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Danna Paola Scores First Top 10 on Latin Pop Albums Chart With ‘K.O. (Knockout)’

Danna Paola is  the first female solo act to debut in the top 10 on the Latin Pop Albums chart in 2021. She follows the late Selena’s No. 8 start with Selena: The Series, Music From the Netflix Original Series (chart dated Dec. 19, 2020). Who did it prior to her? Kali Uchis with Sin Miedo (Del Amor y Otros Demonios), her first chart appearance and first top 10 (No. 2 start, Nov. 28, 2020-dated survey). Concurrently, Danna Paola is just the 10th female solo act alive to secure a top 10 debut on the tally since 2018 (Kany García records two entries). Let’s take a look: Artist, Title, Debut Position, Debut Date Natalia LaFourcade, Un Homenaje Al Folclore Latinoamericano En Manos de Los Macorinos 2, No. 5, February 2018Laura Pausini, Haste Sentir, No. 5, March 2018Kany Garcia, Soy Yo, No....

’34 + 35,’ ‘Lady Marmalade’ & More Top 10 Hot 100 Hits Featuring Three or More Female Solo Artists

The first such single to hit the Hot 100’s top 10, as well as the most voluminous in terms of female collaborators, came in 1997, with “Not Tonight” — a No. 6 hit for Lil Kim off the Nothing to Lose soundtrack, also featuring Da Brat, Left Eye, Missy Elliott and Angie Martinez. Missy is a common element on several of the nine total all-female Hot 100 top 10 hits to feature more than two female artists. Along with “Lady Marmalade” (which she co-produced and provides the intro for, despite not being a credited artist on the song) and “Not Tonight,” she also appears along with Mocha as featured artists on Nicole’s “Make It Hot” (No. 5, 1998) and again with Lil Kim on Keyshia Cole’s “Let It Go” (No. 7, 200...

Morgan Wallen Tallies Second Week at No. 1 on Artist 100, Why Don’t We Hits Top Five

Wallen becomes just the fifth country act to spend multiple weeks at No. 1 on the Artist 100, dating to the chart’s July 2014 launch. Among acts in the genre, Jason Aldean has spent the most time at the summit (three weeks), followed by Kenny Chesney, Luke Combs, Florida Georgia Line and Thomas Rhett (two each). Among all genres, Taylor Swift has tallied the most total weeks at No. 1 (45). Among other Artist 100 chart moves, Why Don’t We re-enters at No. 3, reaching a new peak and the top 10 for the first time, on the strength of the group’s new LP The Good Times and the Bad Ones. The set arrives at No. 3 on the Billboard 200, also a new personal best, with 46,000 units. The Artist 100 measures artist activity across key metrics of music consumption, blending album and track sales, radio a...

Sea Shanty Singer Nathan Evans Takes Fight to Olivia Rodrigo For U.K. Chart Title

There’s action aplenty in the U.K. chart races where Nathan Evans’ sea shanty “Wellerman” (Polydor) takes the challenge to Olivia Rodrigo’s leader “Drivers License” (Interscope) and just 103 units separate the two best-selling albums at the halfway point. Bicep, the Northern Irish electronic duo of Andrew Ferguson and Matthew McBriar, take top spot on the Official Chart Update with Isles, their second album. According to the Official Charts Company, Bicep’s latest is the most-downloaded LP over the weekend and the most-streamed new release of the week so far, and should easily eclipse the No. 20 peak of their self-titled debut album from 2017. You Deserve to Make Money Even When you are looking for Dates Online. So we reimagined what a dating should be. It begins with giving you back power...

Olivia Rodrigo Speeds to Second Week at U.K. No. 1 With ‘Drivers License’

This week, the hit single clocks up 13.7 million streams, the biggest one-week tally for a leader in two years, while a second track from the breakthrough artist cracks the Top 40 on the current frame, “All I Want,” a cut from High School Musical: The Musical: The Series on Disney +. It’s new at No. 32. At No. 2, “Don’t Play” is the highest new entry this week on the Official U.K. Singles Chart, giving Anne-Marie her highest-charting single as a lead artist, and career bests for KSI and Digital Farm Animals. The top five is completed by Ariana Grande’s “34+35” (Republic Records), up from No. 11 to No. 3, a new peak; followed by Little Mix’s “Sweet Melody” (down 4-2 via RCA) and The Kid Laroi’s “Without You” (RCA), up 6 -5, a new high. Also making waves is Longest Johns’ sea shanty “We...

Olivia Rodrigo Stays on Top In Australia With ‘Drivers License’

Also, British psychedelic pop outfit Glass Animals are on the climb, as “Heat Waves” improves 17-11 in its seventh week in the Top 50. “Heat Waves” was on fire earlier this week as it took out Triple J’s Hottest 100 countdown, one of the band’s three entries. Over on the national albums survey, Illy earns his second No. 1 with The Space Between. It’s the Melbourne rapper’s sixth album and the first since Two Degrees, which ruled the chart in November 2016. Also impacting the chart this week is The Good Times And The Bad Ones by American band Why Don’t We. It’s new at No. 2. Finally, Zayn returns to the Top 10 for the first time in nearly five years as Nobody Is Listening starts at No. 10. The third solo album from the former One Direction singer is the follow-up to 2018’s Icarus Falls, whi...

