SZA’s SOS makes it a month at No. 1 on the Billboard 200 chart, as the album spends a fourth straight and total week atop the list (dated Jan. 14). It earned 125,000 equivalent album units in the U.S. in the week ending Jan. 5 (down 2%), according to Luminate. SOS is the first album by a woman to spend its first four weeks at No. 1 in a year, since Adele’s 30 ruled for its first six weeks (Dec. 4, 2021 through Jan. 8, 2022-dated charts) and is the first album by a woman to have four consecutive weeks at No. 1 since 30’s six week-run at No. 1. SOS is also the first R&B album by a woman to have four weeks at No. 1 since February of 2008, when Alicia Keys’ As I Am notched a fourth and final nonconsecutive week atop the list (Feb. 16, 2008). More strikingly, SOS is the first R&B album ...
One week after SZA’s first anniversary at No. 1 on Billboard’s Hot R&B/Hip-Hop Songs chart, the singer-songwriter returns to the summit for her second career chart-topper thanks to “Kill Bill.” The track debuts at No. 1 on the list dated Dec. 24 and is one of seven SZA titles in the top 10, all from her new album, SOS. “Kill Bill” traces its chart-topping start largely to 36.9 million official U.S. streams in the week ending Dec. 15, according to Luminate, for a No. 1 opening on the R&B/Hip-Hop Streaming Songs chart. The track also sold 1,000 downloads in the same period and pulled 22,000 in radio audience impressions. The low radio audience is due to the song not being an actively promoted single to radio stations — “Shirt” is the current track at R&B/hip-hop stations, while “...
Rihanna conquers a new radio format with her long-awaited comeback single, “Lift Me Up.” The track, from the soundtrack to the film Black Panther: Wakanda Forever, crowns the Adult R&B Airplay list dated Dec. 24. It’s her first No. 1 — and top 10 — on the chart and her ninth charting song on the list to date. “Lift” jumps from No. 3 after a 24% surge in plays that made it the most-played song on U.S. monitored adult R&B stations in the week ending Dec. 18, according to Luminate. Thanks to the double-digit improvement, the new champ captures the weekly Greatest Gainer honor for the biggest increase in plays among the chart’s 30 titles. “Lift” seizes the throne from Jazmine Sullivan’s “Hurt Me So Good,” displacing the latter after two weeks in charge. “Hurt” is pushed 1-2, despite a ...
Metro Boomin’s superstar-filled album Heroes & Villains debuts at No. 1 on the Billboard 200 chart (dated Dec. 17), giving the producer his third leader on the list. The 15-song set starts with his biggest week yet: 185,000 equivalent album units earned in the U.S. in the week ending Dec. 8, according to Luminate — largely driven by streaming activity. Heroes & Villains boasts a cavalcade of heavy-hitters, including 21 Savage, A$AP Rocky, Chris Brown, Future, Gunna, John Legend, Travis Scott, the late Takeoff, Don Toliver, The Weeknd, Young Thung and unbilled spoken word cameos from Morgan Freeman. Heroes & Villains is Metro Boomin’s seventh charting effort on the Billboard 200, and fifth to reach the top 10. He previously hit the region with Savage Mode II (a collaborative alb...
BRISBANE, Australia — Australian dance music fans have two new charts to add to their weekly diet. The fresh surveys, the Australian Dance Singles Chart, a countdown of the top 20 dance singles, and the Australian Dance Albums Chart, a tally of the top 10 dance albums, will publish each Friday starting this week. Both charts will sit alongside ARIA’s other Australia-focused albums and singles charts, which include Australian Hip- Hop/R&B, Country, and Top 20 Singles and Albums, and more. “ARIA is determined to find ways to showcase Australian music from all who create it, this is another step in the right direction as we endeavor to provide a transparent scoreboard for our industry and music fans alike to understand how local music is being streamed, purchased and engaged with,”...
BRISBANE, Australia — Australian dance music fans have two new charts to add to their weekly diet. The fresh surveys, the Australian Dance Singles Chart, a countdown of the top 20 dance singles, and the Australian Dance Albums Chart, a tally of the top 10 dance albums, will publish each Friday starting this week. Both charts will sit alongside ARIA’s other Australia-focused albums and singles charts, which include Australian Hip- Hop/R&B, Country, and Top 20 Singles and Albums, and more. “ARIA is determined to find ways to showcase Australian music from all who create it, this is another step in the right direction as we endeavor to provide a transparent scoreboard for our industry and music fans alike to understand how local music is being streamed, purchased and engaged with,”...
