“I don’t have friends. I got family.” For the vast majority of the Fast and the Furious franchise’s twenty-year lifespan, one overriding ethos has dominated the series even more than its love of tricked-out imported street cars: The physics-defying, bone-deep earnest love of family. (Or, as series star Vin Diesel so frequently rumbles, fambly.) In the Fast movies, having a family and a code by which to honor them is the most powerful force on Earth. It can defy the laws of governments as much as it can the laws of physics; it can even restore memory and bring back the dead. It can turn your most sworn enemy into your dearest comrade. And most of all, it can make Corona Lites palatable. With the latest entry in the series, F9, now in theaters, it’s high time to look back at the franchise’s ...
Welcome to Dissected, where we disassemble a band’s catalog, a director’s filmography, or some other critical pop-culture collection. It’s exact science by way of a few beers. This time, we follow the legendary AC/DC’s career, from their 1975 debut, High Voltage, to their most recent effort, 2020’s Power Up. The legacy of AC/DC is one of perseverance. Across their five-decade career, the Australian hard rockers have seen both sides of tragedy and glory, from their rugged ascent playing beer bars to becoming a global stadium rock institution. When charismatic frontman and lyricist Bon Scott passed away in 1980, many wondered if it was the end of AC/DC. Scott’s vivid personality was as much the face of the band as forever-a-schoolboy guitarist Angus Young. After releasing multiple soon-...
Nothing about Kevin Smith’s 1994 cult-classic film Clerks lent itself to making an animated version for ABC. Not the maxed-out credit-card budget, not the grainy, black-and-white cinematography, and surely not the foulmouthed, esoteric nerding out about innocent plumbers dying on the Death Star or how much the average jizz mopper makes working a nudie booth. And yet, thanks to studio politics, the Disney-owned network is exactly where the animated adaptation landed. It was no surprise then when the premiere got bumped back to the pilot graveyard that is summer, only two of the original six episodes aired on the network, and Dante and Randal curtly got told that they weren’t supposed to be there today … or any day for that matter. Editors’ Picks No, Clerks the cartoon dropped dead qui...
Almost everybody has a Beatles moment. Mine came when I was 10 years old, riding in the middle row of a 1994 Dodge Caravan on a family road trip from Indiana down to the Great Smoky Mountains. My step-brother had just gotten cassette copies of 1962-1966 and 1967-1970, better remembered as “The Red Album” and “The Blue Album” by anyone who grew up with parents who’d spent the ’60s as teenagers. We played those tapes non-stop from Kokomo to Gatlinburg and back again, the sounds of “Love Me Do” and “Ticket to Ride” and “Lucy in the Sky with Diamonds” on a continuous week-long loop. I remember tears welling in my eyes during “In My Life”, the hairs raising on the back of my neck at the start of “Eleanor Rigby”, the strange kaleidoscopic friendliness that radiated off of “Penny Lane” and “All Y...