We’re one week past D-Day (that’s Dune-trailer day, of course) and everyone is still buzzing about Hans Zimmer’s epic arrangement of Pink Floyd’s “Eclipse”. Now Variety has the lowdown on how it all came together, with FaceTime, a socially-distanced 32-person choir, pandemic recording pods, and more. This behind-the-scenes tale began at Zimmer’s Remote Control studio in Santa Monica, CA. The 32-person ensemble was led by Edie Lehmann Boddicker, who had previously assisted Zimmer on The Lion King. At 63 years old, the legendary composer himself opted to minimize his human interaction, instead FaceTming in from his home studio, giving direction and offering suggestions. Boddicker described the quarantine choir as a “who’s-who” of Los Angeles session musicians, a...
Last night, Donald Trump accepted the Republican party’s nomination to be President of the United States. As the RNC came to a close, and as fireworks lit up the Washington Monument with the words “Trump 2020”, the norm-shattering display was soundtracked by two different covers of Leonard Cohen’s “Hallelujah” . The Canadian Cohen’s most famous song — a moving exploration of spirituality, humility, and orgasms — was first heard in a cover by Tori Kelly, in between “She’s a Grand Old Flag” and “God Bless the USA”. Minutes later, “Hallelujah” received a much-louder on-camera encore from opera singer Christopher Macchio. As Variety reports, Kelly tweeted out that she had been, “Seeing messages about my version of ‘Hallelujah,’”and added, “All i know is neither myself nor my team rec...
T. Rex’s Marc Bolan (photo via Ian Dickson:Wikipedia) and Peaches (photo by Philip Cosores) There’s a massive tribute album coming out this September that sees everyone from U2 to Father John Misty covering the music of Marc Bolan and T. Rex. The latest artist to share their contribution to the compilation is Peaches, whose cover of the 1972 T. Rex single “Solid Gold, Easy Action” is as big as it is fun. So far, the songs we’ve heard from the tribute album, dubbed AngelHeaded Hipster, have been pretty imaginative thanks to artists like Joan Jett, Kesha, and The Sword. But Peaches puts her own unique spin on her cover while still remaining pretty faithful to the original track. According to a press release, that’s in part due to Hal Willner, the album’s producer and a longtime pa...
Hinds released their excellent new album The Prettiest Curse last month to help soundtrack our summer. While they were recording those songs, it turns out they were also rehearsing a cover of The Clash’s track “Spanish Bombs”. Now, they’ve released the studio version of that cover. Of course, “Spanish Bombs” comes from London Calling, The Clash’s iconic album and one of the most influential punk rock records of all time. While “Spanish Bombs” is a classic in its own right, the song has additional meaning for the members of Hinds because of its perspective on the Spanish Civil War — singer Joe Strummer was inspired to write about it after he heard about the Costa Brava hotel bombings on the radio at the time — as a piece of pop culture history. “The Clash were my mom’s forever favorite band...
St. Vincent, photo by Ben Kaye There’s nothing like guitar stores, with their rows upon rows of unlimited potential, and the ever-present sound of overeager amateurs stumbling through famous riffs. Many such establishments are now closed, but to recreate that hallowed vibe, St. Vincent has shared a Led Zeppelin cover just in case you “missed the sound of someone fumbling through “stairway to heaven”.” The artist born Annie Clark posted the video to Instagram. She wore a fruit-covered robe with red-framed sunglasses, and chose a filter with the color saturation turned all the way to Vegas Strip. While the short clip doesn’t contain singing or any other words, she did add a short comment in which she honored and roasted guitar stores. Clark wrote, “Since guitar stores have been closed, I tho...
Margo Price served as the latest guest on CBS This Morning: Saturday. She performed her new single “Letting Me Down”, as well as a cover of Bob Dylan’s “Things Have Changed”, and her own b-side, “Drifter”. For an artist who made her name in Americana and country, she put together a surprisingly rocking set. “Letting Me Down” is already among Price’s most muscular songs, with a ripping electric guitar that keeps the track locked in fifth gear. And while she could’ve chosen a folksier Bob Dylan cover, she instead opted for “Things Have Changed”, the Academy-award winning original song from the 2000 film Wonder Boys. “Things Have Changed” is upbeat and bluesy, and Price pushes her voice outside of its comfort zone. She puts some grind into her phrasing, punctuating her usual cr...
For this year’s Record Store Day, Brandi Carlile has teamed up with remaining Soundgarden members Kim Thayil, Ben Shepherd, and Matt Cameron to record new versions of “Black Hole Sun” and “Searching with My Good Eye Closed”. This tribute to Soundgarden will be released as a 12-inch on September 26th, which is the second of three separate Record Store Drops this year. In addition to Thayil, Shepherd, and Cameron, Brandi Carlile worked with her frequent collaborators, twins Phil and Tim Hanseroth. The songs were recorded at Seattle’s London Bridge Studio, a legendary place that hosted both Soundgarden and Brandi Carlile early in their careers. As 2020’s official Record Store Ambassador, Carlile has kept up a steady stream of social media posts about the event and her own contribution. Appare...
Ben Gibbard may be having one of the busiest lockdowns in music. In addition to covering everyone from Radiohead to Phoebe Bridgers to The Beatles during his weekly livestreams, the Death Cab for Cutie frontman has released the charity single “Life in Quarantine”, performed the song on Colbert, and taken part in a number of charity concerts. Today, he’s back with another new track, “Proxima B”. The mid-tempo strummer was originally debuted live when Gibbard performed at the Smithsonian’s National Air & Space Museum’s virtual concert Space Songs: Through the Distance. He later played it during his from-home livestream. While both those renditions were acoustic, the studio version of “Proxima B” features complete instrumentation, contemplative synth sounds blowing gently beneath opt...
The latest episode of Killing Eve contained a cryptic cover of Taylor Swift’s “Look What You Made Me Do” by previously unknown band Jack Leopards and the Dolphin Club. Via Pitchfork, a trail of clues suggest that the song actually comes from Swift and Jack Antonoff, while Swift’s brother Austin may be the vocalist. T-Swift left the first breadcrumb herself, when she tweeted about being “VERY STOKED” for the cover by Jack Leopards and the Dolphin Club. Jack Antonoff, a co-writer of the original version of “Look What You Made Me Do”, is listed in the credits as a producer, along with a certain Nils Sjöberg. Swifties will recall Sjöberg as the pseudonym Taylor used for her co-writing role on Calvin Harris and Rihanna’s “This Is What You Came For.” But what about Austin? There are tw...
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.byrvz5ec3d27a9ac34 { margin: 5px; padding: 0px; } @media screen and (min-width: 1201px) { .byrvz5ec3d27a9ac34 { display: block; } } @media screen and (min-width: 993px) and (max-width: 1200px) { .byrvz5ec3d27a9ac34 { display: block; } } @media screen and (min-width: 769px) and (max-width: 992px) { .byrvz5ec3d27a9ac34 { display: block; } } @media screen and (min-width: 768px) and (max-width: 768px) { .byrvz5ec3d27a9ac34 { display: block; } } @media screen and (max-width: 767px) { .byrvz5ec3d27a9ac34 { display: block; } } TBoss is still basking in the euphoria of childbirth and motherhood as evident in her recent posts on Instagram. .cxzpv5ec3d27a9aedd { margin: 5px; padding: 0px; } @media screen and (min-width: 1201px) { .cxzpv5ec3d27a9aedd { display: block; } } @media screen and (min-widt...