It marks the fifth consecutive time Fincher has recruited the Nine Inch Nails bandmates to score his films. Trent Reznor and Atticus Ross Share Soundtrack to David Fincher’s The Killer: Stream Abby Jones
David Fincher is teaming with Michael Fassbender to make The Killer, Fincher’s long-developing assassin drama. The Hollywood Reporter reports the film has been picked up Netflix and will begin filming before the end of 2021. The Killer is an adaptation of the French graphic novel of the same name and has been associated with Fincher since 2007. The project is being written by Andrew Kevin Walker, who previously wrote Fincher’s breakout film, Seven, and also worked on Fight Club and The Game. In a role reminiscent of Bill Hader’s in Barry (without the acting classes), Fassbender will star as an assassin who begins to psychologically crack as he develops a conscience, even as his clients continue to demand his skills. First published in October 1998, the graphic novel is described as ha...
“You’re naming us Best Composers of All Time, right,” Trent Reznor asks over the phone. His partner-in-crime Atticus Ross laughs on another line. He’s joking, of course, but he’s also not exactly out of his element. While all-time might be a stretch — at least, for now — the two are certainly in contention for the last decade. After all, it’s been a wild 10 years for Reznor and Ross, one that began with a deafening bang. That big bang arrived at the 83rd Academy Awards in 2011, when Reznor and Ross triumphed over the likes of Hans Zimmer and Alexandre Desplat to win Best Original Score for David Fincher’s The Social Network. Their debut score wound up being an opening salvo as Hollywood came calling — and fast. Since then, they’ve amassed an eclectic resume that most composers spend decade...
Our Annual Report continues as we reveal the Top 25 Films of 2020. Stay tuned for more awards, lists, and articles in the days and weeks to come about the best music, film, and TV of the year. If you’ve missed any part of our Annual Report, you can check out all the coverage here. Going to the movies ain’t like it used to be, right? What an understatement. With theaters shuttered up and movie chains filing for bankruptcy, one might argue it’s been a pretty crap year for cinema. Financially speaking, they’re not wrong. But, art is a funny thing. It has a way of enduring even the most arduous obstacles — you know, that whole Ian Malcolm, Jurassic Park, “life finds a way” bit — and this year was a testament to that truth. Art had no issue finding a proper stage. That stage, as fate...
Netflix is unwrapping some big gifts in December 2020. The shiniest box under the proverbial tree is David Fincher’s Mank. The filmmaker’s first feature in six years stars Oscar winner Gary Oldman as legendary Hollywood screenwriter Herman J. Mankiewicz and the drama that surrounded his work on Citizen Kane. Another star-studded feature is Ryan Murphy’s The Prom, a fish-out-of-water comedy that finds Meryl Streep, James Corden, Nicole Kidman, and Keegan-Michael Key putting on a Broadway production in a small town. That should keep the family business. Elsewhere, there’s the highly anticipated Selena: The Series, the fourth season of Big Mouth, the fourth and final season of The Chilling Adventures of Sabrina, and the de facto seasonal docuseries The Holiday Movies That Made Us. EditorsR...
Listen via Apple Podcasts | Spotify | Google Play | Radio Public | Stitcher | RSS The Losers’ Club dumps out another big ol’ Bag of Bones right after spooky season. Together, Losers Michael Roffman, Dan Pfleegor, and McKenzie Gerber crack some skulls and answer your pressing questions. You know, like what would a Stephen King biopic look like? What’s the right age to become a Constant Reader? What are some tips for writing stories? And what Stephen King merchandise/paraphernalia would they want for themselves? Gather around and find out the As to your Qs. Founded in January 2017, The Losers’ Club is a weekly podcast for Constant Readers, horror hounds, and new fans of Stephen King to dig deep into the author’s oeuvre and the ...
The Pitch: Herman J. Mankiewicz (Gary Oldman) was the script whisperer of the 1930s — at the height of the studio system, he was one of its most sought-after names, punching up many of the era’s most famous films with his signature wit and effortlessly fast-paced dialogue. But he was also a man plagued by personal foibles, a hefty drinking problem, and the struggles of being a card-carrying socialist in one of the most capitalistic industries in American history. In the spring of 1940, Mankiewicz — but please call him “Mank” — was tapped to pen the script for Hollywood’s most famous piece of outsider art: Orson Welles’ sprawling, ambitious epic Citizen Kane. Recovering from a car crash in a private estate with a helpful nurse named Rita (Lily Collins) and a 90-day deadline to get...