Morgan Wallen’s ‘Dangerous: The Double Album’ No. 1 for Second Week on Billboard 200

Of Dangerous’ 159,000 equivalent album units earned in the tracking week ending Jan. 21, SEA units comprise 133,000 (down 26%, equaling 177.11 million on-demand streams of the album’s songs), album sales comprise 22,000 (down 70%) and TEA units comprise 4,000 (down 39%). Since the Billboard 200 began ranking albums by equivalent album units in December of 2014, Dangerous is the first country set to log two weeks of at least 150,000 units. Notably, in the last 12 months, Dangerous is just the fourth album, among all genres, to log at least two weeks of 150,000-plus units. It follows Taylor Swift’s Evermore, Juice WRLD’s Legends Never Die and Lil Uzi Vert’s Eternal Atake — all with two weeks each of 150,000-plus units. Pop Smoke’s former No. 1 Shoot for the Stars Aim for the Moon ...

Olivia Rodrigo’s ‘Drivers License’ Fast-Tracks to No. 1 In Australia

Rodrigo is all that stands in the way of The Kid Laroi bagging his first No. 1. The Sydney-raised rapper’s “Without You” holds at No. 2 on the singles survey. Also soaring on the national singles survey this week is Tones And I’s “Fly Away,” up 8-7 for a new chart peak. It’s the multiple ARIA Award-winner’s joint second-highest chart entry, equaling the best for 2019’s “Never Seen The Rain.” Tones’ breakout hit “Dance Monkey” is by far the longest No. 1 in the history of the ARIA Singles Chart, at 24 non-consecutive weeks, and it finished 2020 as the best-selling homegrown tune, ARIA reports. Meanwhile, Barry Gibb leads the ARIA Albums Chart as a solo artist for the first time with Greenfields: The Gibb Brothers’ Songbook, a collection of Bee Gees classics performed as country ...

Olivia Rodrigo’s ‘Drivers License’ on Track For Another Week at No. 1 In U.K.

It’s early days, but there is a challenge from Anne-Marie, KSI and Digital Farm Animals‘ “Don’t Play,” which opens at No. 2 on the chart blast and is on track to be this week’s highest new entry, at No. 2. If it holds its momentum, it would become Anne-Marie’s highest-charting single as a lead artist, following a No. 3 best for “2002,” and the best for both KSI and Digital Farm Animals. Another track that’s hit overdrive is Ariana Grande’s “34+35,” which is on course for a new peak. “34+35” rockets 11-3 following a new cut released last Friday featuring Megan Thee Stallion and Doja Cat. The Official U.K. Singles Chart is published late Friday local time. You Deserve to Make Money Even When you are looking for Dates Online. So we reimagined what a dating should be. It begi...

The Weeknd, Harry Styles, Tame Impala Light up Australia’s 2020 Year-End Charts

Released in November 2019, “Blinding Lights” ruled the weekly ARIA Singles Chart for a full 10 weeks in 2020, longer than any other record during the year, earning him an ARIA Award nomination for best international act. When Aussies were keen to extend the mood, their album of choice was Harry Styles‘ Fine Line, which rules the 2020 ARIA Albums Top 10. The former One Direction star’s sophomore album spent just one week atop the weekly ARIA Albums Chart during the year, but critically, it had staying power. By year’s end, the LP had logged 48 weeks in the Top Ten, and Styles took out fan-voted best international act at the 2020 ARIA Awards. Aussies also loved Taylor Swift’s folklore, the No. 2 ranked album of the year, while collections from Billie Eilish (When We All Fall Asleep, Wh...

Morgan Wallen’s ‘Dangerous: The Double Album’ Debuts at No. 1 on Billboard 200, Breaks Country Streaming Record

Of Dangerous’ 265,000 equivalent album units earned in the tracking week ending Jan. 14, SEA units comprise 184,000 (equaling 240.18 million on-demand streams of the album’s songs), album sales comprise 74,000 and TEA units comprise 7,000. (Of Dangerous’ 74,000 in album sales, digital download album sales comprise 50,000.) Dangerous is Wallen’s second full-length album, following 2018’s If I Know Me, which peaked at No. 13 on the Aug. 29, 2020-dated chart. It has spent over 110 weeks on the tally and earned 1.7 million equivalent album units, while its songs have accrued 2.4 billion on-demand streams. Prior to Dangerous’ release, the singer-songwriter had snared 13 charting hits on the Hot Country Songs chart, including eight top 10s (two of which reached No. 1). On the all-genre Billboard...

Olivia Rodrigo Makes Historic No. 1 Debut on U.K. Chart With ‘Drivers License’

“I just want to say thank you guys so much. It means the absolute world to me that you guys are listening to and loving ‘Drivers License.’ So sending you all the love in the world,” the High School Musical: The Musical: The Series star said in a video message celebrating the news while blowing a kiss and showing off her U.K. No. 1 plaque. And there’s more: The 17-year-old singer-songwriter also had the biggest opening week of overall chart sales for a No. 1 debut in five years, since Zayn‘s “Pillowtalk” in 2016. And she’s one of the youngest artists to score a No. 1 song in the U.K. before their 18th birthday, at 17 years and 10 months old. Jawsh 685 joined the 18-and-under chart-toppers club in July when he scored a No. ...