Outside of reading the book, what kind of research or prep did you do for the role of Simon? I’ve always loathed to let people behind the curtain. The whole magic of this industry is that you get to see the trick but you don’t want to know how the magician does it. Obviously, I started with the book. The source material is always a very beautiful resource, but I tried to get that out of the way as early as possible. As soon as I knew I got the job, I read the book so that I could very quickly forget the book. And then I had loads and loads of conversations with the wardrobe department, which was really cool and in-depth about what the clothes say about the people and why they are wearing them. We talked a lot about Simon being in Byron-ic collars because he is this Byron-ic typ...
This month, Brown is teaming with Netflix to bring audiences Enola Holmes, a project that sees her both in front of the camera in the titular role and behind the scenes serving as one of the film’s producers, a career first for the star. “I wanted to be a part of the casting process, I wanted to be a part of the writing process, and I definitely wanted to be a part of the layout of the whole production,” she says of some of the new responsibilities she took on. You could say Enola Holmes is Brown’s baby, in a way. She was struck by the character, the precocious younger sister of the legendary detective Sherlock Holmes, when reading the Nancy Springer book series at the age of 13. “When I was younger and lived in London, I felt as though I could never connect with a lead British female. Whe...