Extreme Metal
Mining Metal: Autarkh, Celestial Sanctuary, Demiser, Flesh of the Stars, Koldovstvo, Lunar Shadow, Mare Cognitum, Memoriam
“Mining Metal” is a monthly column from Heavy Consequence writers Joseph Schafer and Langdon Hickman. The focus is on noteworthy new music emerging from the non-mainstream metal scene, highlighting releases from small and independent labels — or even releases from unsigned acts. The heavy metal community lost a real one this month. On March 7th, Swedish death metal vocalist L-G Petrov passed away after a battle with bile duct cancer. It’s the latest in a series of metal vocalists gone too young in the past twelve months, including Alexi Laiho of Children of Bodom, and Riley Gale of Power Trip. Petrov was one of the musicians who brought death metal to the masses as the vocalist for Swedish legends Entombed. A quick history lesson, while Entombed did not originate death metal in Sweden, the...
Cannibal Corpse Singer Corpsegrinder Hung Out With Cher, Who Told Him “I Was Metal Before You Were Born”
Just when we thought we’d never write a story involving Cannibal Corpse and Cher, we get a doozy of tidbit from the death metal band’s lead singer, George “Corpsegrinder” Fisher. Turns out, the frontman spent time at the pop icon’s house, and even got “owned by Cher.” In a new interview with Metal Hammer, Corpsegrinder revealed that he was once invited to play a birthday bash for Cher’s son Elijah Blue Allman, the lead singer of the industrial metal band Deadsy. As Corpsegrinder told it, “Cher’s son Elijah, who is in the band Deadsy, is a big Cannibal Corpse fan and maybe 15 or 20 years ago he wanted us to come out to L.A. and play his birthday party at the Viper Room. His birthday is two days after mine, so my wife and I went out a few days early: ‘Let’s just fly out there, hang around fo...
Corpse Paint Facial Masks Are the Latest Thing for Skincare
Want to look evil and take care of your skin at the same time? Soon you can, thanks to a new line of corpse paint skincare masks inspired by your favorite black-metal bands. Yes, corpse paint facial masks are now a thing — or soon will be once Kaamos Cosmetics reaches their crowdfunding goal. The brains behind the cosmetics brand are the same people who brought us the highly popular corpse paint bar soaps that bore the likenesses of such icons as King Diamond, Abbath and Dani Filth. There are currently two types of facial masks — a green tea mask and a rice bran mask — each with a distinct corpse paint style designed by Finnish illustrator JP Ahonen. Cleverly, Kaamos Cosmetics is calling it “total sincare”: “Vegan and cruelty-free ingredients, extra cruel looks! For the self-caring metalhe...
Mining Metal: Top 10 Underground Metal Albums of 2020
“Mining Metal” is a monthly column from Heavy Consequence writers Joseph Schafer and Langdon Hickman. The focus is on noteworthy new music emerging from the non-mainstream metal scene, highlighting releases from small and independent labels — or even releases from unsigned acts. The year 2020 is nearly done, and we’re sure most “Mining Metal” readers can join us in wishing it good riddance. The global pandemic left the international metal community, not to mention the entire music world, in a precarious spot: tours and festivals canceled, venues closed, and hard-working metalheads losing jobs. With all that darkness, the resilience of the genre remained a hopeful light. 2020 offered no shortage of excellent albums, some of them recorded during the pandemic itself. Diverse in their aims, st...
Top 30 Metal + Hard Rock Albums of 2020
Our Annual Report looks back upon the strange year that was 2020 and the music, film, and television that came with it. Here, we present our Top 30 Metal + Hard Rock Albums of 2020. In a year we’d mostly like to forget, the world of heavy music brought us many memorable releases. While we wait for concerts to return, we have a treasure trove of new metal and hard rock albums that amplify the anticipation of seeing our favorite bands return to stages. 2020 has been dominated by a worldwide pandemic, and if anything can provide us with a daily distraction from the suffering and uncertainty, it’s good music. Thankfully, dozens of bands decided to release new albums this year, despite not being able to tour in support of their latest studio efforts. As a reminder that life is filled with comeb...
Mining Metal: Depravity, Dark Quarterer, Eternal Champion, Liturgy, Fuck the Facts, Megaton Sword, Stormkeep, Undergang
“Mining Metal” is a monthly column from Heavy Consequence writers Joseph Schafer and Langdon Hickman. The focus is on noteworthy new music emerging from the non-mainstream metal scene, highlighting releases from small and independent labels — or even releases from unsigned acts. Now is the winter of our discontent made glorious summer by … hold on let me look outside. Nope, still the winter of our discontent, my mistake. This is the eighth Mining Metal introduction essay that I’ve had to write during the COVID-19 pandemic, and to be honest with you, dear readers, I’m running out of even vaguely optimistic spins to ladle onto our monthly roundup of underground metal’s finest riffs. I guess I could say – at least we know who will lead our nation next year, right? How’s this: when we began th...
