Our new music feature Origins provides artists the opportunity to give fans unique insight into their latest track. Today, beabadoobee envisions the “Last Day on Earth”. Before the pandemic hit, beabadoobee was set to tour with Phoebe Bridgers and Dirty Hit labelmates The 1975. While that trek obviously never got on the road, the UK-based songwriter still managed to link up with 1975’s Matty Healy and George Daniel to collaborate on the follow-up to her excellent debut album, Fake It Flowers. beabadoobee is now previewing that effort, cleverly titled Our Extended Play EP, with the new single “Last Day on Earth”. Fans have long known of the mutual appreciation between bea and Healy, and the pair have been teasing their collaboration for some time. Our 2020 Rookie of the Year and T...
Our new music feature Origins gives artists the platform to provide unique insight into their latest track. Today, Squid twist the oars on “Paddling”. Four years since their formation, Brighton post-punks Squid are finally ready to deliver their anticipated debut album, Bright Green Field. Though many of the tracks on the May 7th release are brand new, day-one fans will certainly recognize the latest single, “Paddling”. With the motorik kick of a looping drum machine leading the song staggering through different psychedelic sonic shifts, it’s long been part of the five-piece’s live shows. Inspired by a scene from Kenneth Grahame’s beloved classic The Wind in the Willows, it finds Squid’s multiple sings taking differing perspectives on “the dichotomy between simple pleasures and decade...
Our new music feature Origins tasks artists with providing some behind-the-process insights into their latest single. Today, Claudio Sanchez returns to his The Prize Fighter Inferno moniker for “Sweet Talker”. With work on Coheed and Cambria’s next record on hold during COVID-19, frontman Claudio Sanchez turned towards a project that had been largely dormant for nearly 15 years: The Prize Fighter Inferno. Writing new solo material became an outlet for dark times, as the trauma of the pandemic was compounded by Sanchez’s grandfather falling ill and his wife being diagnosed with an auto-immune disease. Out of that isolation comes The City Introvert, the first Prize Fighter Inferno full-length since the moniker’s 2006 debut, My Brother’s Blood Machine. Out April 23rd via Evil Ink Records...
Our new music feature Origins seeks in depth details about new songs from the artists who create them. Today, new wave legend Gary Numan wants you to hear that “I Am Screaming”. Intruder, Gary Numan’s upcoming 18th studio album, picks up the narrative of 2017’s Savage (Songs from a Broken World) from a different point of view. While that previous LP depicted a barren future wrecked by global warming, the new wave icon’s latest effort takes on the perspective of Mother Earth herself. “If Earth could speak, and feel things the way we do, what would it say? How would it feel?” Numan explained when announcing the album. Although the entirety of Intruder seeks to answer those questions, perhaps no track does so more directly than the new single “I Am Screaming”. What begins as a mournful bubbli...
Warish, the punk trio led by Riley Hawk, are set to release the new album Next to Pay on April 30th. The band is premiering the LP’s latest single, “Seeing Red”, right here at Heavy Consequence. Riley, a pro skater and son of the legendary Tony Hawk, formed Warish in 2018, but the band has undergone a lineup makeover since their first album, 2019’s Down in Flames. In addition to Riley on vocals and guitar, the trio now features bassist Alex Bassaj and drummer Justin de la Vega (although original drummer Nick “Broose” McDonnell performs on roughly half the tracks on the new album). The band’s heavy sound ranges from Misfits-like horror punk to Bleach-era Nirvana to Black Sabbath doom, with “Seeing Red” falling more into the horror punk category. Riley delivers spooky vocals over the hard-dr...
In our new music feature Origins, artists are tasked with letting fans behind the curtain of their latest single. Today, The Aubreys reveal how they found “Sand in My Bed”. Celebrities, they’re just like us — even in a pandemic. Plans put on hold, friends kept at a digital distance, milestones left uncelebrated, things we’ve all experienced over the last year regardless of our notoriety. Finn Wolfhard’s summer 2020 should have been spent promoting Ghostbusters: Afterlife, reveling in his high school graduation, or jamming with drummer Malcolm Craig in their new project The Aubreys. The band had only been around for a few months following the dissolution of Calpurnia in the fall of 2019. They’d released their debut Soda & Pie EP in March, and then like the rest of us, found th...
In our new music feature Origins, artists are asked to give listeners unique insights into their latest track. Today, Russell Louder explains how they found “Home”. For Russell Louder, the most basic definition of ‘home’ would be Prince Edward Island. Though they were raised on the nautical Canadian province, they now split their time between PEI and Montreal. Factor in the journey the singer has gone on as a trans individual, and you can understand how the idea of ‘home’ is a bit fluid for them. But while discovering your place of supreme comfort is often seen as a daunting challenge, Louder finds excitement in the quest on her new single, “Home”. Over a beat buzzing and clanging with retro synth sounds, they sing not just of the terrible uncertainty of “finding home,” but the boundless p...
In our new music feature Origins, we give musicians the chance to explore the backstory behind their latest single. Today, Emile Mosseri tells us about composing the score to Lee Isaac Chung’s Minari. To help elevate the intimate storytelling of one of the best films of 2020, Minari, writer-director Lee Isaac Chung turned to composer Emile Mosseri. Mosseri knew well how to write the proper music for a unique family tale, as he had done recently for Miranda July’s Kajillionaire. Audiences will get to hear how he crafted a score befitting Chung’s beautiful American tale itself when Minari and its soundtrack are released wide on February 12th. One of the reasons Mosseri was able to pen such an evocative soundtrack is because of how early he he began working on the process. In what he cal...
Amigo the Devil recently announced his sophomore full length album, Born Against. Now, the folk-rock troubadour is teaming up with Consequence of Sound to premiere the video for the LP’s first single, “Another Man’s Grave”. With “Another Man’s Grave”, Amigo continues his foray into dark Americana. Despite his music’s acoustic foundation, the songs have also resonated with metal and hard rock audiences, as he’s shared the stages with several heavy acts over the past few years. “This is very much a coming to terms song,” Amigo says of the new single. “It’s the realization that the habits and routine we’ve been living, the behaviors, and outlook displayed aren’t true to the person that we know exists somewhere within. It’s about the purgatory-like time between accepting this and the moment we...
In our new music feature Origins, artists dissect the influences that led to their latest single. Today, Skegss gently ask us to “Wake Up”. We all have that little voice in our head giving us advice or warnings, but it’s not always easy to listen to it. That’s because it’s usually not alone; the opinion of the world around us is always cross-talking, trying to drown out our own thoughts. On their new single “Wake Up”, Australian trio Skegss gently remind us that it’s okay to block out the chatter and heed your own conscience. Sounding like War Elephant-era Deer Tick with a surfy, garage rock edge, “Wake Up” rests on heavy piano notes and a strumming guitar. It comes together as a gentle reassurance, over which vocalist Ben Reed sings, “Been sifting out the dirt in the ground/ I’ve be...