Consistently building a name for itself in the world of house music over the years, event promoter and newly formed record imprint Space Yacht has recently begun to branch beyond that genre and into the world of bass music. Today, Space Yacht released its first bass compilation, and it’s a rowdy one. Space Yacht’s Big Bass Ting Vol. 1 delivers big sounds in many different facets of bass music, including riddim, tearout dubstep, and leftfield bass. With ten fresh tracks from some impressive rising talent, Big Bass Ting Vol. 1 is a massive foray into the low end of the frequency spectrum for the label. NAZAAR serves up a relentless banger called “Kandahar” to kick things off, and it doesn’t slow down from there. Blurrd Vzn’s “Money Bag̶...
GRiZ has had an impressive year so far, releasing a series of stellar singles including “Vibe Check,” “Ease Your Mind” with Ganja White Night, “Bring Me Back” with Elohim, and “Astro Funk.” Today the electro-funk star has returned with yet another new track, “Tie-Dye Sky.” Earlier this year GRiZ announced a forthcoming collection of dance-forward music he dubbed “very reminiscent of the era of music that [he] grew up with as a young producer with a twist of all the skills [he has] learned over the years.” His latest tune is undeniably reminiscent of dubstep’s golden age, while showcasing GRiZ’s innovation as an artist in the space. You can find “Tie-Dye Sky” on streaming platforms here and listen ...
After the release of Marshmello‘s latest single, it’s safe to say his return to EDM is official. Mello, whose affinity for pop and hip-hop in recent years has been a topic of consternation among his fanbase, has teamed up with Subtronics for a dubstep smash called “House Party.” The track arrives one day ahead of the masked dance music superstar’s new album Shockwave. Fans will be thrilled to hear a signature Subtronics banger, rife with the idiosyncratic yet heavy-hitting sound design that has propelled him to become one of dubstep’s most revered artists. Serenaded by a party-starting spoken word verse, “House Party” features three massive drops, each of which rumble with quirky synths that slither through thunderous subs. Tak...
Some Creatures, Getter‘s brand new 6-track offering, is finally here. It was immediately evident Getter came to make a statement on this project with the release of “BLOOD HARVEST,” which sees the convergence of his distinct production and vocals from his alter alias, Terror Reid. It’s the first time we’ve seen Getter merge these two creative paths and the crossover goes over with smooth execution. Getter still leaves plenty of room for wonky synths and bass that will blow the doors off, both on the titular track and its rapid-fire follow up, “With No Eyes.” Things take another turn, however, with “From The Dirt,” a multi-genre track with grungy bass, rock distortion, and rugged hip-hop hi-hats. The cut makes for an inte...
Following the cryptic morse code announcement of an upcoming EP called SOME CREATURE, Getter has now unveiled his hotly anticipated record’s lead single, “BLOOD HARVEST.” Kicking off with brass fanfare, “BLOOD HARVEST” is a headbanger’s dream, comprised of heavily resonating bass, meticulously layered vocal samples and angsty energy. Fresh and powerful, its innovative sound design is right in line with the wobbly nature of NAPALM, which—according to an exclusive October 2020 interview with EDM.com—is a direct result of Getter’s commitment to making music purely for himself. Out May 27th, the track is part of a project that he previously promised would blow NAPALM, its preceding EP, “out of the water.”...
MUST DIE! has been a consistent force in electronic music for years. Since debuting the project, the renowned Seattle artist has often been heralded as a trendsetter, and that claim holds true with the staggering amount of festival anthems that have spawned from his trailblazing approach to production. In April 2021, he began to tease his sophomore album CRISIS VISION. And after over a month of anticipation, the LP has finally arrived via Never Say Die. CRISIS VISION is MUST DIE!’s most comprehensive work yet. Fans may find themselves familiar with a number of previously released singles, like “LOL OK” with Akeos and Skream and the blistering “SORROW TECH.” However, eight fresh tracks have now been introduced—and they are all masterful. MUST DIE!...
