On the eve of the release of their new album, Headful of Sugar — and drummer Olive Faber’s birthday, no less — Sunflower Bean finally got to headline one of their hometown’s biggest venues: Webster Hall. (Get tickets for the rest of their upcoming headlining dates here.) The setlist featured almost every song from the trio’s latest LP (except highlight “Stand by Me,” which admittedly was a strange omission), but there were plenty of fan favorites and deep cuts in there too. “Twentytwo” — a track Julia Cumming revealed to us is her favorite song to play live — mad an appearance early on, while the encore closed with “Somebody Call a Doctor” off their very first EP, 2015’s Show Me Your Seven Secrets. While the concert was clearly a showcase for Headful of Sugar, it was also a fasci...
Pearl Jam played back-to-back shows at Kia Forum in Inglewood, California on Friday and Saturday (May 6th-7th). Photographer George Ortiz was on the ground, soaking up the action for Consequence. The May 6th gig saw Eddie Vedder and Co. playing hits like “Black,” “Yellow Ledbetter” and “Even Flow,” while May 7th brought a touching Taylor Hawkins tribute. Pearl Jam next hit Glendale, Arizona, playing the Gila River Arena tonight (May 9th). Tickets for that show, and for the rest of the tour, are available via Ticketmaster. Advertisement Related Video Check out the setlists from both nights, and a full gallery of photos from the May 6th show, below. May 6th Setlist: I Won’t Back DownOf the GirlElderly Woman Behind the Counter in a Small TownSuperblood WolfmoonCorduroyDance of the Clairvoyant...
No matter how careful or vaccinated we are, touring during the pandemic still isn’t easy. Spoon were recently forced to postpone a trio of shows after members of their party tested positive (and their current opener, Margaret Glaspy, had to pull out of a number of other shows for the same reason). When they finally did get back on track, Britt Daniel’s voice started to give out, causing yet more delays. It’s just not easy out there for touring bands right now — which makes shows like Spoon and Glaspy’s Friday, May 6th gig at New York’s Hammerstein Ballroom all the more special. The show was one of those three aforementioned postponements, rescheduled under the mini-tour title “Let’s Try This Again…” Spoon made up for the delay by delivering a ferocious set full of hits and surprises. They ...
“I’m not gonna talk this much at other shows, but this feels like home, and I missed ya,” Eddie Vedder told the San Diego crowd on Tuesday night. The first time I saw Pearl Jam, it was December 1991 and they were the relatively unknown openers for Nirvana and Red Hot Chili Peppers. My friend had bought a Pearl Jam shirt before the concert (even though the “cool” thing was to get Nirvana merch), when suddenly a long-haired Vedder ran up from somewhere and thanked her. More than 30 years later, Vedder is still filled with this kind of enthusiastic gratitude. He showed plenty of tokens of it throughout Pearl Jam’s nearly three-hour set at Viejas Arena in the city he said “feels like home,” the place where he lived before moving to Seattle. Advertisement Related Video This was the first stop i...
A variety of local heroes turned out for the UK’s “Help! A War Child Benefit Concert” at Bristol’s O2 Academy on Monday night – but it was the city’s twin bastions of loud and quiet rebellion who stole the show. With all donations from the night contributing to the unfolding crisis in Ukraine – alongside match-funding from the UK government – the concert offered an opportunity for the bands on show to nail their colors to the evening’s philanthropic mast in style. Alongside Portishead and IDLES, the lineup featured Katy J Pearson and Heavy Lungs. It’s worth remembering that Bristol was the English city whose residents dumped the statue of slave trader Edward Colston in their harbor in the summer of 2020, leading to an international debate that rippled across the US and beyond about whose n...
Florence Welch is almost always moving when she performs. With the exception of the occasional sip of water or a dramatic pose at the end of each song, the bewitching British singer-songwriter is constantly on her feet, her body nimbly maximizing as much space on stage as humanly possible, all while singing with unshakable gusto. Many were lucky enough to both witness Welch’s captivating moves and hear her signature guttural mezzo-soprano alongside her backing band The Machine at the 2,000-capacity Los Angeles Theatre on Friday evening (April 29th), the first stop on her 2022 North American tour. Of course, Welch’s flailing, skipping, twirling, and air punching served more than just a function of spectacle. Florence + the Machine’s upcoming record Dance Fever (out May 13th) drew inspiratio...
