Listen via Apple Podcasts | Spotify | Google Play | Stitcher | Radio Public | RSS The world seems to have gone mad since the release of Malcolm Gladwell’s The Outliers. Thanks to his 2008 best-selling book, everyone seems to think that all you need is 10,000 hours of practice to achieve greatness. While that may work on a skill or a craft, the rules go out the window when it comes to art. Prodigy and Havoc certainly put a lot of hours into making beats and rapping before they made The Infamous, but there are other powerful forces that truly shaped them into becoming artists. After all, 10,000 hours will only take you so far, and much of that greatness depends on perspective and experience. Editors’ Picks In this season’s final episode, host And...
Kyle Meredith With… Alison Mosshart Listen via Apple Podcasts | Spotify | Google Play | Stitcher | Radio Public | RSS Alison Mosshart jumps on the line with Kyle Meredith to talk about her new solo single “Rise” from the Facebook Watch series Sacred Lies. The Kills vocalist goes on to discuss her fondness for writing for film and TV, working with Alain Johannes, her recent obsession with making her own videos, and the upcoming B-side to “Rise” called “It Ain’t Water”. Mosshart then goes further into the year to let us know about the Third Man Books re-release of Car Ma, its accompanying spoken word companion (“weird shit inspired by the book”), in addition to a small update on the next record from The Kills. Kyle Meredith With…&n...
Listen via Apple Podcasts | Spotify | Google Play | Radio Public | Stitcher On today’s episode of This Must Be the Gig, JoJo discusses her new album, good to know. The R&B pop star burst onto the scene at only 14 years old with her 2004 debut single “Leave (Get Out)”, an incredible, soulful jam that is already stuck in your head just from reading the title. After releasing two albums as a teen, a dispute with her label led to those tracks being held away for years from any and every online streaming or purchase outlet. After settling the dispute in 2014, she re-recorded the albums and started putting out new music, and that’s not even mentioning her acting career, starring in films such as RV and Aquamarine. Today, that evolution continues, with ...
Listen via Apple Podcasts | Spotify | Stitcher | Radio Public The Portsmouth Sinfonia billed themselves as “indisputably, the worst orchestra in the world.” They have brought joy into the lives of millions. In the fifth episode of Ghost Echoes, we learn about the importance and healing effects of failure. For more episodes of Ghost Echoes, subscribe now! Follow on Facebook | Twitter | Podchaser Music and Sound Notes: — The recording of Vivaldi’s Concerto for two trumpets heard here is NOT Matthew Parsons and his colleague Glenn Skelton. It is in fact Michel Rondeau (presumably double tracked) and organist Alaine Letendre, sourced from Musopen. — Here’s Chi-Chi Nwanoku’s BBC performance of Failing by Tom Johnson. — The snippets heard shortly after are from “It Never Entered My Mind” perform...