Even during the era of social distancing, no one does late night like Miley Cyrus. The pop star was a guest on Thursday night’s The Tonight Show Starring Jimmy Fallon, and from her interview atop a Peter Shire throne to her dazzling, full-stage performance of “Midnight Sky”, it was as glamorous as pandemic entertainment can get. Talking with Fallon from her geometric chair set in a pitch black void, Cyrus discussed keeping herself centered amidst her crazy career and her recent VMAs performance. She also touched on asking Stevie Nicks for permission to sample “Edge of Seventeen” on “Midnight Sky”. “I have the coolest letter ever from Stevie, too,” she revealed. “I sent her the song, and I said, ‘I have an alternate melody. If you don’t want me to pay tribute to you and your greatness and h...
Earlier in the year, James Blake shared an intimate piano performance of Frank Ocean’s “Godspeed” on Instagram. Today, he’s released an official studio version of his cover. Blake is extremely familiar with the Blonde cut, considering he provided both production and arrangement for the track. He’s also been known to whip out his solo version during live shows. But he’s done something an extra special for this official version: He’s actually dyed his hair platinum blonde, so now he’s a blonde playing Blonde. Obviously, his take is very faithful to the one Ocean recorded, only without the studio flourishes. It’s as sparse and evocative as ever, though, as you can hear below, followed by the Blonde rendition for comparison’s sake. Via his Instagram, Blake has delivered a number of other ...
In addition to releasing one of the year’s best albums so far, Phoebe Bridgers has spent the summer months covering a number of iconic artists. In June, she shared her official recording of John Prine’s “Summer’s End”, which she then followed up with a rendition of Gillian Welch’s “Everything is Free”, done in collaboration with Courtney Barnett. Now, Bridgers has taken on an alt-rock classic in “Fake Plastic Trees”. The indie folk artist’s Radiohead cover came as part of the BBC Radio 1 program Phil Taggart’s Chillest Show. And chill it certainly was. Bridgers recorded her delicate version of The Bends original inside of a church with help from rising R&B star Arlo Parks, who provided icy piano accompaniment. Bridgers previously covered “Fake Plastic Trees” live in concert in 2017, as...
This past May saw Pure X return with their first album in six years. It turns out fans won’t have to wait nearly as long for a follow-up release, as the Austin natives have just announced a new rarities compilation: Rare Ecstasy 2009-2019 is due out October 16th through Fire Talk. The forthcoming project collects 12 “recordings and rarities” from throughout the indie rock group’s decade-long career. Per a press release, these songs “embody the Pure X sound” and offer up “a raw emotive portrait” of the band’s evolution over the years. As a teaser of this Pure X collector’s item, their cover of Willie Nelson’s 1965 song “One Day at a Time” has been revealed. Mirroring the outfit’s past efforts, this rendition conjures up a wall-of-sound atmosphere, as though it were recorded in some smoky ca...
Miley Cyrus for BBC Radio 1’s Live Lounge Month (photo by Vijat Mohindra) and Billie Eilish (Amy Price) Days after taking the virtual stage for the 2020 MTV VMAs, Miley Cyrus is back with another pandemic performance. Today, she helped launch the latest edition of BBC Radio 1’s Live Lounge Month with a four-song set that included covers of Billie Eilish and Eagles. Cyrus and Eilish really couldn’t be more different as pop stars, with one known for delivering literal Bangerz and the other for her hushed, alternative pop structures. Perhaps it’s unsurprising, then, that Cyrus’ rendition of “my future” is far more full-throated than the original. Yes, it’s still a delicate piano ballad with a grooving break, but Cyrus ups the defiance in the vocals considerably. Speaking to Live Lounge ...
IDLES took over Abbey Road Studios for a three-part livestream this past weekend. Coming in support of their forthcoming full-length, Ultra Mono, the sets featured a bevy of new tracks — including singles “Model Village”, “A Hymn”, “Mr. Motivator”, and “Grounds” — in addition to past favorites like “Colossus”, “I’m Scum”, and “Never Fight a Man with a Perm”. The Bristol post punks also tucked in a few covers, including takes on The Beatles, The Strokes, and The Ramones. First came their dirge-y rendition of The Ramones’ classic “I Wanna Be Sedated”. Smoldering in its own sedation, the cover saw a psychedelic war wage between guitarist Mark Bown and bassist Adam Devonshire. Set No. 2 brought IDLES’ ripping version of The Strokes’ “Reptilia”. The band kept the melody largely intact, but scra...
Earlier in the month, Neil Young quietly announced a new EP called The Times. Today, he’s further detailed the release, which will come exclusively to Amazon Music HD on September 18th. As predicated, The Times EP captures July’s “Porch Episode” of Young’s Fireside Sessions series. The performance featured his updated “Lookin’ for a Leader 2020”, which contains revised lyrics to match the current state of political affairs in 2020. Also included are renditions of “Ohio”, “Alabama”, “Southern Man”, “Campaigner”, and the Homegrown cut “Little Wing”. Rounding out the collection — and giving it its name — is a cover of Bob Dylan’s enduring “The Times They Are A-Changin’”. Young has released the recording via his Neil Young Archives, and you can also stream it on Amazon Music or via ...
Elliott Smith’s sophomore self-titled album turned 25 years old last month, and Kill Rock Stars is celebrating the anniversary by releasing a new deluxe reissue of the LP. Stream it below via Apple Music and Spotify. This deluxe edition features a fresh remaster of all of the album’s tracks, thanks to the official Smith family archivist Larry Crane pulling the from reels, cassettes, files, and DAT tapes to get recordings as close to the original Elliott Smith mix as possible. In addition to the original tracklist, the reissue includes the previously unreleased Live at Umbra Penumbra, capturing a September 17th, 1994 performance at Portland, Oregon’s Umbra Penumbra that’s the earliest known recording of Smith playing a solo acoustic show. “There are fan-traded MP3s out there of this sh...