Phoebe Bridgers has seemingly been everywhere in indie rock circles since her monster 2020 album Punisher. This weekend, she’ll cross another achievement off her list: performing on Austin City Limits. The singer-songwriter taped a set for the legendary PBS program in October in between performances at the festival of the same name, and today, Consequence has an exclusive first look at the show. Watch Bridgers perform “Savior Complex” below. Though she ditched her famous skeleton onesie (her backing band kept the uniform, however), Bridgers’ live rendition of the Punisher ballad otherwise stayed true to the original, down to the quiet cry of violin and smoky trumpet solo. Her resigned tale of a doomed relationship fills the theater with her trademark bittersweetness, especially with i...
With our recurring new music feature Origins, artists connect with listeners by revealing the inspirations behind their latest songs. Today, former Yeasayer member Anand Wilder shares his new solo track “I Don’t Want Our Love to Become Routine.” Two years after the breakup of Yeasayer, former member Anand Wilder is readying his debut solo album. I Don’t Know My Words is set to arrive on March 25th, 2022, and Wilder has today shared a new single off the LP, “I Don’t Want Our Love to Become Routine.” The track is a more delicate representation of the folk pop Wilder displayed on previous single “Delirium Passes.” With piano tip-toeing in the background, he sings of the realistic hardships of longterm relationships. “I see a couple that mate together/ Because they hate themselves,” he si...
In the new music feature Origins, artists get a chance to connect directly with listeners by revealing the inspirations behind their latest songs. Today, Black Country, New Road discuss their latest single, “Concorde.” Black Country, New Road dropped one of the finest debuts of the year back in February with For the first time. Almost a year to the day later, they’ll drop their follow-up, Ants From Up There, on February 4th, 2022. Today sees the British experimental septet sharing a new taste of the LP with the single “Concorde.” The track begins as something as a pleasant country ramble, but as with anything BCNR does, where we start is not necessarily where we end up. By the midpoint of the six-minute cut, notes of Beirut or Typhoon come through in the tightly plucked strings and floatin...
Evanescence are gearing up for the release of the second book in their ongoing graphic anthology series, Echoes From the Void, and Heavy Consequence has an exclusive first look at a multi-page excerpt. The new issue, titled The Revolution of Cassandra, was created by singer Amy Lee and film director Eric D. The book features Howell’s story based on Evanescence’s single “Use My Voice” from their 2021 studio album, The Bitter Truth. Howell also directed the music video for “Use My Voice.” Regarding the scene depicted in our exclusive preview, Howell tells Heavy Consequence, “This scene happens early in the story and sets up the central conflict between Cassandra and her sister Moira. Cassandra is all about peace, love, and anything astrological, while Moria is grounded, pragmatic, and c...
Our recurring new music feature Origins provides artists with a platform to share personal insights into their latest release. Today, The Wrens’ Kevin Whelan breaks down “Fade,” the latest single from his solo project Aeon Station. Back in late September, Kevin Whelan of The Wrens revealed he would be releasing a solo record under the moniker Aeon Station. Containing five songs he originally wrote for the band’s follow-up to 2003’s The Meadowlands, the album is titled Observatory and it arrives on December 10th via Sub Pop. Today (November 16th), Consequence is exclusively premiering Aeon Station’s latest preview from the project, “Fade,” and its accompanying music video. Advertisement Related Video “A key inspiration for the song was when my family and I moved from New...
With the recurring new music feature Origins, we get exclusive insights into artists’ latest songs. Today, New Orleans performance artist Edge Slayer takes us into her “w00m3.” Edge Slayer is more apt to create her own space than wedge her way into one defined by others. Hailing from New Orleans, the performance and multi-disciplinary artist/producer founded popular local party series Séancé, dedicated to creating safe spaces for Black and queer individuals. (She herself is a Black trans woman.) It’s no different when it comes to her music. Blending trap, R&B, alternative hip-hop, and ambient sounds, she’s created a sonic world all her own on her new album, Tsureena. Due out later this year on LCD Soundsystem member Tyler Pope’s Interference Pattern label, the record follows ...
As part of a new compilation benefiting the family members of homicide victims, Dr. Dog have shared a previously unreleased song called “Loneliness.” The track is featured on Luz de Vida II: A Compilation to Benefit Homicide Survivors. Ten years ago, Tucson, Arizona and the nation were shaken by a mass shooting that claimed the lives of six and injured 19 others — with Congresswoman Gabrielle Giffords amongst the latter. In response, Fort Lowell Records launched the Luz de Vida benefit project, with 100% of proceeds going to aid and comfort survivors through the Tucson Together Fund. Now, to mark the 10th anniversary of that tragedy, they’ve put together a second charity compilation. Due out November 5th to coincide with Tuscon’s All Soul’s Procession community ceremony, Luz da Vida I...
This year marks the 25th anniversary of Sublime’s iconic self-titled album, and the reggae-rock royalty have been going crazy in celebration all summer long. In the last couple months, the band has put out all kinds special releases and merch drops, including a limited-edition Mexican lager, new official music videos, a dub remix EP from Scientist and Mad Professor, and much more. Now, Sublime are back with their most recent offering for insatiable fans to eat up: an official comic book. Sublime: $5.00 at the Door comes via Z2 Comics, who have been building an impressive catalogue of music-related comics as of late. Their latest graphic novel, presented as an anthology of stories from the band’s history, is written by Ryan Cady and features art from Audrey Mok, Alex Diotto, Hayden Sherman,...
Our new music feature Origins gives artists the opportunity to share unique insights into the creative process behind their most recent release. Today, UPSAHL talks us through her latest single “Time of My Life” and breaks down its accompanying visuals. Taylor Upsahl, known professionally as UPSAHL, has been releasing music since she was just 14 years old. Now 22, she’s unleashing one bold single after another — 2021 has already seen her drop the badass tracks “Douchebag” and “Melatonin” — and today (July 30th), she’s debuting the music video for “Time of My Life.” On “Time of My Life,” UPSAHL explores the hardships of being a young adult. Lyrically, the song apparently takes place on her 22nd birthday, recalling Taylor Swift’s feel-good hit “22.” But unlike Swift’s sugary-sweet ode to you...
In a twist of our new music feature Origins, Jimmy Eat World’s Jim Adkins explains the inspiration behind their new graphic novel, 555. Z2 Comics have quickly become the go-to company for music-related graphic novels. Amongst their many projects, they turned Sturgill Simpson’s Sound & Fury into a stunning visual anthology, illustrated the origin story of Blondie in Against All Odds, and got artists like Slipknot’s Corey Taylor to pen chapters for an adaptation of Anthrax’s Among the Living LP. Now, they’ve teamed with Jimmy Eat World to create a graphic novel expansion of the world the band created in their video for “555.” When it came to making the video for “555” — one of the singles off JEW’s latest album, Surviving — the band were forced to do something on the ...
Our new music feature Origins gives artists the platform to share the inspirations behind their most recent release. Today, Dizzy Fae lives out her dream of collaborating with Ying Yang Twins on “Body Move (Remix)”. In her dance floor-ready hyperpop cut “Body Move”, Dizzy Fae pays homage to her childhood idols Ying Yang Twins. With a scratchy whisper she sings, “I just might do it again/ I’mma speak it to you quiet like the Ying Yang Twins.” The shout out got the Atlanta duo’s attention, and now they’re doing their own whispering on the new “Body Move (Remix)”. Kaine and D-Roc join the 22-year-old Fae to put their distinctive Southern flare on the cut. D-Roc comes in first with that familiar hush as he raps, “Let me see you get nasty” before kicking it up with, “Turn it back up, though/ Sh...