Axl Rose is no stranger to ripping apart political figures on Twitter, but this time he actually provoked a response from one of his targets. After the singer called Steve Mnuchin an “asshole”, the Secretary of the Treasury replied by questioning the Guns N’ Roses frontman’s worth to the United States (or Liberia, if you consider his initial response). Earlier this evening (May 6th), Rose tweeted out, “It’s official! Whatever anyone may have previously thought of Steve Mnuchin he’s officially an asshole.” A short time later, Mnuchin responded to Axl’s tweet, remarking, “What have you done for the country lately?” Initially, Mnuchin added a Liberian flag to the end of his question, as captured by Associated Press reporter Philip Crowther in the tweet below. Mnuchin then deleted that respons...
Years ago, the idea of one of the world’s most debauched bands, Guns N’ Roses, collaborating with best-selling thriller author James Patterson on an illustrated children’s book would have been an odd thought. But that’s exactly what’s happening in 2020 with the new book Sweet Child O’ Mine. According to People, the book was inspired by two girls named Maya and Natalia, the daughter and niece of one of Guns N’ Roses’ managers, Fernando Lebeis. The book plays off the lyrics of the classic GN’R song “Sweet Child O’ Mine”, turning them into a narrative children’s story. “My sister and I have been lucky to be able to watch our daughters — Maya and Natalia Rose — grow up while touring with the [band],” said Lebeis in a statement. “We ourselves have been part of the ‘Guns family’ for over 30 year...
Gimme a Reason takes classic albums celebrating major anniversaries and breaks down song by song the reasons we still love them so many years later. This week, we celebrate 50 years of The Beatles’ Let It Be. It’s become an iconic scene: The Beatles carrying out their last-ever live performance on the roof of Apple Corps, joined by keyboardist and general legend Billy Preston, their long hair flipping around in the London wind while they recorded live takes of songs like “Dig a Pony” and “Don’t Let Me Down” before eventually being shut down by the Metropolitan Police. The event was unannounced. Onlookers gathered on their lunch breaks, looking up at the midday sensation. This was the concert from which the final version of the Let It Be album would in part manifest, preserving takes of thr...