Two of the most trailblazing producers in the bass music scene have joined forces to drop their first-ever collab, a monster trap and dubstep hybrid called “Back to Back.” Excision and UBUR unveiled the track today via the former’s Subsidia Records banner, dropping a monster tune that bursts at the seams with forward-thinking sound design. The arrangement here is something to marvel at, as it manages to effortlessly incorporate three wholly unique drops in its mind-bending three minutes. “Back to Back,” which features a stellar Armanni Reign, begins with a relentless verse that churns along to frenetic breakbeat drum programming and raucous guitar riffs. Excision and UBUR go on to unload a ferocious first drop, expertly interpolat...
The hype surrounding Getter‘s next EP is starting to bubble over. Yesterday the bass music luminary took to social media to share an esoteric image in Morse code, which fans quickly cracked to reveal a message that reads “six original songs.” Once out, the record will be Getter’s first since NAPALM arrived in October 2020. Prior to the cryptic post the unnamed EP had already become ingrained in Getter’s fanbase as a highly anticipated project. He has been the teasing the record since as early as November 2020, when he tweeted that it “blows NAPALM out of the water.” He recently dumped gasoline on the excitement in April 2021, promising fans that not one, but multiple EPs were on the way. When EDM.com spoke to Getter about the ...
Following the announcement of super-label Monstercat’s massive partnership with popular multiplayer online battle arena game SMITE, famed electronic music producer Slushii has officially released his in-game song, “Valhalla.” With its relentlessly punchy drums, crushing bass, and melodic elements, the roaring dubstep tune serves as the perfect soundtrack for Slushii’s unique SMITE skin for the Hades character. The skin, introduced in the exclusive Monstercat SMITE battle pass, transforms Hades into an imposing DJ with two turntables and Monstercat-themed speakers, while “Valhalla” plays in-game. “When Monstercat and SMITE approached me about this project, I couldn’t have been more excited,” said Slushii ...
Multi-instrumentalist and future funk producer GRiZ has been on a roll as of late, releasing a series of dominating tracks this year—namely “Vibe Check,” “Ease Your Mind” with Ganja White Night, and “Bring Me Back” with Elohim. Out today, his newest single “Astro Funk” showcases yet another brilliant amalgamation from the cross-genre electronic producer. Featuring sultry saxophone skills, groovy guitar riffs, a bobbin’ bassline, and astronomical synth sounds, “Astro Funk” is an otherworldly experience. “Intergalactic blaster ‘Astro Funk’ bout to take you on a trip,” he said in a statement. “Gas up the spaceship.” GRiZ incorporated a multitude of unique sounds for the composition of this track and executed it with finesse...
Following suit from their last EP, 2020’s Silk Wave, iconic UK electronic duo KOAN Sound have dropped a scorching new record titled Chronos. The new EP consists of four tracks, kicking things off with the titular “Chronos,” a massive deep bass tune filled with grimy undertones of dubstep and liquid bass. Following next is “Red Shift,” another banger that comes dripping with KOAN Sound’s signature bass elements, before “Traverse,” a kinetic jam with a faster cadence and earth-rattling low end. Finishing off the EP is “Aeon,” a slow-building track that rises and falls with hypersonic synths, punchy kicks, and a bass patch pulled straight from the depths of the underworld. KOAN Sound’s “Chronos” EP released on M...
After kickstarting the Never Say Die: Black Label sister imprint with his Consciousness EP in 2015 and closing that imprint’s chapter out with his single “Sick Head,” bass music heavyweight Trampa has already built an impressive career over the last decade. Now, Trampa’s debut album has arrived on the newly reformed Never Say Die, and it is undoubtedly the producer’s best work yet. Trampa’s first full-length, Disrespect, is full of the riddim-tinged sounds listeners have come to know and love from the musician, but the album expands far beyond genre expectations and into tracks that draw influence from jungle, drum & bass, UK garage, drill, and even breakbeat. Previously released singles “Sick Head,” “Your Luv,” and the ...