The decision to title a track “Technicolour Psychic Vision” is a bold one, but as usual, Flux Pavilion delivers. The track was released today on Flux’s Circus Records. And like its name suggests, “Technicolour Psychic Vision” is a captivating rush of kaleidoscopic dubstep. Blending rock influences with funky vocoders and screeching bass patches, it’s a masterclass in genre cohesion. Check out “Technicolour Psychic Vision” below. Scroll to Continue Recommended Articles The new single arrives amid a huge year for Flux, who recently dropped a deeply meaningful record called “I’m Delighted.” It was the first posthumous song released after the death of dubstep star Cookie Monsta, a close friend and collaborator who...
How does an all-expenses paid trip to the south of France sound? If you’re itching for some musical adventures, you’re in luck. Dubstep producer Conrank is now calling on fans to remix the lead single from his sophomore album, This Simulation’s Breached, for a chance to win the trip of a lifetime. Just over a year since he dropped his boundary-breaking LP, Conrank wants to see how fans can reimagine the bass heavy “Moonshine.” The winner of the contest, hosted by Circus Records, will be flown from anywhere in the world to Conrank’s studio in the south of France to work and collaborate with him. Additionally, the first prize winner will see their remix released on Circus. Two runner-ups will receive 50 LabelRadar credits, sharing of audio and artist handles on Circus and Conrank social acco...
Circus Records is revealing its second act. Flux Pavilion and Doctor P‘s storied label is expanding to new horizons—and new sounds—after the U.K.-based company announced plans to introduce a new imprint to the family: Circus Electric. First established in 2009, Circus Records retains one of the most impressive legacies in the electronic music ecosystem, and was among the early artist-led labels to flourish in the space. But with tectonic shifts in the ever-evolving dance music landscape came a desire to expand beyond the label’s dubstep roots. With the introduction of Circus Electric, the organization aims to provide a dedicated home to the bold, boundary-pushing releases from the bass music world that are more experimental in nature. Scroll to Continue Recommended Articles “Wh...
After returning to his dubstep roots with April’s release of “Lore,” Flux Pavilion is once again embracing a nostalgic sound on his latest single, “(Never Gonna) Be Alone.” Those who have been craving the bone-rattling sonics of a signature Flux Pavilion record, look no further. “(Never Gonna) Be Alone” opens with a dreamy ambiance that is soon taken over by menacing bass and an intoxicating vocal sample. Electrifying synths become the focal point in the song’s wobbly drop, creating a through line between this release and its predecessor as fans patiently wait for .wav Pt 2. Last year, Pavilion opened a new chapter of his career with his scintillating sophomore album .wav, embracing a more nuanced sound at the intersection of electronica and ...
No matter how much we grow and adapt, it’s impossible to ignore our roots. Just Flux Pavilion, whose new single harkens back to his pioneering dubstep days of yesteryear. “After a couple years of exploring the space in-between the drops, I woke up one morning with a distinct feeling in my heart that I needed to write a f***ing banger,” said Pavilion, whose new single “Lore” dropped today. “So I’ve done exactly that.” He also said the track lays the foundation for the concept of the “Fluxiverse,” a fictional universe developed by his team over the last four years. Its mystical themes are conveyed by his new song’s eerie spoken-word segment, a soliloquy that serenades us to its eventual climax. “The elder gods...
“Can we rewind, turn back time?” Parvané earnestly asks on Fluencee‘s latest single, “Before You Were Mine.” Out now via Circus Records, the enchanting future bass ballad flawlessly captures not only the starry-eyed daydreams of new love, but also the longing for those fantasies once reality inevitably reveals itself. Fluencee expertly pairs those soaring vocals with the track’s anticipative, rich synths, which oscillate alongside futuristic chords. Arpeggios flutter under the surface like butterfly wings. Meanwhile, a hypnotic melody slowly builds in intensity before plunging us into a cathartic, future bass drop. Two years in the making, the final “Before You Were Mine” is like a warm embrace. It welcomes us into its sto...
Making his debut on Flux Pavilion and Doctor P’s storied Circus Records imprint, Fluencee resigns himself to raw emotion on “Paralyzed,” a collaboration with Paper Idol. As a breath-like texture and distant melody swell into focus at the outset of the track, Paper Idol contributes to the eerie atmosphere, declaring definitively “I give up on all control now.” More broadly, “Paralyzed” explores the seemingly ever-present urge to indulge in too much of a good thing. Despite the toxic push and pull of the temptation, the overwhelming sensory rollercoaster of it all is enough to render one powerless. As the track reaches its apex, Fluencee augments the haunting effect of the hook by splicing it up and adding transformative glitch and distortion effects...
After unveiling his long-awaited debut album in 2019, many fans were craving even more from Conrank. He’s now delivered a follow-up in his stunning sophomore album, This Simulation’s Breached, released via his home base of Circus Records. Across the 17 tracks featured on This Simulation’s Breached, Conrank has introduced listeners to a complete transformation of sound. Although the heavy, face-melting bass elements remain, the U.K. bass music producer shows off more than just production chops. His vocals are featured prominently from the beginning, taking center stage in “Moonshine” and “Simulation Breach.” Similarly, his vocal talents are often supported by his longtime friend and guitarist Gwen LaFitte in Prodigy-like fashion. The...
Dance music wasn’t always this popular. In fact, the sights and sounds we now associate with the genre were once considered taboo. They were the emblems of a counterculture forced to blossom not out in the open, but in the safe confines of arcane nightclubs and warehouse raves. So how did electronic music break through the glass ceiling? Before the songs of Above & Beyond, Roger Sanchez, Armin van Buuren, and other legendary producers rattled the world’s biggest festival stages, they were auditory ugly ducklings on a quest to reach their full potential. The music always had the potential to fly, but without the help of the gutsy independent record labels willing to back it, its wings would forever remain clipped. And after all these years, those indies have proven...
Fresh off her debut EP release, Iridescent, budding bass artist Skyler Madison has returned to deliver a heavy-hitting bootleg pack for DJs. Just last month Madison released her five-track Iridescent record via Circus Records—the renowned electronic music label founded by Flux Pavilion and Doctor P. The EP is a refreshing take on modern bass music, showcasing her ability to seamlessly blend foundational elements of trap, future bass, and hip-hop. It also featured big-time collabs with Leah Culver, 24hrs, and TITUS. Following the EP’s release, Madison has returned with a surprise bootleg bundle packed with unique edits to get the party started. Some of the tracks she selected to integrate in this dancefloor-ready pack include “Bad Guy” by...