo Steff Da Campo. The bouncy summer banger dropped on April 17th, followed by a vi...
Fans of REZZ can attest that her brand is one-of-a-kind. With her menacing, mind-bending midtempo sonic flair, Space Mom has carved out her own sound over the years, concocting a signature electronic cocktail all her own. Her live shows only reinforce that notion, as she pairs her thunderously spellbinding sound with her patented, mesmerizing LED goggles to offer up a truly unique live concert experience for any flabbergasted revelers lucky enough to catch a live performance. One of those fans, Brandon Lee Morris, took things to the next level by breathing life into one of REZZ’s visual brand components, a hand with an eyeball centered in its palm. Morris, who operates a visual concepts and 3D printing project called Replicant Lab, took it upon himself to create a 3D-modeled and...
If you’re even remotely familiar with bass music, you’ve certainly heard of Bassnectar. Throughout the course of his illustrious career, he rose from underground sensation to one of the most esteemed acts in not only bass music, but also electronic music in its entirety. With performances at the world’s most renowned festivals as well as his own massive curated shows under his belt, his live concert experiences have become can’t-miss events in the EDM world. In honor of this unstoppable force, we’ve created a test to see how well you know the man himself. FOLLOW BASSNECTAR: Facebook: facebook.com/BassnectarTwitter: twitter.com/bassnectarInstagram: instagram.com/bassnectarSoundCloud: soundcloud.com/bassnectar
In his 2010 single “Thank Me Now,” Drake raps, “Damn, I swear sports and music are so synonymous / ‘Cause we want to be them, and they want to be us.” The relationship between music and sports is symbiotic. Music and sports lift each other up, and the people who engulf themselves in each respective realm share the same vigor, passion, and competitive spirit. That’s why it was all the more painful when the pandemic stampeded its way through our parks, stadiums, courts, and concert venues, forcibly stifling both the music and sports industries with one giant, rubber-gloved tsunami of paranoia and unprecedented stay-at-home ordinances. While those in the music industry have managed to connect with fans via livestreamed concerts and magnificent, lo...