This review is part of our Sundance 2021 coverage. The Pitch: In The Earth is Ben Wheatley’s welcome return to horror after last year’s Rebecca, his disappointing foray into Netflix-approved gothic romance. The film follows city dwelling scientist Dr Martin Lowery (Joel Fry) and intrepid park scout Alma (Ellora Torchia) as they set out on foot through the Arboreal Forest to investigate the welfare of his colleague Dr. Olivia Wendle (Hayley Squires), who has been radio silent for months. After Martin injures his foot, the pair seek help from Zac (Reece Shearsmith), an enigmatic recluse who has been living illegally in the forest. It quickly becomes clear that not all is right and the pair lose their sense of time and become increasingly disoriented. A dangerous discovery reveals that their ...
The Pitch: As recalled in Daphne du Mauier’s famed 1938 Gothic novel of the same name, our narrator and young, nameless lady’s companion (Lily James) meets, falls in love with, and marries a wealthy, older Englishman and widower, Maxim de Winter (Armie Hammer), while on holiday in Monte Carlo and returns with him to his lavish Cornish estate, Manderley. She soon begins to notice the long, profound shadow her husband’s recently dead wife, Rebecca, hauntingly casts over Maxim; family and acquaintances; household servants, including cold, austere housekeeper Mrs. Danvers (Kristin Scott Thomas); and even the animals. As the second Mrs. de Winter grows increasingly frustrated with the strange power her predecessor possesses, even from beyond a watery grave, she slowly begins to learn the truth ...