Even so, Odenkirk isn't a big fan of the monarchy. Bob Odenkirk Learns He’s Related to King Charles III Jo Vito
The highest bidders can have dinner with Bob Odenkirk and David Cross, or take a pottery class with Busy Phillips. Actors, Writers Auction Time, Memorabilia to Fundraise for Crew Healthcare Amid Strike Carys Anderson
As a professor facing potential crisis, the Emmy nominee delivers a unique and nuanced performance in the new AMC series. Lucky Hank Review: Bob Odenkirk Leaves Saul Goodman Behind for AMC’s Thin Academic Comedy Liz Shannon Miller
AMC's series adaptation of Richard Russo's novel Straight Man premieres on March 19th. Bob Odenkirk Has a Breakdown in Trailer for Lucky Hank: Watch Eddie Fu
Less than a year after Better Call Saul wrapped up a six-season run, Bob Odenkirk is poised to return to television with Lucky Hank, a new series premiering on AMC in March that just released its first teaser. Watch the clip below. Based on Richard Russo’s novel Straight Man, Lucky Hank stars Odenkirk as William Henry Deveraux Jr., chairman of the English department at an underfunded Pennsylvania college. In the teaser — a 15-second close-up of Odenkirk’s weathered, bearded face — the actor admits, “I’ve always been a difficult man. I specialize in minor strife and insignificant irritation.” That strife likely comes from Ralston College’s President Dickie Pope (Kyle MacLachlan), who The Hollywood Reporter describes as “a nemesis to Hank and the other prof...
[Editor’s note: The following contains spoilers through the series finale of Better Call Saul, “Saul Gone.”] There’s so much to be asked, when one of television’s great achievements comes to an end. So the morning after the Better Call Saul series finale aired, co-creator Peter Gould and stars Bob Odenkirk and Rhea Seehorn very generously spoke with reporters via Zoom for a press conference that explored so many aspects of the final episode, “Saul Gone.” Below, Gould, Odenkirk, and Seehorn answer maybe not all, but at least a few of the biggest questions from the end of the season, from the choice to continue filming in black and white, what was cut from the finale, and when the idea to have Jimmy end up in prison first came up (and why that nearly caused problems with another Breaking Bad...
[Editor’s note: The following contains spoilers through the series finale of Better Call Saul, “Saul Gone.”] Sometimes you hit play on an episode of television and see the runtime and groan to yourself, “This did not need to be longer than an hour.” But with the Better Call Saul series finale, coming in at a cool 70-plus minutes (per AMC+, anyway), every extra second of goodbye was quite welcome. After Gene Takovic (Bob Odenkirk)’s unsuccessful attempt to flee the law, as summoned by that nice old lady Marion (Carol Burnett), the identity of Gene is shed forever (following one last diligent phone call to Krista at Cinnabon). Instead, Saul Goodman suits up (eventually literally), using his formidable weaseling abilities to weasel out of “life plus 190 years” for the many, many crimes he com...
[Editor’s note: The following contains spoilers for Better Call Saul, Season 6 Episode 12, “Waterworks.”] As we reach the finish line on Better Call Saul, a theme has emerged from these final episodes: How tragic it is, and the tragedies that can result, when someone lives in fear. That at least seems to be Kim Wexler (Rhea Seehorn)’s takeaway from the last several years of her life, as we see how making contact with her ex-husband Jimmy/Saul/Gene (Bob Odenkirk) caused her to return to the scene of her crimes — even if she may not end up actually having to pay the price for them. Written and directed by Vince Gilligan, “Waterworks” is a masterclass in making the mundane seem both important and suspenseful. The action begins with a tour through Kim’s black-and-white state of existence — a n...
[Editor’s note: The following contains spoilers for Better Call Saul, Season 6 Episode 11, “Breaking Bad.”] On April 26th, 2009, a television show called Breaking Bad aired an episode called “Better Call Saul.” Thirteen years later, a television show called Better Call Saul aired an episode called “Breaking Bad.” Here we are at a full-circle moment for one of television’s great creative achievements, and yet the significance of Bryan Cranston and Aaron Paul’s long-promised return as the iconic Walter White and Jesse Pinkman manages not to overshadow the action just now revving up in Omaha, Nebraska. The elegance of this new episode’s name choice, which is split between two very different periods of time for one Jimmy McGill/Saul Goodman/Gene Takovic (Bob Odenkirk), cannot be overstated, es...
[Editor’s note: The following contains spoilers for Better Call Saul, Season 6 Episode 10, “Nippy.”] In its fourth-to-last episode, “Nippy,” Better Call Saul executed its most abrupt pivot yet. From just the title, we knew something different was in store, as a totally different naming scheme was in play (Saul does switch up its approach to episode titles from season to season, but within each season they typically remain consistent). But after seeing Saul Goodman (Bob Odenkirk) in all his sleazy glory at the end of the previous episode, “Fun and Games,” it was clear that whatever was going to come next would be a departure from the past. However, this episode, written by Alison Tatlock and directed by Michelle MacLaren, catapulted us viewers a lot further forward than we might have e...
[Editor’s note: The following contains spoilers for Better Call Saul, Season 4 Episode 8, “Point and Shoot.”] After tonight, the number of remaining Better Call Saul episodes can be counted on one hand, and “Point and Shoot” does an exquisite job of making clear why that is so simultaneously exciting and sad. While it’s yet to be seen if one of TV’s great artistic achievements will fully stick the landing, the beginning of the show’s final run of new episodes packs an entire season’s worth of stress into its slightly extended runtime, while also continuing to deliver the kind of nuanced, character-driven moments which make the show so unforgettable. It’s a pretty remarkable achievement given the nature of the series, which jumps back and forth occasionally in its timeline but for the bulk ...
[Editor’s note: The following contains spoilers for Better Call Saul, Season 6, Episode 7, “Plan and Execution.”] What other show would devote a five-minute sequence to establishing its villain’s shower and nap routine? What other show would make it so captivating? That’s the special magic of Better Call Saul, which delivered a mid-season finale on Monday that redefined the concept of changing the game. For a good long portion of its runtime, so much of “Plan and Execution” fits with Better Call Saul as we’ve always known it. Central to the episode is the ultimate culmination of Jimmy and Kim’s plan to force a settlement of the Sandpiper lawsuit by ruining Howard Hamlin’s (Patrick Fabian) reputation — a combination of actual justice and petty revenge, motivations which both Jimmy (Bob Oden...