Avant garde
The Weather Station Unveils New Song “To Talk About”: Stream
The Weather Station have a new album out this week, but if you can’t wait until Friday, Tamara Lindeman has unveiled a new song today. Listen to “To Talk About” below. “To Talk About” is the second single from How is it That I Should Look at the Stars, the companion LP to 2021’s Ignorance. A stark piano ballad, the song sees Lindeman croon about hopelessly in love, wanting only to revel in her contentment. “I am lazy/ I only want to talk about love,” she sings, slowly hitting delicate chords. “I know there is so much I should try and say/ But we lay in bed and leave it unsaid.” Later, singer-songwriter Ryan Driver comes in for a duet, mirroring Lindeman’s words of devotion. This vulnerability permeates How is it That I Should Look at the Stars, a collection of songs Lindeman...
Floating Points and Pharoah Sanders Release Collaborative New Album Promises: Stream
Floating Points (photo by Dan Medhurtst) and Pharoah Sanders (photo by Debi Del Grande) Electronic composer Floating Points and jazz legend Pharoah Sanders have just released Promises, their stunning new album with the London Symphony Orchestra. Stream it below via Apple Music and Spotify. Broken up into nine distinct movements, Promises is a soul-stirring take on minimalist jazz, gentle instrumentation, and orchestra arrangements that can transport you into another dimension. At times, like in “Movement 6” and “Movement 9”, the percussion is so delicate that it feels like you’re in the middle of a movie score about the most contemplative, delicate moments of your life. Promises was composed by Sam Shepherd (AKA Floating Points) and sees the music brought to life via Sanders’ cel...
The Weather Station on Toronto’s Avant-Garde Jazz Scene
Kyle Meredith With… The Weather Station Listen via Apple Podcasts | Spotify | Google Play | Stitcher | Radio Public | RSS The Weather Station mastermind Tamara Lindeman talks with Kyle Meredith about Ignorance, her new LP that finds the folk artist taking on a new beat-driven, piano led set of songs. The Toronto-based songwriter talks about the local avant-garde jazz scene that she includes herself in, writing cinematically, and the complex arrangements that fill out this poppier set. Lindeman also dives into the themes of climate change, truth, trust, and how they intersect with personal statements while speaking on a global scale. She also previews her forthcoming live streaming event. Kyle Meredith With… is an interview s...
Sevdaliza Announces New Album Shabrang
Iranian-Dutch artist Sevdaliza has announced her sophomore album, Shabrang. The follow-up to 2017’s ISON is marked to arrive August 28th through her very own Twisted Elegance label. The forthcoming 15-track collection documents a “journey of self-discovery, self-love and finding peace amongst all of the chaos in the world” — hence Sevdaliza’s bruised body captured in the LP’s artwork. Produced by the artist herself in collaboration with Mucky, the full-length features previous singles “Lamp Lady”, “Oh My God”, and “Joanna”, all of which showcase Sevdaliza’s seamless blending of electronic, trip-hop, R&B, and even avant-garde. Pre-orders for Shabrang have begun; all those who avail of the Apple pre-order will be gifted with the new song “Rhode” below. Editors’ Picks...
David Lynch Releases Eerie, Hypnotic New Video for “I Have a Radio”: Watch
David Lynch has returned with another gem for his increasingly popular YouTube channel. He’s turned the dial back to 2011 and has dropped an eerie, if not morbidly hypnotic, music video for Crazy Clown Time bonus track “I Have a Radio”. Even for the auteur, it’s not much. Two oil figures dance in unison to the track, looking like something out of a Stephen Gammell nightmare. If you make it through the full six minutes, you’ll be rewarded by a bunch of pig fucking noises. Watch “I Have a Radio” below. In quasi-related news, if you’re looking for the brighter side of Lynch, you would be wise to grab a cup of coffee, a black and white cookie, maybe even some Hennigans, and check out Sein Peaks. [embedded content] You Deserve to Make Money Even When you are looking for Dates Online. So we...
John Cale’s Fear Haunts the Velvet Underground Canon
Listen via Apple Podcasts | Spotify | Stitcher | Radio Public After leaving the Velvet Underground, John Cale split his time between state-of-the-art experimental music and sweet symphonic pop. On his fourth solo album, 1974’s Fear, those two sides finally converged. In the seventh episode of Ghost Echoes, we learn how and stumble into a revelation involving Velvet Underground’s catalogue. For more episodes of Ghost Echoes, subscribe now! Follow on Facebook | Twitter | Podchaser Music and Sound Notes: — The John Cale tracks heard here are “Hello, There” from the album Vintage Violence, the title track from The Church of Anthrax with Terry Riley, “Brahms” from The Academy in Peril, “Child’s Christmas in Wales” and the title track from Paris 1919, and “Baracudda,” “Gun,” “Fear is a Man’s Bes...
The Residents Announce New Album, Share “Die! Die! Die!” with Black Francis: Stream
The veteran art-rock collective The Residents have announced a new double-disc album called METAL, MEAT & BONE: The Songs of Dyin’ Dog. The first single, “Die! Die! Die!”, comes with a Trump and coronavirus-inspired music video, along with unhinged vocals from Black Francis of Pixies. METAL, MEAT & BONE arrives July 10th, and if you’re wondering, “Who’s this Dyin’ Dog?”, The Residents have provided a typically cracked answer. According to a statement, Dyin’ Dog was a bluesman from the 1970s born with the name Alvin Snow. Before his mysterious disappearance on January 13th, 1976, Dyin’ Dog apparently recorded a ten-song demo. As the story goes, The Residents were fortunate enough to rediscover this long-lost masterpiece, and have now used it as the basis for METAL, ME...
How Kraftwerk and David Bowie Paved the Way for Music As We Know It Today
In 1976, David Bowie introduced his bravest new world yet. Zig-zagging across Europe and North America to promote his 10th studio album, Station to Station, he set the scene, night after night, with spliced footage from Luis Buñuel and Salvador Dalí’s surrealist masterpiece Un Chien Andalou. It was a strange yet enthralling scene for fans, but had the artist, then known as The Thin White Duke, had his way, four motionless Germans would have graced the stage instead. The request, of course, was made, but a firm yet friendly “nein danke” from Kraftwerk later led musical history to opt for another course. Midway through the Station to Station live run, also known as the “Isolar Tour”, Kraftwerk co-founders Ralf Hütter and Florian Schneider met with Bowie at their Kling Klang Studio in their h...
