On Tuesday night, Charlie Puth was just grateful to be with an audience instead of his phone screen. “It was good to be in front of TikTok for two years, but there’s nothing like doing this in front of real, live people,” he told the rapt and energetic audience at New York City’s Beacon Theatre. The pop star and, yes, bona fide TikTok sensation, was in the City That Never Sleeps for the second show of his just-launched One Night Only tour supporting his new album Charlie. Earlier this month, Puth teased how the tour of more intimate venues came together as a sort of post-pandemic testing of the waters in an interview with Billboard‘s Pop Shop Podcast. “I’ll say what no artist will ever say: I did not know where I stood as a touring artist,” he explained. “We got through a worldwide pandemi...
Outside of the Crypto.com Arena on Saturday (Sept. 17), Los Angeles was in a frenzy. Bacon-wrapped hot dogs sizzled on grease-spattered portable grills, while a handful of street vendors eagerly flashed colorful Kendrick Lamar-themed bucket hats and t-shirts to whoever was willing to steal an unintentional glance. Crosswalks were in disarray, an outpouring of fans more consumed by their swelling anticipation for seeing Compton’s beloved on the last U.S. stop of his The Big Steppers Tour than the flashing orange stop signal. Inside, the arena was a sea of black. While a Bad Bunny concert may boast loud getups of colorful patterns and barely-there bikini tops, mimicking the Puerto Rican star’s latest beach-themed offering, a pgLang endeavor encourages a far less vibrant palette: muted ...