Debbie Harry, quite possibly the most iconic woman in music, doesn’t know she’s an icon. It must have been twenty-five years ago when I spotted Debbie Harry floating down an Alphabet City street in Manhattan, clutching not a purse but a small dog, her signature blonde lob glowing like a crown of light. Years later I saw her in the 2000 Axis Theatre production of Sarah Kane’s play Crave, a brilliant beacon in an ensemble cast. That was definitely after she starred with one of my exes in an indie short film, and also after, I think, I was lunching with an acquaintance who casually mentioned that Debbie was in the audience of her friend’s Lower East Side play, and brought her dog along to that, too. When you live in New York, star sightings are somewhat rote, and amidst the churning hus...