When it comes to playing guitar, Pete Townshend makes it look easy. Noodling up and down the frets and whipping his right arm about for a round of his signature windmills, he still looks every bit the rock star who once dramatically smashed his instrument onstage in a bid to outperform Jimi Hendrix at the 1967 Monterey Pop Festival. “This is what I do,” boasted The Who’s mastermind at the Hard Rock Live in Hollywood, Florida on Friday night (April 22nd), as he kicked into the recognizable guitar groove of the band’s “Who Are You.” It was the ninth song from a cathartic 24-song set on the first night of “The Who Hits Back!” tour (grab tickets via Ticketmaster), and the band’s first proper concert in more than two years. The setlist mirrored that of 2019’s “Moving On!” tour, and for good rea...
She has risen. Lorde returned to the stage in New York City — on Easter Monday, no less — just days after postponing a number of shows due to laryngitis. Maybe there was some residual throatiness to the Kiwi pop megastar, but it barely registered. The beauty of her full-fledged “Solar Power Tour” production at the iconic Radio City Music Hall was enough to cure any ill feelings. Talking about “post-pandemic live music” is already becoming cliché, but we can’t discount how the last two years impacted performances. On one hand there are acts like Lorde’s opener, former Artist of the Month Remi Wolf. Here’s someone who broke out during a lockdown where the only music absorption came via streams and TikToks. Now, with touring back in full swing, she’s playing Radio City. Think about the mental...
It has been said there is nothing quite like a Killers show in Las Vegas, and that statement will echo three times over to sold-out crowds April 15th, 16th and 17th as the city’s unofficial “house band” launches the “Imploding The Mirage Tour” at The Chelsea in The Cosmopolitan. For Friday’s opening night, The Killers showed up with everything which has endeared them to their hometown crowd for more than two decades—a jumping, pumping, sing-along dance party for 3,200 brothers and sisters, neighbors and friends. Frontman Brandon Flowers, backed by drummer Ronnie Vannucci, Jr., and guitarist Dave Keuning delivered a 90-minute, soulful, thunderous, biographical musical journey, performing songs from six of the band’s seven studio albums. (Absent from the setlist, Wonderful Wonderful). Roundi...
Las Vegas may be a good time gal, but she isn’t easy. The self-proclaimed “Entertainment Capital of the World” is accustomed to hosting countless entertainers. And perhaps because there’s always another visiting celeb, the city rolls out her red carpet for no one… that is, until BTS arrived in Sin City. In this case, it was a purple carpet, and it blanketed the city in excitement. In honor of a sold-out, four-night run at Allegiant Stadium (April 8th-9th and 15th-16th) titled PERMISSION TO DANCE ON STAGE IN LAS VEGAS, the iconic Bellagio Fountain Show has been playing BTS hits, while Strip marquees display the word “Borahaegas” in a purple-hued nod to the group. But that’s just the beginning of a city-wide immersive event, or “urban concert playpark,” called BTS PERMISSION TO DANCE THE CIT...
At the Masonic Temple Theatre in Detroit on Friday night, at the tail end of the first show in support of his new solo album, Fear of the Dawn; hours after performing a jagged, silvery version of the National Anthem at Opening Day for the Tigers; and in-between verses of a whomping “Hotel Yorba,” Jack White turns to Olivia Jean, a member of The Black Belles and one of two acts who opened for White that night, and says, “I got a little question for you, Olivia Jean.” Then he’s proposing, sliding a ring onto her hand while, with her other hand, she’s covering her mouth, nodding, crying, and he smiles, turns back to the microphone, and erupts into the sixth verse of the song: “LET’S GET MARRIED!” The dudes around me are feeling it: they’ve got their beers in the air and they’re yelling “Woooo...
Olivia Rodrigo was already a two-time Grammy winner before she’d even had her own tour. Not the typical order of operations for artists, but Rodrigo is a new kind of pop star. With her Best New Artist gramophone in tow, the “drivers license” singer finally launched her first-ever headlining tour on Tuesday, April 5th at Portland, Oregon’s Theater of the Clouds — and our photographer Dan Garcia was there to capture it all. The “Sour Tour” kick-off concert featured an entire (if out of order) run-through of the album of the same name — not surprising as Sour is Rodrigo’s only LP. The setlist was padded with a pair of covers: Avril Lavigne’s “Complicated” (in honor of “the pop-punk princess herself,” as Rodrigo put it) and Veruca Salt’s “Seether.” Below, find a photo gallery of Olivia Ro...