The amount of funding for the second and third tiers, along with any supplemental funding, will be based on what remains after the SBA awards grants to the first priority group. “This emergency relief can’t come soon enough for those on the precipice of going under. We’ll be very grateful when the money is distributed as Congress intended,” says National Independent Venue Association board member Audrey Fix Schaefer. “It’s been very hard to hold on, but even tougher to plan for reopening without the money to hire back staff, rent venues and secure acts with deposits. It will be incredible when the $16 billion Congress earmarked to save our stages becomes a reality.” As of today, 11,500 SVOG applications have been sub...
Expect “Higher Power” to enjoy a bump following Chris Martin and Co.’s performance of the song Sunday (May 9) on American Idol, and again at the top of the 2021 Brit Awards this Tuesday (May 11). At the summit of the chart blast is current No. 1 “Body,” by Tion Wayne & Russ Millions. Last Friday, the single lifted 4-1 to become the first drill track to lead the Official U.K. Singles Chart. It’s the most-streamed song of the weekend, the OCC reports. Following the release of his sophomore album Life By Misadventure, Rag’n’Bone Man is eyeing a new peak with “Anywhere Away From Here,” his collaboration with Pink. It’s up 31-11 on the First Look survey. The pair will perform the duet live at the BRITs, to be held at London’s O2 Arena. Finally, The Kid Laroi’s “Without You” ...
That 2015 win for international female solo artist is Swift’s only Brit Award to date, from six nominations. Swift has set many records on the U.K. charts, as she has in the U.S. and around the world. She is the only female artist in the 21st century to amass seven No. 1 studio albums on the Official U.K. Albums chart. The Official Charts Company also reports that Swift is the U.K.’s top-selling artist of 2021 to date, which is remarkable for an artist 15 years into her career. Swift has amassed 17 top 10 hits on the Official U.K. Singles chart, but, surprisingly, she has landed just one No. 1 single on that chart — “Look What You Made Me Do,” which spent two weeks on top in 2017. Swift is not expected to perform on The Brit Awards with Mastercard 2021 — as the show is official...
Clubhouse will continue to apply its invitation-only system — which allows existing community members to invite a handful of contacts — for Android users “as part of the effort to keep the growth measured,” according to a statement on the Android launch. The announcement comes a week after Clubhouse announced beta testing had begun for a “handful of friendly testers.” “It has been a little over a year since we set out to build a new type of network — a more human place on the Internet based on voice, where people from all corners of the world could come together to talk, listen, hang out, share, debate, learn from each other, deepen friendships, meet new people, and experience unforgettable moments together,” Paul Davison and Rohan Seth, as well as the Clubhouse team, shared in a statement...
The Brighton pair lead a Top 10 crammed with new releases. Merseyside act The Coral snag a sixth Top 10 LP and highest-chart position in 18 years with Coral Island (Run On), new at No. 2. Mick Fleetwood & Friends’ live tribute Celebrating The Music of Peter Green (BMG) debuts at No. 3, just ahead of British singer Birdy, whose Young Heart (Atlantic) flies in at No. 4. Gojira, the French metal band, score their first Top 10 album with Fortitude (Roadrunner), new at No. 6, just ahead of Norwegian DIY singer-songwriter Girl in Red‘s debut effort If I Could Make It Go Quiet (No. 7 via Marie Ulven), and Pink Floyd’s Live at Knebworth 1990 (No. 8 via Rhino). Completing the Top 10 is DJ Khaled’s digital-only 12th studio set Khaled Khaled. It’s the most-streamed album of the we...
The series, written by Hilfers, will feature original music and covers. The production counts Jason Owen, one of music’s top managers, among its exec producers. He is expected to bring his wealth of knowledge and relationships to make a mark on the series as his client roster includes such artists as Kacey Musgraves, Faith Hill, Little Big Town and the estates of Johnny and June Carter Cash. Sources say some of Owen’s clients are expected to appear and/or perform on the series, which will begin casting immediately. When Fox picked up the script nearly two years ago, the drama was poised to be a co-production between the network and its former in-house Gail Berman-led SideCar content development accelerator. SideCar was disbanded last summer, with Berman returning to run her production comp...
