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The Chicks’ ‘Gaslighter’ Ignites at No. 1 on Top Country Albums Chart

The trio makes a record arrival among groups historically. The Chicks (formerly Dixie Chicks) score their fifth No. 1 on Billboard‘s Top Country Albums chart with Gaslighter. The act’s first album of new material in 14 years blasts in atop the Aug. 1-dated survey with 84,000 equivalent album units earned in its first week, ending July 23, according to Nielsen Music/MRC Data. [embedded content] With the launch, the trio of lead singer Natalie Maines and multi-instrumentalists Emily Strayer and Martie Maguire claims sole ownership of the most Top Country Albums No. 1s among female duos or groups, passing The Judds’ total of four. On the all-genre Billboard 200, Gaslighter bounds in at No. 3, marking The Chicks’ fifth top 10. The 12-song set, which the group produced w...

Taylor Swift’s ‘Folklore’ Set For Big Opening Sales Week In U.K.

TayTay is blowing away her rivals in the U.K. chart race. Taylor Swift’s surprise album release Folklore (EMI) has raced to the lead of the midweek chart, and is outperforming the rest of the Top 5 combined, the Official Charts Company reports. Swift’s eighth and latest album was the most downloaded and streamed LP over the weekend, according to the OCC, and is on track to become the pop star’s fifth U.K. No. 1 following Red (2012), 1989 (2014), Reputation (2017) and Lover (2019). As previously reported, three songs from the new set are tracking for Top 10 debuts on the Official U.K. Singles Chart, led by “Cardigan” at No. 4 (“Exile” with Bon Iver is at No. 7 on the Official Chart Update and “The 1” starts at No. 9). Folklore should enjoy another chart punch in months to come when it’...

Juice WRLD’s ‘Legends Never Die’ Rises to No. 1 In Australia

Juice WRLD’s posthumous album Legends Never Die (Interscope/Universal) climbs to the chart summit in Australia, as Jawsh 685 and Jason Derulo “Savage Love (Laxed – Siren Beat)” (Columbia/Sony) enters a fourth consecutive week atop the national singles survey. Legends Never Die, which has ruled the albums chart on both sides of the Atlantic, now completes the job in Australia where it rises 3-1 in its second week. It’s the second posthumous hip-hop LP to top the survey in three weeks, following the No. 1 entry of Pop Smoke’s Universal set Shoot For The Stars, Aim For The Moon (it improves 4-3 on the current frame). Lighting up the Australian tally is Gaslighter (Columbia/Sony), The Chicks’ first album release in 14 years. The American country trio (formerly The Dix...

Taylor Swift Set to Land Three ‘Folklore’ Tracks In U.K. Top 10

Taylor Swift’s isolation album Folklore is ready for a chart party in the U.K. No less than three songs from it are on track for Top 10 debuts on the Official U.K. Singles Chart, based on early sales and streaming activity. The single “Cardigan” (EMI), which was accompanied with an official music video, is on target to snare the week’s highest new entry. It’s at No. 4 on the Official Chart First Look, based on 48 hours of data. Also, Swift’s “The 1” is at No. 5 and “Exile,” her duet with Bon Iver, is at No. 7. If all three hold inside the Top 10, it would lift the pop star’s tally of U.K. Top 10s to 16. Taylor’s eighth studio album arrived with just 24 hours’ notice, and judging by the reaction from fans and critics, it couldn’t have come soon enough. Folklore has sold over 1.3...

Ellie Goulding’s ‘Brightest Blue’ Bows at No. 1 In U.K.

Ellie Goulding bags her third U.K. No. 1 album with Brightest Blue (Polydor), while “Head & Heart” skips past “Savage Love (Laxed – Siren Beat)” to give Joel Corry and MNEK their first leader on the national singles chart. Goulding’s collab-stacked new album bows at the summit of the Official U.K. Albums Chart, eclipsing the No. 3 peak of its processor, Delirium from 2015, and equaling the feats of her debut Lights from 2010 and its followup Halcyon from 2014. Brightest Blue features a collaboration with the late rapper Juice WRLD, whose posthumous album Legends Never Die (Interscope), slips 1-2 on the current tally, while Bob Dylan’s former leader Rough And Rowdy Ways (Columbia) bounces 16-4 following its release on vinyl. The Chicks complete their comeback with a top...

One Direction’s Streams Leap 174 Percent Amid Boy Band’s 10th Anniversary

The band’s catalog drew 21 million U.S. on-demand streams on July 23, the day of the band’s formation 10 years prior. In celebration of the 10-year anniversary of the formation of One Direction, the boy band’s catalog saw a 173.6 percent gain in U.S. on-demand streams the day of the anniversary (July 23), according to Nielsen Music/MRC Data. On July 23, One Direction’s catalog, which includes five full-length albums, drew 21 million U.S. streams. That’s up 173.6 percent from July 22, which saw the band garner 7.7 million. Assisting in the streaming boost: One Direction’s Twitter account, which had been dormant for nearly two years, posted multiple times about the anniversary, as did the most recent lineup of the group — Harry Styles, Liam Payne, Niall Horan and Louis Tomlinson. ...

