It’s hard to think of a performer who has aged more gracefully than Kyle MacLachlan. At 61, he’s still got that matinee-idol chin, full, robust head of hair, and the good-natured warmth to go along with it. Yet beneath the leading-man looks beats the heart of a considered, compelling character actor, a sensibility he’s brought to decades of beautifully idiosyncratic work in successes and flops alike. Even when he’s villainous, it’s impossible not to love him. (Except when he’s Mr. C in Twin Peaks: The Return, of course.) That kind of cerebral deadpan is key to his career-long collaboration with fellow Northwestern boy David Lynch, who plucked him from obscurity to star in his sprawling adaptation of Dune, whose disastrous reception nonetheless prepared him to become Lynch’s muse for Blue V...
Josh Trank’s new movie Capone is, as our reviewer Scout Tafoya put it, “one of the most bravely singular and uncommon films you’ll see this year.” Today, we get to hear some of what made the film so unique: El-P’s original score. The Capone (Original Motion Picture Soundtrack) is out today on Milan Records, and you can stream it below via Apple Music and Spotify. The hour-long, 13-track collection marks the Run the Jewels rapper/producer’s first full movie score since 2004’s Bomb the System. However, El, born Jaime Meline, has contributed music to numerous films over the years, including Ben Younger’s 2016 movie Bleed for This and Trank’s own Fantastic 4, for which he scored the end credits. He also contributed to the Music Inspired by the Film Roma collection...
COVID-EODROME, our new weekly movie review series on our Twitch channel, will eschew the reviews this week for a series of interviews. Hosts Clint Worthington and Scout Tafoya will speak to the talent behind Capone and Fourteen. Starting at 2:30 p.m. EST / 11:30 a.m. PST, Clint and Scout will speak to Fourteen filmmaker Dan Sallitt and stars Tallie Medel and Norma Kuhling. The story follows a mentally ill woman’s decline over the course of a decade, all from the perspective of her longtime best friend. The film had its premiere at the 69th Berlin International Film Festival, where it won over critics worldwide, and hits VOD via Grasshopper Films on Friday, May 15th. Shortly after, Clint and Scout will speak to director Josh Trank, who returned this week with Capone. Together, they’ll ...
Tom Hardy is one of Hollywood’s last old-fashioned movie stars — a big, magnetic leading man of the school of Marlon Brando and Orson Welles. He’s a performer of incredible subtlety and teeth-gnashing intensity in the same breath, drawing pools of weary wisdom from his big, soulful eyes one minute before screaming in a goofy accent in the next. Hardy has the capacity to be both menacing and sweet, pained and predatory; despite the go-for-broke marquee madness that usually follows him, one often misses that Hardy’s bluster goes hand in hand with a wounded vulnerability. Of course, like Nicolas Cage before him, Hardy (at least in his perception to the general public) is more meme than man, the finely-tuned layers of his performances hidden behind layers of prosthetics or that ever-present ma...
The Pitch: Alfonse Capone (Tom Hardy) was once the scourge of the FBI and law enforcement across the nation. He was Public Enemy Number One, the king of Chicago’s underground, the scourge of FBI agent Elliot Ness, who lived high on the hog and killed people with a gold plated Tommy Gunn. Now? It’s the mid-40s and untreated syphilis has caught up with the aging Capone, decrepit before his time and the FBI is getting sick of surveying him at his home on Palm Island, Florida. Supervising Agent Crawford (Jack Lowden) thinks there’s something Capone still knows, that he’s still hiding. Capone, now going by Fonzo to keep his profile low — even as he lives on a sprawling estate with his wife (Linda Cardellini), full battery of protection, and serving and gardening staff — starts to imagine he can...