Cover Song
Coldplay Cover Pearl Jam’s “Nothingman” in Seattle: Watch
Coldplay celebrated the release of their latest album, Music of the Spheres, with a record release show at Seattle’s Climate Pledge Arena on Friday night. In addition to playing songs from their ninth LP, Coldplay paid tribute to one of Seattle’s greatest bands: Pearl Jam. “So because we’re here in Seattle we wanted to pay tribute to all of the bands that we fell in love with when we were just young teenagers in the ’90s,” Coldplay frontman Chris Martin told the audience. “This is a 44-year-old man remembering how much he fell in love with Pearl Jam in 1991. And if you told that kid he would be here singing this song, that kid would’ve said ‘Are you sure that’s a good idea?’ And I would’ve said ‘Maybe not!’ But we’re doing it!” And with that, Martin and drummer Will Champion segued into a ...
Toyah Sings Velvet Underground’s “Venus in Furs” as Robert Fripp Gazes in Amazement: Watch
With Robert Fripp back at home in the UK following King Crimson’s US tour, he and wife Toyah Willcox are together again for “Sunday Lunch” performances in their kitchen. This time around, Toyah sings the Velvet Underground classic “Venus in Furs” as Fripp stares up at her with a devilish grin on his face. After receiving video messages featuring sultry performances from Toyah during the King Crimson outing, Fripp has been back for a few weeks now. Toyah welcomed him home a couple of Sundays ago by singing The Cult’s “She Sells Sanctuary” as he walked through the door. And last week, Toyah busted out the James Bond theme “Goldfinger” for her guitarist husband. For the latest edition of “Sunday Lunch,” Toyah sings “Venus in Furs” while dancing on the couple’s dining table. The two-angle vide...
Tyler Childers Covers John Prine’s “Yes I Guess They Oughta Name a Drink After You”: Stream
Since his devastating death in April 2020, John Prine’s legacy has been carried out by way of countless tributes. This week, Tyler Childers is adding another contribution to the plethora of Prine covers with his rendition of “Yes I Guess They Oughta Name a Drink After You,” a preview single of the forthcoming tribute album Broken Hearts and Dirty Windows: Songs of John Prine, Vol. 2. Take a listen below. “Yes I Guess They Oughta Name a Drink After You” originally appeared on Prine’s 1972 record, Diamonds in the Rough. Childers’ version slows the tempo down a bit, boasting hi-fi production and a more fleshed-out instrumental. Its twangy sound, however, still stays true to Prine’s bluegrass roots. Broken Hearts and Dirty Windows: Songs of John Prine, Vol. 2 is set for release on October...
Death From Above 1979 Cover Journey’s “Don’t Stop Believin’”: Stream
Death From Above 1979 have shared a cover of Journey’s “Don’t Stop Believin’” as part of the Amazon Original covers series. The duo make the classic rock anthem their own, adapting it to their trademark drum-bass format and injecting their signature dance-punk sound. Despite being an eclectic take on the timeless song, the cover nonetheless retains the uplifting chorus and big crescendos of the original. “We made a kind of witchy version of the song that would make Steve Perry magically join Journey again,” said Sebastien Grainger of Death From Above 1979 via a press release. Advertisement Related Video You can stream and purchase Death From Above 1979’s cover of “Don’t Stop Believin’” via Amazon. The track adds to an already successful year for the band. March saw the release of its...
Beyoncé Covers “Moon River” for Tiffany & Co.: Watch
Beyoncé and Audrey Hepburn have quite a bit in common. They’re both style and beauty icons, they’ve both contributed to human rights efforts, they’ve both appeared in legendary films — and now, they’ve both sang Henry Mancini’s “Moon River.” As a part of Queen Bey and JAY-Z‘s ongoing ad campaign with Tiffany & Co., the singer has shared a cover of the Breakfast at Tiffany‘s tune. Bey’s cover of “Moon River” arrives with a sweet 90-second clip, directed by Black Is King co-director Emmanuel Adjei. It pays homage to the 1961 film, opening with a shot of JAY-Z plunking away on a typewriter. While Hepburn’s famous recording of the song — penned by Henry Mancini and Johnny Mercer — is performed on guitar from a humble fire escape, Beyoncé’s rendition sees her take a seat behind a ...
Saudade Cover Joy Division’s “Day of the Lords” with Lamb of God’s Randy Blythe: Stream
Lamb of God singer Randy Blythe has teamed up with Saudade for a cover of Joy Division‘s “Day of the Lords.” Billed as a “creepy” rendition of an already haunting song, Saudade heavy it up with a smattering of instruments (guitars, steel drums, organ, synths, etc). Meanwhile, Blythe lays down his vocals with reverence to the song’s original singer, the late Ian Curtis. “I’ve always wanted to cover ‘Day of the Lords,’” remarked Blythe in a press release. “In my opinion, it is the heaviest of Joy Division’s songs. With Saudade, we have such a widely-varied pool of musical backgrounds to draw from that I knew we could add some interesting sonic layers to the tune while honoring the original.” Advertisement Related Video Saudade are led by Chuck Doom (Crosses, Team Sleep) and drummer Gil ...
