Exclusive Features
10 Matty Healy Lyrics Every 1975 Fan Knows by Heart
The lights go out, but suddenly everyone starts screaming. From the fog, a neon rectangle — or black and white depending on the era — lowers down and illuminates the stage. Screaming is still happening, of course, until you hear the infamous lines: “go down, soft sound.” Over the past seven years, for the hundreds, maybe thousands of shows they’ve played, The 1975 begins each set in the same exhilarating manner. But for longtime fans, the theatrics are no longer just a spectacle: they’re a routine. This is The 1975 live show experience. Whether it be their 2013 teenage angst-ridden debut, their ‘80s pop sophomore LP, or the more recent culture critique within their third album, The 1975’s live shows are essentially exhibitions, or better yet, manifestations of the general motifs and themes...
Beyond the Boys’ Club: Maria Brink of In This Moment
Beyond the Boys’ Club is a monthly column from journalist and radio host Anne Erickson, focusing on women in the heavy music genres, as they offer their perspectives on the music industry and discuss their personal experiences. This month’s piece features an interview with Maria Brink of In This Moment. In This Moment reinvent themselves from album to album, so it’s no surprise that the band’s latest record, Mother, has a fresh style and feel. Their previous LP, 2017’s Ritual, was a concept album of sorts, centering around the Salem Witch Trials. Mother is a deeply personal and serious album lyrically, with solid rock riffing, experimental electronics, and singer Maria Brink’s soulful vocals. Mother was released in the midst of the COVID-19 pandemic, with the band choosing not to postpone ...
Cherie Currie on Blvds of Splendor, Working with Billy Corgan, and the Elusive Runaways Reunion
Cherie Currie is a rock ‘n’ roll pioneer, having fronted the groundbreaking band The Runaways in the ’70s. Over the past 40-plus years, she has had a fascinating career that has run the gamut from musician to actor to author to professional chainsaw-carving sculptor. In April, Currie released her latest solo album, Blvds of Splendor, for the first time digitally, following a limited vinyl run last year. The album, which in large part is a collaboration with former Guns N’ Roses drummer Matt Sorum, features guest appearances by such rock luminaries as Slash, Duff McKagan, and Billy Corgan. The expanded digital LP also sees Currie offering a new take on The Runaways’ “Queens of Noise” with The Distillers’ Brody Dalle, Juliette Lewis, and The Veronicas. We recently caught up with Cherie by ph...
The Complicated Legacy of Joy Division’s Ian Curtis
As we think back on 40 years without Ian Curtis, Dan Weiss examines the sad nature of the young frontman and Joy Division’s music, especially as we collectively experience these strange times of isolation in quarantine. “Surrendered to self-preservation/ From others who care for themselves” — Joy Division, “Isolation” I know I’m beholden to the perpetual motion machine of anniversary cycles because I’m the press, but what’s your excuse? Yes, it’s the 40th anniversary of a day that was particularly grim long before there was any pandemic. On May 17, 1980, Ian Curtis died by suicide, possibly the most “famous” hanging in rock history, a morbid martyrdom that secured his legacy as the accidental inventor of just about anything goth. But that doesn’t mean you have to do something stupid like l...
Song of the Week: Neil Young’s “Try” Hints at a Painful Portrait of a Broken Heart
Song of the Week breaks down and talks about the song we just can’t get out of our head each week. Find these songs and more on our Spotify New Sounds playlist. This quarantine has definitely thrown the music industry for a crazy loop. Several major album releases have been pushed back to oblivion, and an even larger handful of tours (and fests) we were dying to see have been either cancelled or postponed to God knows when (probably not this calendar year). Still, as an industry has struggled, artists have fought back with living-room concerts, charitable efforts, and, yes, year-affirming new albums and songs. Just this week Perfume Genius and Moses Sumney graced us with must-hear new listens, and Charli XCX and Bad Bunny treated us to surprises created in direct response to these strange ...
