This review is part of our Sundance 2021 coverage. The Pitch: Based on Nella Larsen’s 1929 novel of the same name, Passing follows Irene (Tessa Thompson) and Clare (Ruth Negga), two mixed-race women who can walk through life passing for white. While Clare revels in this, Irene wears it with disdain, and when the duo reunite, all hell breaks loose up in Harlem. The Standout: It’s like director Rebecca Hall knew 2021 would be the perfect time to premiere her debut film at Sundance. Her first feature tackles the issue of colorism–something that’s so pervasive and transparent now more than ever. It’s a subject that’s previously been explored in films such as Queen, Imitation of Life, School Daze, and Skin, but Passing stands out by compounding the challenges of colorism and the violence of the...
The Pitch: The Academy Award-winning wunderkind director Damien Chazelle has made his name largely on films all about jazz, from his 2009 indie debut Guy and Madeline on a Park Bench to 2014’s searing music-school drama Whiplash and to 2016’s widescreen musical throwback La La Land. But with The Eddy, he’s one of the lead behind-the-scenes voices on an eight-episode limited streaming series set largely in a smoky Parisian nightclub whose creative leader is a mercurial ex-jazz pianist (André Holland) with a dark past, a troubled daughter, and thugs threatening him. So, to paraphrase Barton Fink, it’s an Oscar-winning director, one of the best actors of his generation, and Netflix. Whaddya need, a road map? The Language of Music: The first thing to know about The Eddy is that, apparentl...