Green Day Release Official Live Cover of KISS’ “Rock and Roll All Nite”: Stream
Green Day are celebrating their just-wrapped “Hella Mega Tour” with an official live version of the KISS classic “Rock and Roll All Nite.” During the summer trek with Weezer and Fall Out Boy, Green Day covered the iconic KISS tune at every one of the outing’s 21 shows. Today (September 10th), Billie Joe Armstrong and company released the live rendition, complete with a music video showing highlights from the tour. The “Hella Mega Tour,” which also featured Weezer and Fall Out Boy, wrapped up a few days ago in Seattle. Unlike KISS’ own current tour, during which Paul Stanley and Gene Simmons both contracted COVID-19, Green Day made it through unscathed. However, Fall Out Boy had to miss a few dates due to a positive test within the band’s camp. Advertisement Related Video Green Day are set ...
Cage the Elephant on Covering Metallica’s “The Unforgiven”: “It’s Almost Like Their ‘Stairway to Heaven’”
Cage the Elephant were among the 53 artists to participate in the just-released covers compilation The Metallica Blacklist. Each act covered a track from “The Black Album,” with all proceeds from the release benefitting a charity of the artist’s choice and Metallica’s All Within My Hands Foundation. For their contribution to The Metallica Blacklist, Cage the Elephant took on the epic ballad “The Unforgiven.” Proof of the song’s universally captivating arrangement, Cage make it sound like their own song while preserving the grandeur and dynamics of the original. In an exclusive Q&A with Heavy Consequence, Cage the Elephant guitarist Nick Bockrath discussed the experience of covering “The Unforgiven,” the impact of “The Black Album,” and the legacy of Metallica. Advertisement Related Vid...
Metallica Release 53-Song Blacklist Covers Album: Stream
Metallica have released The Metallica Blacklist charity covers compilation. The album features 53 artists covering the 12 songs from “The Black Album.” All proceeds from the release benefit a charity of each artist’s choice and Metallica’s All Within My Hands Foundation. The band announced the compilation at the same time as the “Black Album” Super Deluxe Edition box set. Both celebrate the 30th anniversary of the seminal heavy metal album that launched Metallica to superstardom. Each week leading up to the September 10th digital release, the band shared new covers from the Blacklist. From Miley Cyrus’ rendition of “Nothing Else Matters” to Weezer taking on “Enter Sandman” to St. Vincent shredding through “Sad But True,” the covers have been a highly entertaining pastime for Metallica fans...
Ministry Unleash Cover of The Stooges’ “Search and Destroy”: Stream
Ministry have unveiled a cover of The Stooges‘ “Search and Destroy” as the latest single from their upcoming album, Moral Hygiene. Frontman Al Jourgensen and company put an industrial stamp on the proto-punk classic. The track features a guest spot by Billy Idol guitarist Billy Morrison, and the decision to cover the tune was inspired by a performance at a benefit show in 2019. “We rehearsed it and the song was perfect but the show was running late and by the time we got onstage, I was in half time and singing the lyrics twice as slow,” explained Jourgensen in a press release. “Fortunately Billy and Dave Navarro are professionals and they realized what was going on and sort of covered for me but I felt horrible. Billy thought it actually sounded really good in half-time so he came to me wi...
Toyah Seductively Serenades Robert Fripp with Divinyls’ “I Touch Myself”: Watch
Even the Atlantic Ocean can’t keep rock’s friskiest couple from entertaining each other (and their fans) every Sunday. With Robert Fripp out on tour in the United States with his legendary prog band King Crimson, his wife Toyah offered him a treat in the form of a sultry video message featuring her singing Divinyls’ “I Touch Myself” in the kitchen of their UK home. Toyah and Robert have taken YouTube by storm over the past several months with their eccentric “Sunday Lunch” covers of rock classics, often with Toyah sporting a revealing outfit. For the latest edition of the popular series, Toyah brought back the see-through white shirt and exercise bike that helped propel their viral cover of Metallica’s “Enter Sandman” to more than 7.5 million views. In the new video, Robert checks in with ...
Robert Fripp and Toyah Take on The Who’s “My Generation” as King Crimson’s US Tour Kicks Off: Watch
Robert Fripp has already embarked on a summer U.S. tour with his legendary UK prog-rock band King Crimson, but that hasn’t put a stop to the guitarist’s viral “Sunday Lunch” performances with his wife, Toyah Willcox. The pair apparently filmed some advance episodes in their kitchen, beginning with today’s cover of The Who’s “My Generation.” Per usual, Toyah goes with a skimpy outfit, this time a white shirt that somehow doesn’t pop all the way open despite being held together by a little red clasp. Vocally, she delivers a raspy take on The Who’s classic 1965 track, adding some additional punk flavor to what could be argued is one of the earliest punk songs ever recorded. Fripp is back to his proper vest-and-tie look, while still sporting the mohawk that he featured in previous performances...