Remembering Ronnie James Dio 10 Years After His Passing: Interview with Wendy Dio
It’s been 10 years since the world lost one of the greatest voices of heavy metal and hard rock, the iconic Ronnie James Dio. The singer had a legendary career, ranging from doo-wop bands in the late ’50s to a reunion with his onetime Black Sabbath bandmates as Heaven & Hell in the 21st century. Born Ronald James Padavona on July 10, 1942 in Portsmouth, New Hampshire, Dio was raised in Cortland, New York, and became a trumpet player at an early age. Eventually, his vocal talents led him to singing in a variety of doo-wop and rock ‘n’ roll bands (including Ronnie Dio and the Redcaps). By the time he became the singer in Elf (earlier going by the name the Electric Elves), he began to find the style of music that best suited his voice – hard rock, and later, heavy metal. Elf opened shows ...
The Who’s Live at Leeds Remains a Peerless Document of Rock and Roll Power
Today, we celebrate the 50th anniversary of arguably the greatest live rock and roll album of all time. June 1969. Back from the brink, The Who are bigger than they ever imagined possible. With Tommy selling 200,000 copies in the first two weeks in the US alone, it was a remarkable turnaround for a band who, only a few months earlier, neared bankruptcy and calling it a day. In what must have seemed like the blink of an eye, the rock opera was born, and, with it, Pete Townshend ascended to his throne, the last high king of 1960s counterculture. With FM-friendly Tommy A-sides “Pinball Wizard” and “I’m Free” refining their “maximum R&B” down to proto prog-inflected rock, The Who found themselves zig-zagging across the world, topping major festival bills and — full testament to their expan...
Song of the Week: Puscifer’s “Apocalyptical” Dances Towards Doomsday
Song of the Week breaks down and talks about the song we just can’t get out of our head each week. Find these songs and more on our Spotify New Sounds playlist. If you don’t think the last few months of isolation have changed anything, think again. In a normal time, Maynard James Keenan fans — fresh off the first Tool album in more than a decade — would’ve been satisfied with the first Puscifer single in five years. But a song only goes so far when it feels like you have all the time in the world, and Keenan seems to have tapped into that need. Not only does “Apocalyptical” come as a ready-made anthem for these troubled times, but Puscifer also decided to bestow upon fans the blueprint for an alternative dance craze and a memeable answer to whether or not bright, red lipstick is the shadow...
Ranking: The Beatles’ Albums from Worst to Best
Almost everybody has a Beatles moment. Mine came when I was 10 years old, riding in the middle row of a 1994 Dodge Caravan on a family road trip from Indiana down to the Great Smoky Mountains. My step-brother had just gotten cassette copies of 1962-1966 and 1967-1970, better remembered as “The Red Album” and “The Blue Album” by anyone who grew up with parents who’d spent the ’60s as teenagers. We played those tapes non-stop from Kokomo to Gatlinburg and back again, the sounds of “Love Me Do” and “Ticket to Ride” and “Lucy in the Sky with Diamonds” on a continuous week-long loop. I remember tears welling in my eyes during “In My Life”, the hairs raising on the back of my neck at the start of “Eleanor Rigby”, the strange kaleidoscopic friendliness that radiated off of “Penny Lane” and “All Y...
10 Famous Beatles Locations You Can Visit
On Location is a new series that brings to life the places you know from songs, album covers, and music history. Consider it a blur between travel guide and liner notes to your favorite albums. The Beatles: you’ve heard the songs, seen the footage, and heard about the places. What you may not have done yet, though, is step into their world. The Midas touch of the Fab Four has turned everyday locations from London to Liverpool — such as a crosswalk, an office building, a local street, and a pub — into some of the most iconic locations in music history. To see these locations in person for the first time is like finally being in the same place as a partner with whom you’re in a long-distance relationship: they’re always there, but to be able to actually see them adds an almost indescri...
How Kraftwerk and David Bowie Paved the Way for Music As We Know It Today
In 1976, David Bowie introduced his bravest new world yet. Zig-zagging across Europe and North America to promote his 10th studio album, Station to Station, he set the scene, night after night, with spliced footage from Luis Buñuel and Salvador Dalí’s surrealist masterpiece Un Chien Andalou. It was a strange yet enthralling scene for fans, but had the artist, then known as The Thin White Duke, had his way, four motionless Germans would have graced the stage instead. The request, of course, was made, but a firm yet friendly “nein danke” from Kraftwerk later led musical history to opt for another course. Midway through the Station to Station live run, also known as the “Isolar Tour”, Kraftwerk co-founders Ralf Hütter and Florian Schneider met with Bowie at their Kling Klang Studio in their h...
