Santiago Menendez-Pidal, managing director of Warner Chappell Music Spain, said about the signing: “Jorge is an absolute legend with an army of fans across Spain, Latin America and well beyond. He is also the go-to partner for some of the biggest Latin artists in the world. I’m so excited to be working with him and know that his upcoming album is going to make a huge impact.” Born in 1964, Drexler released released two albums in Uruguay in the early 1990s before getting his “big break” after Spanish songwriter Joaquin Sabina invited him to Madrid to collaborate with a wide range of artists. Most recently, Drexler’s COVID-19-inspired “Codo Con Codo” was nominated for best song at the 21st annual Latin Grammys. You Deserve to Make Money Even When you...
“NIVA may have been founded amidst dire circumstances, but the future of the live industry and the people who inhabit it have always been top of mind,” said NIVA executive director and managing partner of Marauder Rev. Moose. “Officially expanding our coalition to include partners new and old, allows us to innately incorporate those who have stood by our side from the very beginning, like Patronoff from See Tickets, and new voices that will help guide the future.” Advisory board members will share their diverse knowledge and professional expertise in streaming, ticketing, management and more to help NIVA and its members navigate the remainder of this pandemic and rebuild the live entertainment ecosystem in a transparent, diverse, and inclusive way. ...
SXSW’s featured sessions include a conversation about mental health between Olympian Alexi Pappas and actor Bill Hader; a fireside chat with Joe and Anthony Russo and Elizabeth Banks; and a talk about documentary series Secrets of the Whales with director James Cameron and National Geographic explorer Brian Skerry. Other people who will appear no panels during the festival include digital creator David Dobrik, late night hosts Samantha Bee and Amber Ruffin and Big Hit Entertainment CEO Lenzo Yoon. “We’re truly excited about the remarkable range of creative talent and innovators that we’ve announced today as part of SXSW Online,” said SXSW chief programming officer Hugh Forrest. “In the 30 plus years of SXSW, we’ve showcased so many incredible v...
Yoakam is demanding the court affirmatively rule that the songs should automatically return to him at the end of the right’s period termination. He is also seeking an excess of $1 million in damages against WMG. “Having profited and benefited off of Mr. Yoakam for 35 years, [WMG] do not want their gravy train to end, and have therefore refused to acknowledge and accept Mr. Yoakam’s valid Notices of Termination served properly under Section 203 of the United States Copyright of 1976 in blatant disregard of Mr. Yoakam’s rights,” states the complaint. The Copyright Act permits authors to terminate the grant of their copyright during a five-year window beginning five years from the end of 35 years from the date of execution of the grant; or, if the grant covers the right of publication of the ...
The country industry’s response to those two developments was a tad surprising: Osborne was roundly supported, while Wallen was admonished and/or punished and/or dropped by his label, his booking agency, radio, the Country Music Association and the Academy of Country Music. The reaction is opposite of what would have been expected in the genre during a previous era. And that’s part of the reason that CountryQueer.com exists. The country culture is experiencing a major realignment, and — as Osborne addressed in the Time piece — the progressive and conservative wings of the industry and its fans are looking at the same issues through completely different lenses. “This is the kind of central question about American culture, and country’s place in it, that we’ve b...
The study will be firepower for rights holders and trade groups seeking assistance from Congress. It “charts a course for state and federal policymakers to leverage music’s ability to produce strong economic growth and high-paying domestic jobs,” said Josh Friedlander, senior vp research and economics at the RIAA. After the Music Modernization Act’s passage in 2018, no additional copyright legislation should be expected any time soon, but the RIAA always presses issues, such as the lack of a performance right at broadcast radio, and conducts regular Congressional outreach through Grammys on the Hill events. Despite the eye-grabbing numbers that reveal music’s wide-reaching impact, the pandemic’s damage to entertainment industries looms over the report. That was inevitable given the lag tim...
