Beyond Festival
The Wolf of Snow Hollow Adds Coen-Style Humor to the Werewolf Genre: Beyond Fest Review
This review is part of our coverage of the 2020 Beyond Film Festival. The Pitch: In a small and snow-covered mountain town, a series of murders suddenly create a sizable body count, leaving the townsfolk frightened and the humble police force confused. When a rumor runs through town that a werewolf is behind the kills, coinciding with full moons and savagely torn apart corpses, John Marshall (Jim Cummings) is suddenly tasked with proving that lycanthropes are a campfire tale. This proves difficult when it’s added to his long list of pre-existing duties, such as taking care of his teenage daughter and watching over his sickly father. It’s Like Fargo With Werewolves: Jim Cummings is a jack-of-all-trades when it comes to film. No, seriously, the guy has dipped his toes into everything. Writin...
Synchronic Seamlessly Turns Paramedics into Time-Traveling Horror Heroes: Beyond Fest Review
The Pitch: Paramedics Dennis (Jamie Dornan) and Steve (Anthony Mackie) work together in the same ambulance and are also longtime best friends. Running the Garden District route in New Orleans, the two run into a string of incidents linked to a new synthetic designer drug, Synchronic, which is having preternatural effects on users. When a one-two punch of personal tragedy afflicts the friends, their lives are thrown into turmoil as they become inextricably linked to the dangerous narcotic. The Best Time Travel Stories Are Not About Time Travel: Time travel in film is usually best used when it’s a plot device but not the coda of the movie. Genre vets Aaron Moorhead and Justin Benson are magicians here, using the script and pacing to nimbly carry us through a science-fiction adventure that tr...
Neil Marshall’s The Reckoning Is as Bleak as the Dark Times It Depicts: Beyond Fest Review
The Pitch: It’s late 17th century England, and although the plague is no longer running as rampant as it once was, a new pandemic has taken over: witchcraft. The era of scapegoating women for anything and everything is prevalent and the main conflict in The Reckoning. Grace Haverstock’s husband has committed suicide, himself afflicted with the plague, and has left Grace and their newborn daughter to care for their small farm. When she falls behind on rent, her landlord attacks her and suggests she make payment with sexual favors. Grace spurns his advances. With his fragile male ego damaged, he accuses her of witchcraft, and Grace is put into bondage and undergoes a series of physical and psychological torture tactics in an attempt to have her admit her allegiance to the dark arts. <img ...
