“What if this is a movie where the characters have actually seen a horror movie?” –John Sayles By the dawn of the 1980s, there hadn’t been a genuinely successful werewolf film in years. And in the wake of films like The Last House on the Left and Halloween, which brought horror to the cities and suburbs where most Americans lived, torch-wielding villagers and mythical monsters lurking around the European countryside seemed quant. Even when the cinematic werewolf mythology was occasionally modernized in the 1970s, with films like Werewolves on Wheels and The Werewolf of Washington, the results were lackluster. But just as the sub-genre appeared to lose its bite, The Howling burst onto screens and changed everything. The first in a series of three werewolf-centric films released in 1981 — Wo...