“I’m j-hope from BTS,” he told the Lollapalooza crowd, doing nothing more than introducing himself and nothing less than making history. BTS are perhaps the most overwhelming musical force the world has ever known, having conquered the globe with an ARMY bigger than Beatlemania. The septet became such an institution that when they announced a “hiatus,” to pursue solo projects, the resulting panic cost their management label HYBE $1.7 billion in market cap in just two days. “We are not disbanding,” the group clarified. j-hope said it in a different way under the banner of Chicago’s skyline in Grant Park Sunday night: “I’m j-hope from BTS.” Advertisement Related Video He’s a lot more than that. With this appearance at Lollapalooza 2022, j-hope became not just the first of...
Arcade Fire pick and choose their moments very carefully. It’s fitting that the Montreal band decided to release their first album in five years, the ambitious and heartfelt WE, in a pandemic-affected universe, urging us to relish in the fact that we are still, in fact, alive. It’s even more fitting that Arcade Fire began their extensive WE tour in Montreal, the band’s birthplace, at Osheaga Festival, which is celebrating its first year back since 2019. However, Arcade Fire’s appearance at Osheaga on Friday night (July 29th) was a stroke of good and bad luck: originally scheduled to headline were Foo Fighters, who cancelled all their tour dates after the untimely death of drummer Taylor Hawkins. But nabbing Arcade Fire as a replacement headliner is an excellent booking, and their pres...
“Is Dallas in this shit tonight?” Kendrick Lamar asked a roaring crowd before performing “Purple Hearts” from his new album Mr. Morale & The Big Steppers. “You know it’s been five years since I seen ya’ll, right? So I maybe a little bit rusty on this stage. I may need a little help. I think I need ya’ll to help me sing this … Let’s get it.” The last time Kendrick Lamar performed in Dallas was July 14th, 2017, when he brought the “DAMN. Tour” to the American Airlines Center. Then, he was one of hip hop’s biggest attractions with the highest-selling album of the year, on the verge of becoming the first-ever rapper to be awarded the prestigious Pulitizer Prize the following year, and arguably the new King of Rap. Exactly five years later, Lamar brought “The Big Steppers Tour” (get tickets...
Like so many other highly anticipated world tours, Canadian singer-songwriter Alanis Morissette had to wait an extra two years to finally mark 25 Years of Jagged Little Pill — or if we’re being pedantic, 27 years. After kicking things off in Europe, the Ottawa native began the North American leg of the tour in her hometown on July 10th before performing at Montreal’s Bell Centre two days later. (Get tickets to the rest of her upcoming dates here!) Although the night started with harmonica blazing to album opener “All I Really Want,” the rest of the evening in Montreal didn’t flow exactly as the Jagged Little Pill recording. The 48-year-old, with the same athletic stage-hopping zeal from her youth, played the entire album mostly out of order, with a few other hits such as “Uninvited” and “T...
The legendary Circle Jerks finally made their way to New York City on Thursday night (July 7th) for a two-night stand at Irving Plaza following a number of pandemic-related postponements. The pioneering hardcore-punk band more than made up for the delay, delivering a 33-song set while headlining a bill that featured fellow veteran acts 7Seconds and Negative Approach. Originally, Circle Jerks had planned to hit the road in 2020 to celebrate the 40th anniversary of their iconic debut album, Group Sex. After playing a smattering of shows in 2021, the band kicked off a proper North American run in February, only to have it curtailed when frontman Keith Morris contracted COVID, forcing the postponement of the remainder of the tour, including the NYC dates. In addition to founding Circle Jerks, ...
The sheer diversity of the concertgoers who descended upon Kraftwerk’s tour kickoff at The Pageant in St. Louis is a testament to the genre-spanning influence of the German electronic music pioneers. Punks, goths, metalheads, record nerds, businessmen, hipsters young and old: The near-capacity audience was a true smattering of personalities that transcended age and scene. More than a few attendees were even sporting the band’s iconic red-polo-black-tie Man-Machine-era look. And they were all there to witness Kraftwerk’s “3D Tour” — an illustrious audio-visual experience commemorating the group’s 50th anniversary (get tickets here). Upon entering the venue, everyone was handed a pair of white Kraftwerk-branded 3D glasses. On the stage stood the band’s four iconic keyboard pedestals, cutting...
For the second time in a week, Nine Inch Nails played a festival headline slot that was initially intended for Foo Fighters. At both last weekend’s Welcome to Rockville and Friday’s Boston Calling kick off, Trent Reznor and co. served as last-minute replacements after the tragic loss of Foo drummer Taylor Hawkins. Festivals being forced to find fill-ins for canceled acts isn’t the rarest of things, but the circumstances around NIN adding these dates to their first tour in four years comes from uniquely sad circumstances. About an hour into their Boston Calling set, Reznor addressed the situation in a heartfelt statement from the stage. “We’re very happy to be here with you tonight and share this time with you,” he said. “And we’re very sorry for the conditions that led to us being here, wi...
Addressing the crowd on Friday (May 20th), the first night of their amphitheater tour with Garbage at Cincinnati’s Riverbend Music Center, Tears for Fears founding member Roland Orzabal pinpointed the band’s mood as “chuffed,” as in “deeply satisfied in a particularly British manner.” The band had brought out “Everybody Wants to Rule the World” three songs into their set, sounding just as pristine and cathartic now as it did when first recorded nearly 40 years ago. Conventional wisdom might be to save such an iconic hit for the latter half of the set or the encore. But Tears for Fears are not a mere legacy act capitalizing on Gen X-er nostalgia. You can identify the most popular songs by how many people start recording on their phones. But deeper cuts, like epic multi-parter “Bad Man’s Son...