Billboard News stepped into Diddy’s home and sat down with the legendary artist to discuss his single “Gotta Move On” with Bryson Tiller reaching No. 1 on Billboard’s Adult R&B Airplay chart. Plus, Taylor Swift’s “Anti-Hero” tops the Hot 100 once again. [flexi-common-toolbar] [flexi-form class=”flexi_form_style” title=”Submit to Flexi” name=”my_form” ajax=”true”][flexi-form-tag type=”post_title” class=”fl-input” title=”Title” value=”” required=”true”][flexi-form-tag type=”category” title=”Select category”][flexi-form-tag type=”tag” title=”Insert tag”][flexi-form-tag type=”article” class=”fl-textarea” title=...
Ever since Michael Jackson ushered in the blockbuster era of the Super Bowl halftime show when he headlined in 1993, nearly every performer who has graced the stage on sports’ (and TV’s) biggest night has enjoyed sizable boosts in sales and streams. Looking to continue this tradition is Rihanna, who is set to hit the midfield stage early next year when she headlines Super Bowl LVII. With few exceptions, Super Bowl halftime headliners have seen a sizable commercial uptick over the last 30 years. In 2002, U2 saw sales for three of the band’s key albums (All That You Can’t Leave Behind, The Joshua Tree and Best of 1980-1990) more than double in the week following the performance. In 2004, Janet Jackson — in spite of, or perhaps because of, the singer’s infamous “Nipplegate” contro...
Bad Bunny’s Un Verano Sin Ti is back atop the Billboard 200 albums chart (dated Oct. 8) for a 12th nonconsecutive week, as the set steps from No. 2 to No. 1 with 87,000 equivalent album units earned in the U.S. in the week ending Sept. 29 (down 6%), according to Luminate. The last album with more weeks at No. 1 was Drake’s Views, with 13 nonconsecutive weeks on top in 2016. See latest videos, charts and news Also in the top 10 of the new Billboard 200, 5 Seconds of Summer’s new 5SOS5 bows at No. 2, while Alice in Chains’ Dirt re-enters the chart at No. 9 following its 30th anniversary reissue. The Billboard 200 chart ranks the most popular albums of the week in the U.S. based on multi-metric consumption as measured in equivalent album units, compiled by Luminate. Units comprise album ...
John Coltrane’s Blue Train, first released in 1957, charges in at No. 1 on multiple Billboard album charts (dated Oct. 1) following its 65th-anniversary expanded reissue on Sept. 16. The album debuts at No. 1 on both the overall Jazz Albums chart and Traditional Jazz Albums chart (Coltrane’s seventh leader on both). It also scores the jazz legend, who died in 1967, his first leader on the 11-year-old Vinyl Albums chart. It’s also the first jazz title to reach No. 1 on the Vinyl Albums tally in nearly five years. Blue Train additionally enters at No. 7 on Top Album Sales, No. 6 on Tastemaker Albums and No. 95 on the Billboard 200. The set earned 11,000 equivalent album units in the U.S. in the week ending Sept. 22, according to Luminate. Essentially all of that sum was driven by traditional...
BLACKPINK lands its first No. 1 on the Billboard 200 albums chart (dated Oct. 1) as its second full-length studio album, Born Pink, starts atop the list with 102,000 equivalent album units earned in the U.S. in the week ending Sept. 22, according to Luminate. The eight-song set is the first No. 1 on the Billboard 200 by an all-female group since 2008. Born Pink is the second top 10 for the South Korean quartet, which previously debuted and peaked at No. 2 in October 2020 with its full-length debut, The Album. In addition, Born Pink is the third album by a South Korean act to top the Billboard 200 in 2022, following BTS’ Proof and Stray Kids’ Stray Kids Mini Album: Oddinary. (Unlike those two albums, which are mostly in the Korean language, Born Pink is mostly in English — though with a fai...
Beyoncé’s Renaissance blasts in at No. 1 on the Billboard 200 albums chart (dated Aug. 13) with 2022’s biggest week by a woman – and the second-largest week of the year overall – as the set launches atop the chart with 332,000 equivalent album units earned in the U.S. in the week ending Aug. 4, according to Luminate. See latest videos, charts and news Notably, Renaissance – Beyoncé’s seventh solo No. 1 album – is the first album released by a woman in 2022 to top the Billboard 200. The last woman at No. 1 was Adele with 30, which ruled for its first six weeks on the list (charts dated Dec. 4, 2021-Jan. 8, 2022). Notably, both 30 and Renaissance were released via Columbia Records (with Renaissance issued through Parkwood/Columbia). Renaissance is Beyoncé’s seventh solo studio album, and fir...