catalog music
Ex-WMG Innovation Chief Scott Cohen Named CEO of Music Investing Platform
Former Warner Music Group executive and the Orchard co-founder Scott Cohen said on Tuesday (Nov. 1) he is taking a new job as chief executive officer of a fintech platform aimed at selling fractional shares in song catalogs. Cohen, who stepped down from his role as chief innovation officer at WMG in September, said the aim of the new venture is to “fractionalize ownership of music royalties.” Fractional shares are a familiar concept in finance, and brokerages like Robinhood and Fidelity Investments sell them as a way to buy a slice of a share for less than the price of the whole stock. The market for buying and investing in music publishing rights has traditionally been open to only the world’s largest music companies and, more recently, money managers. Introducing fractional shares could ...
How Much Are Loretta Lynn’s Royalties Worth?
Loretta Lynn, who died Tuesday at 90, has long been one of country music’s queens, with 16 No. 1s and 51 top 10s on Billboard‘s Hot Country Songs chart throughout her six-decade long career. All told, the singer and songwriter’s catalog — best known now for “Coal Miner’s Daughter,” “You Ain’t Woman Enough (To Take My Man)” and “Don’t Come Home a Drinkin’ (With Lovin’ on Your Mind)” — generates about $1.62 million annually, according to a Billboard estimate. Lynn’s recordings — which are largely owned by Universal Music Group through deals she struck with Decca and MCA, before leaving to work with a variety of labels in the 1990s and onward — generated about $1.18 million in revenue last year, based on Billboard’s estimates. Those recordings bring in about $440,000 in publishing revenue. Am...
(This Is) Not Your Father’s Catalog Music
Streaming has made catalog music more important than ever – it jumped from about 65% of the market in 2020 to about 70% last year. But the catalog that’s growing isn’t necessarily what you’d expect. Icons like The Beatles are thriving, but the category is now dominated by Drake, Taylor Swift and other modern acts. Billboard explains where the growth is – and how it could continue. Plus: Why Drake streams as much as all music before 1980 combined, how TikTok turns yesterday’s tracks into today’s hits, how classic rock acts are holding up and why the only thing that hasn’t changed is the industry’s ability to hype up trends. Related Related Deep Dive: A Musician’s Guide to Web3 04/15/2022 Read the full Deep Dive here. More Swift Than Dylan: How Newer Hits Overtook Classic Rock to Rule ...