The company notes it is also in talks with major labels to offer their catalogs as fully approved and licensed DJ edits by April. Beatsource, the joint venture between Beatport and DJ City that services open-format DJs, has signed deals with independent distributors Empire and Create Music Group to create fully licensed DJ edits of some of the most popular tracks in their respective catalogs, it was announced today. The exclusive edits will be available beginning on Feb. 15 via Beatsource LINK, the streaming service launched by the company early last year. Under the agreements, Empire and Create Music have assembled extended edits of hits by artists including Fat Joe, Rich The Kid, Busta Rhymes, Anderson .Paak, Robin Thicke, DJ Chose, Funkmaster Flex, Tory Lanez and the Insomniac Records c...
“Creative synergies are vital for cities to survive, and our arts and cultural industries have been shut down all across the country, taking a terrible toll on workers and the economy,” said Cuomo in a release. “We want to be aggressive with reopening the State and getting our economy back on track, and NY PopsUp will be an important bridge to the broader reopening of our world-class performance venues and institutions. New York has been a leader throughout this entire pandemic, and we will lead once again with bringing back the arts.” The programming for NY PopsUp will be curated by the interdisciplinary artist Zack Winokur, in partnership with a council of artistic advisors who represent the diversity of New York’s dynamic performing arts scene. The hundreds of fr...
Since Scherer signed on to lead the Los Angeles marketing & repertoire team in 2014, the company has seen success on the recording side with releases from Run the Jewels, Jason Mraz, KSI and Curtis Waters, among others. He also launched a long-term partnership with Dark Horse Records and has led the charge on developing a stable of rock-focused acts in Los Angeles. A number of other executive promotions were also announced as part of the restructure. Monti Olson and Dan Gill have been promoted to executive vp roles and will be responsible for U.S. publishing and recorded music in Los Angeles, respectively, reporting to Scherer. In his new role, Olson will lead BMG’s Los Angeles, Nashville and New York creative teams, in addition to creative services for the company’s film and TV p...
Ciulla began managing Manson around 1996, the same year he released his breakthrough album, Antichrist Superstar. The two met while Ciulla was working at Trent Reznor’s Nothing Records in the early 1990s, when Manson’s band was signed by the label. Though Manson and Ciulla’s professional relationship has weathered a number of serious controversies over the past 25 years, the tide appears to have turned following Wood’s accusation that Manson “horrifically abused” her for years after the two met when Wood was 18 and Manson was 36. The pair announced their relationship in Jan. 2007 and were briefly engaged in 2010. “The name of my abuser is Brian Warner, also known to the world as Marilyn Manson,” Wood wrote on Instagram Monday. “He started grooming me when I was a teenager and horrifi...
Kobalt issued a statement Monday following news of the sale, saying it will strengthen its commitment to its publishing business and AMRA. “We are both excited for the big opportunities ahead across music publishing, AMRA and Kobalt Capital,” Kobalt founder and chairman Willard Ahdritz said in a statement. “Our team and capabilities will only grow stronger and play a continued role in making the industry better for creators.” Going forward the company says it will stick to its core mission. “Kobalt’s mission from the start has been to create transparency and fairness for creators,” Kobalt CEO Laurent Hubert said in a statement. “I could not be more excited to focus 100% of our efforts on our incredibly successful music publishing business. Through our world-class creative and synch t...
Hines, who lives in Atlanta, and New Jersey-based Noble made strides in 2020, first with funding from Collab Capital, an investment fund that targets Black entrepreneurs, as well as WeWork Black Founders, Google Black Founders Academy and early angel investors. Nobles says that Google, for instance, has been “hands on” by providing resources, including a tech support contact who went “deep with us on architecture” and other questions. Hines and Nobles also worked with teams from YouTube and ContentID, the Google-owned platform’s audio recognition technology used for copyright protection. Also, Music Tech Works was in the 2019-2020 cohort of Project Music and Entertainment, the music-focused startup accelerator of the Nashville Entrepreneur Center. Rightsholder...