As our Annual Report continues, we’re taking a look at several ways live music changed in a year where most of the world was in lockdown. Today, we share our conversation with Christine and the Queens, an artist with a unique approach to quarantine performances. As Héloïse Letissier presumes, there probably are some “really insular musicians” who found the lack of touring this year somewhat calming. Under her moniker of Christine and the Queens, the French pop star is not one of those artists. “I’m always saying I come from theater, but it kind of formed a relationship I have with the stage that is very much essential,” she tells Consequence of Sound over Zoom from her Paris home. Performance is in fact entirely indispensable when it comes to the concept of Christine and the Queens. Just t...
As our Annual Report continues, we’ll be taking several looks at how live music changed in a year where most of the world was in lockdown. Today, we share our conversation with Save Our Stages Fest’s Stephen Sternschein on what’s being done to preserve live music and venues during this pandemic. The American experience of the COVID-19 pandemic is dominated by unimaginable numbers made real: 300,000 dead, 16 million infected, an estimated $3-$5 trillion hit to the country’s GDP over the next two years. Tucked inside that last figure is another statistic, revealed over the summer, that made the year even darker for music fans: According to a nationwide survey of club owners and promoters conducted by the National Independent Venue Association (NIVA) this past June, 90% of independent music v...
Our Annual Report continues today with the announcement of Phoebe Bridgers as our Artist of the Year and beabadoobee as our Rookie of the Year. Stay tuned for more awards, lists, and articles about the best music, film, and TV of the year as 2020 winds down. If you’ve missed any part of our Annual Report, you can check out all the coverage here. There wasn’t a single person whose life wasn’t hit by the hard curve of 2020. Countless studies have been conducted and essays written about how this year impacted the music industry in particular, from delayed releases to canceled tours to financial distress. Artists planned, and the pandemic laughed. Yet, even in these darkest of times, there were those who found ways to not just keep the flame lit, but ignite a blaze. In an amazing testamen...
Eric Kripke is anxious. It’s two days before Thanksgiving and the veteran showrunner is already hard at work on the third season of The Boys. He’s three episodes into scripting, things are moving, but something is gnawing at him from deep inside. “It’s become really fun and breezy to write again,” Kripke admits over Zoom. “That worries me. It’s feeling enjoyable. I should be in intense, deep introspection for this.” Kripke has every reason to be precarious. In less than a year, he’s given Amazon a critical and commercial smash, and they’re running with it. They gave the early green light for Season 3, and they’ve even commissioned a spinoff series. Opportunity is expanding right before Kripke’s eyes — and fast. Fortunately for him, Kripke thrives amidst this kind of aggressive expansion, s...
Our Annual Report continues today with the announcement of Anya Taylor-Joy as our TV Performance of the Year. Stay tuned for more awards, lists, and articles in the days and weeks to come about the best music, film, and TV of the year. If you’ve missed any part of our Annual Report, you can check out all the coverage here. Chess and Anya Taylor-Joy have had quite the year, thanks to The Queen’s Gambit. One month after its October 23rd debut on Netflix, Scott Frank and Allan Scott’s adaptation of Walter Tevis’ 1983 novel became the most-watched scripted miniseries in Netflix history. Not surprisingly, interest in chess skyrocketed with “How to play chess” peaking in Google searches and chess boards being wrapped everywhere throughout this holiday season. At the center of it all, ...
“You’re naming us Best Composers of All Time, right,” Trent Reznor asks over the phone. His partner-in-crime Atticus Ross laughs on another line. He’s joking, of course, but he’s also not exactly out of his element. While all-time might be a stretch — at least, for now — the two are certainly in contention for the last decade. After all, it’s been a wild 10 years for Reznor and Ross, one that began with a deafening bang. That big bang arrived at the 83rd Academy Awards in 2011, when Reznor and Ross triumphed over the likes of Hans Zimmer and Alexandre Desplat to win Best Original Score for David Fincher’s The Social Network. Their debut score wound up being an opening salvo as Hollywood came calling — and fast. Since then, they’ve amassed an eclectic resume that most composers spend decade...
What a year for horror… 2020 has certainly seen its share of terror — both on screen and in reality. With a global pandemic forcing most of us inside our homes, it’s been scary times for the film industry. Yet while horror was hardly immune to the year’s savagery — bye-bye Candyman, see you next Fall Halloween Kills — it’s arguably fared better than any other genre. Thanks to a strong community and a willingness to push the creative envelope, horror has survived, thrived, and, in some cases, held us together during this long, dark year. Sure, the delays for the blockbuster horror fare were disappointing, but they also opened the door for low-budget horror gems that have long been the backbone of the genre. Similarly, genre festivals led the way in experimenting with digitization, allowing ...
Two things you need to know about Steven Yeun: He calls comparisons “comps”, and he has a better understanding of who he is as an actor and cultural figure than many other stars his age. Of course, it helps that he’s taken the long road to stardom, breaking out in a big way as zombie apocalypse survivor Glenn for six years on The Walking Dead, before moving on to roles in films by some of our most idiosyncratic, interesting filmmakers working today: Bong Joon-ho (Okja), Boots Riley (Sorry to Bother You), and Lee Chang-dong (Burning), to name a few. His latest, A24’s soul-stirring family drama Minari, feels like a turning point of sorts, both in the gripping complexity of his performance and the film culture that’s finally taken due notice of him. In Lee Isaac Chung’s thoughtful melodrama, ...
Our Annual Report continues as we reveal the Top 25 Films of 2020. Stay tuned for more awards, lists, and articles in the days and weeks to come about the best music, film, and TV of the year. If you’ve missed any part of our Annual Report, you can check out all the coverage here. Going to the movies ain’t like it used to be, right? What an understatement. With theaters shuttered up and movie chains filing for bankruptcy, one might argue it’s been a pretty crap year for cinema. Financially speaking, they’re not wrong. But, art is a funny thing. It has a way of enduring even the most arduous obstacles — you know, that whole Ian Malcolm, Jurassic Park, “life finds a way” bit — and this year was a testament to that truth. Art had no issue finding a proper stage. That stage, as fate...
It’s November 5th, two days after Election Night 2020, and Steve McQueen and I look no worse for wear. Even through the Zoom screen, yet another way the COVID-19 pandemic has changed the way film journalists do business, we understand that other, urgently important things are going on. It’s the middle of a hellish week where the world would collectively gnaw on its fingernails hoping for someone, anyone, to declare the next president of the United States. (Besides the guy trying to steal it, of course.) But even amid the strain and trauma of that week, just one of 52 that would offer no small amount of pain to everyone this year, there was still cause for celebration. While theaters are closed and the fate of mainstream moviemaking lies in a precarious limbo, McQueen’s latest works — the f...