Juice WRLD’s ‘Legends Never Die’ Spends Second Week at No. 1 on Billboard 200 Chart

Plus: The Chicks’ ‘Gaslighter’ debuts at No. 3 and Jhené Aiko’s ‘Chilombo’ surges 43-6 after reissue. Juice WRLD’s Legends Never Die holds atop the Billboard 200 albums chart for a second week, as the set earned 162,000 equivalent album units in the U.S. in the week ending July 23 (down 67 percent), according to Nielsen Music/MRC Data. The album blasted in at No. 1 a week ago with 497,000 units — 2020’s biggest week for any release. Meanwhile, The Chicks (formerly The Dixie Chicks) debut at No. 3 with their first studio album in 14 years, Gaslighter, and Jhené Aiko’s Chilombo roars back into the top 10, surging 43-6, after it was reissued with additional tracks. The Billboard 200 chart ranks the most popular albums of the week in the U.S. based on m...

Bright Eyes, Semisonic Return to Billboard Airplay Charts With New Singles

The bands make their first bows since 2007 and 2001, respectively. Two veteran acts return to Billboard airplay charts, as Semisonic and Bright Eyes both bow on the Adult Alternative Songs airplay list dated July 25. Bright Eyes, led by Conor Oberst, debuts at No. 37 with “Mariana Trench,” from the band’s album Down in the Weeds, Where the World Once Was, due Aug. 21. It’s the act’s second airplay chart entry, after Cassadaga single “Four Winds” reached No. 22 in June 2007. In between, the group released one album, The People’s Key, in 2011. That said, Oberst made a pair of Adult Alternative Songs visits between Bright Eyes entries’, both as part of groups. Monsters of Folk‘s “Say Please” hit No. 20 in November 20...

Marshmello Nabs First Streaming Songs No. 1 With Juice WRLD on ‘Come & Go’

“Come & Go” is also the fourth song to debut at No. 1 on Streaming Songs in 2020 and first since 6ix9ine’s “Gooba” in May. Juice WRLD and Marshmello’s “Come & Go” becomes the fourth song to debut at No. 1 on Billboard’s Streaming Songs chart in 2020, ruling the list dated July 25. “Come & Go” bows with 36.4 million U.S. streams earned in its first full tracking week (ending July 16), according to Nielsen Music/MRC Data. The song follows Drake’s “Toosie Slide,” The Scotts, Travis Scott and Kid Cudi’s “The Scotts” and 6ix9ine’s “Gooba” as No. 1 Streaming Songs debuts in 2020, equaling the amount of No. 1 debuts achieved in 2017 and 2019. Only 2018, which saw 11 debuts atop the list, had more. “Come & Go” is Juice WRLD’s third Streaming Songs leader, following the two-week rei...

‘Queen’s Greatest Hits’ Logs 55th Week at No. 1 on Catalog Albums & Just One Album Has Had a Longer Run

The film ‘Bohemian Rhapsody’ has turbocharged Queen’s popularity. Queen’s Greatest Hits logs its 55th week at No. 1 on Billboard’s Catalog Albums chart — a tally topped by just one album in the chart’s 29-year history. Bob Marley & the Wailers’ Legend has headed the catalog chart for a whopping 126 weeks. Both of these compilations were released prior to the introduction of Catalog Albums in the Billboard issue dated May 25, 1991. Queen’s album was released in in the U.K. in October 1981. Marley’s album was released worldwide in May 1984. Queen’s album first hit No. 1 on Catalog Albums on June 2, 2018, five months before the U.S. release of the film Bohemian Rhapsody, which has turbocharged Queen’s popularity. The Catalog Albums chart ranks the most popular catalog al...

Juice WRLD Is Just the Ninth Artist to Top the Billboard 200 Both When Alive & Posthumously

As previously reported, Juice WRLD’s Legends Never Die enters the Billboard 200 at No. 1 this week. It’s his second No. 1 album. He landed his first, Death Race for Love, in March 2019—nine months before he died of a seizure. This makes Juice WRLD just the ninth artist in the 64-year history of the Billboard 200 to top the chart both while they were alive and after their death. Here’s a complete list of the artists who have achieved this feat: John Lennon: The ex-Beatle had two No. 1 solo albums before his death (Imagine in 1971 and Walls and Bridges in 1974) and one since (Double Fantasy, a collab with wife Yoko Ono,  in 1980). Lennon was shot to death on Dec. 8, 1980. He was 40. 2Pac: The rapper had two No. 1 albums before his death (Me Against the World in 1995 and All Eyez on Me i...

Interscope Records Scores Six Songs in Hot 100’s Top 10 Simultaneously, Thanks to DaBaby & Juice WRLD

DaBaby’s “Rockstar” leads at No. 1, followed by five Juice WRLD songs. As previously reported, DaBaby‘s “Rockstar,” featuring Roddy Ricch, logs a sixth week at No. 1 on the Billboard Hot 100 (dated July 25), while the late Juice WRLD charts five songs in the chart’s top 10. With “Rockstar” released on SouthCoast/Interscope Records and Juice WRLD’s five new top 10s on Grade A/Interscope, Interscope infuses the Hot 100’s top 10 with six songs. That’s the most for a label in a single week since Republic Records also claimed six on the chart dated Sept. 21, 2019. Republic additionally logged six top 10s on charts dated May 18, 2019; Oct. 13, 2018; and July 28, 2018, the most since the label landed seven, all by Drake, on J...