Mining Metal: Wytch Hazel (Premiere), Convulsif, Cryptae, Emma Ruth Rundle & Thou, Gorpehilia, Henrik Palm, Lamp of Murmuur
“Mining Metal” is a monthly column from Heavy Consequence writers Joseph Schafer and Langdon Hickman. The focus is on noteworthy new music emerging from the non-mainstream metal scene, highlighting releases from small and independent labels — or even releases from unsigned acts. Normally, the autumnal months mark a high point in the year for metal fans. This year, of course, is no average year, and the looming economic uncertainty and a persistent global health crisis are enough to sap the pumpkin spice right out of my latte and lend a bitter hit to the smell of bonfire smoke. But some joys, thankfully, cannot be snuffed out. They include: the equinox, 31 days of scary movies and, of course, boatloads of metal. As the designated “Scary month” in the commercial calendar, October usually del...
Mining Metal: Exist, Katavasia, Messiah, Night, Obsidian Kingdom, Plague Organ, Proscription, and Sumac
“Mining Metal” is a monthly column from Heavy Consequence writers Joseph Schafer and Langdon Hickman. The focus is on noteworthy new music emerging from the non-mainstream metal scene, highlighting releases from small and independent labels — or even releases from unsigned acts. Like many, I’ve spent much of the last month practically hermetically sealed-in to my domicile, just to avoid too much Pacific Northwest wildfire smoke from clogging my already-punished lungs. Extended isolation leads to eccentricity, and this month’s metal selections skew toward the insular. Expect progressive and cavernous odes to hyper-niche sounds, perfect for deep headphone listening. Of course, there’s a little old-time rock ‘n’ roll to buoy spirits in darkening times and earlier sunsets, but as autumn rolls ...
Red Hot Chili Peppers’ Flea Discovers Cannibal Corpse, Declares Them “F**king Insane”
Flea (photo by Philip Cosores) / Ex-Cannibal Corpse singer Chris Barnes (publicity) Red Hot Chili Peppers bassist Flea found himself on a death metal kick this week, seeking out recommendations on Cannibal Corpse. Randomly, the veteran funk-rock musician asked his Twitter followers on Monday (September 7th), “What’s the best Cannibal Corpse album?” Roughly 20 minutes later, after perusing the responses, he declared, “OK, I’m going with Tomb of the Mutilated.” Then, after giving the 1992 metal classic a spin, Flea exclaimed, “THIS SHIT IS F**KING INSANE!!!!!!! WHOOOOO!!!!! WHAAAAAAAA!” Tomb of the Mutilated featured original Cannibal Corpse singer Chris Barnes, who would later be replaced by George “Corpsegrinder” Fisher. The LP, which includes iconic tracks like “Hammer Smashed Face” and “...
Behemoth’s Nergal to Musicians During Pandemic: “You Can Cry Like a Baby or … Do Something with the Situation”
It’s no secret that musicians have been hit hard during the pandemic, but Behemoth frontman Nergal insists that it’s all about what artists make of the circumstances. As he puts it, “You can … whine or cry like a baby, or you can do something with the situation.” With the concert industry shut down, it’s been a scary time for bands, as live shows have become a main source of revenue amidst diminished album sales in recent years. With no end to the pandemic in sight, many artists are wondering whether they can financially survive this tumultuous time. Behemoth, like other bands, are looking at creative ways to engage their fans and support their craft at the same time. The Polish metallers recently announced an immersive livestream concert event, dubbed “In Absentia Dei”, during which the b...
Extreme Metal Stalwarts Enslaved, Kataklysm, and Ihsahn All Release New Singles: Stream
Renowned extreme-metal acts Enslaved, Kataklysm, and Ihsahn all released new singles with accompanying music videos on Friday (August 28th), delivering a thunderous dose of new music to metalheads everywhere. Norwegian metal veterans Enslaved have unleashed “Urjotun” as the third single from their upcoming album Utgard, due October 2nd via Nuclear Blast. “The lyrical idea for ‘Urjotun’ had been spinning around in the chaos in the back of my head for quite a while, when Ivar sent me the riff-demo last autumn,” stated Enslaved singer Grutle Kjellson of the song. “I knew instantly that this was it, the very soundtrack of the rise of the primeval giant, the Urjotun! Our mutual love and fascination for that early krautrock scene and for bands like Tangerine Dream and Kraftwerk, finally fully as...
Mining Metal: Cobra Spell (Premiere), Atramentus, Humavoid, Krallice, Necrot, Nug, Question, and Terminal Nation
“Mining Metal” is a monthly column from Heavy Consequence writers Joseph Schafer and Langdon Hickman. The focus is on noteworthy new music emerging from the non-mainstream metal scene, highlighting releases from small and independent labels — or even releases from unsigned acts. As I’m writing this, the metal underground is still reeling from the unexpected passing of Riley Gale, vocalist for Texas thrashers Power Trip. Gale was known for his unabashedly political lyrics, charismatic live performances, and interpersonal messages of kindness. The underground will be feeling his loss for some time. I first heard Power Trip a few days after publishing an essay on Invisible Oranges declaring the post-Municipal Waste thrash revival dead. Power Trip’s debut album, Manifest Decimation rendered my...