The dispute is linked to a disagreement over the future of the How Sweet It Is music festival, which ran from 1999 to 2001. Rotella helped revive and finance the festival in 2005 but had a falling out with Alper and Ballou over the future of the event in 2010. Alper and Ballou claimed Rotella created a competing event called Beyond Wonderland, which still operates today, and that they were owed a piece of the festival. The legal fight went to arbitration, where the case was heard by Schiavelli, who eventually ruled against Alper and Ballou, saying the men bore most of the responsibility for the collapse of their relationship with Rotella and Insomniac due to their “cavalier and essentially non-negotiable attitude.” Schiavelli also noted that the lawsuit wasn’t filed against Insom...
The May 4 earnings call was filled with notable insights ranging from Spotify’s price increases in select markets to the importance of Warner’s data analysis. Here are the call’s highlights. Streaming Subscription Rate Increases: Cooper spoke about Spotify’s price increases in a small number of markets. He said he expects other streaming services will follow Spotify’s lead and rase their prices as well, provided Spotify does not see the higher prices increase its churn rate — which Spotify has said has not happened. “What people have a tendency to do on these services is build their library, build their playlists, and so there is a stickiness,” he said. “And I think that as Spotify and/or others experiment with these price increases, if they don’t see any meaningful churn event...
Also new to the albums chart this week is Gojira’s Fortitude (Roadrunner/Warner), new at No. 3. It’s the French metal band’s first appearance in the Top 10, and the followup to 2016’s Magma, which peaked at No 11. British alternative rock outfit Royal Blood make a splash with Typhoons (Warner), new at No. 5. It’s the followup to their sophomore album How Did We Get So Dark, which hit No. 4 back in June 2017. DJ Khaled’s latest all-star album Khaled Khaled (Epic/Sony) gives the U.S.-based producer his fourth Top 10 in Australia. It opens at No. 7 on the ARIA Chart. Meanwhile, Norwegian DIY artist Girl In Red (AWAL/Inertia) appears on the ARIA Charts for the very first time, as her debut LP If I Could Make It Go Quiet starts at No. 10. Over on the ARIA Singles Chart, The Kid LAROI shows some...
Artists:Main Artist – Doja CatFeatured Artist – SZA Songwriters:Composer Lyricist – Amala Zandile DlaminiComposer Lyricist – Carter LangComposer Lyricist – David SprecherComposer Lyricist – Gerard A. Powell IIComposer Lyricist – Lukasz GottwaldComposer Lyricist – Rogét ChahayedComposer Lyricist – Solána RoweComposer Lyricist – Stephen KipnerComposer Lyricist – Terry Shaddick Producers:Co-Producer – Carter LangCo-Producer – tizhimselfProducer – Rogét ChahayedProducer – Yeti Beats Engineers:Engineer – Joe ViscianoEngineer – John HanesMastering Engineer – Mike BozziMixing Engineer – Serban Ghenea Labels:Distributor – Sony Music EntertainmentLabel – ...
Amazing Grace came together from footage shot in 1972 by Pollack of Aretha Franklin’s legendary two-day performance at the Missionary Baptist Church. For years, the movie was held up by demands from the singer herself, even after Elliott got Warner Bros. to release its rights to the footage. Elliott says that before Pollack died, the director helped his efforts to secure a quitclaim deed from WB and never made any rights claim himself. But as Elliott prepared to bring the movie to the Telluride Film Festival in 2015, Tyerman wrote to Elliott about financial compensation for Pollack rights. What rights did Pollack (and his estate) actually have? The director didn’t own copyright to the footage, but in a series of letters and conversations, Tyerman repeatedly represented that Elliott would n...