Gary Numan has released a new song, “Saints and Liars”. The pounding industrial track is the latest single from his upcoming album, Intruder. Stream it below. The concept album is written from the perspective of Earth, and the new song addresses the hypocrisy of humanity as the planet’s destruction approaches a point of no return. With textured backing vocals from electronica musician Gazelle Twin, Numan hauntingly sings lyrics like, “Can you feel your righteous anger/ It’s like a poison that feeds the soul/ Can you hide from snakes and liars/ Every word is the death of me.” In a statement, Numan elaborated on the song’s meaning. “‘Saints And Liars’ is the Earth drawing attention to our blind faith in religion, in a fictitious God, who in reality does nothing for us, while at the same...
Kyle Meredith With… Southern Culture on the Skids Listen via Apple Podcasts | Spotify | Google Play | Stitcher | Radio Public | RSS Southern Culture on the Skids frontman Rick Miller hangs out with Kyle Meredith to discuss the band’s new album, At Home with Southern Culture on the Skids. Miller reflects on how the pandemic changed their style of writing and recording. The two also get into the Chapel Hill band’s famous mix of psychedelic sounds, how their love of campy horror movies influenced their music, and being part of I Know What You Did Last Summer. We also hear about covering Dear Mr. Fantasy while taking inspiration from Spacemen 3, the 30th anniversary of Too Much Pork For Just One Fork, and their 2020 release, Kudzu Re...
The Joy Formidable are back with “Into the Blue”, their first new material since 2018. Stream the new song via its accompanying music video below. On “Into the Blue”, lead singer Ritzy Bryan describes turning feelings of rejection into self love. “Don’t fear the move out of the past,” she sings. “Let time take your hand and guide you / It’s time to move / Into the Blue once again.” “‘Into The Blue’ is about surrendering to love and magic,” explained Bryan in a statement. “Having the courage to enjoy a new journey and the mystery and excitement of something unexpected. It’s about opening your eyes to beauty and love again. Making it to the other side. Whilst not conceived as a metaphor for the times we all live in now, it certainly turned out that way.” As for the music video, it depic...
Dead Can Dance have announced new tour dates for Fall 2021. The itinerary is technically a rescheduled North American run that was originally slated to begin in April 2020, but was obviously postponed due to the pandemic. As long as the vaccine rollout goes as planned, the Australian goth/experimental veterans are hoping to kick off the tour on October 1st in San Diego and then travel all throughout the country — and up to Vancouver, BC and Toronto, ON — before concluding in Seattle on October 25th. The run includes stops in Denver, Chicago, Philadelphia, Boston, San Francisco, and elsewhere, so it’s a pretty comprehensive trek across the Northern half of the continent. This will be the first time the duo of Brendan Perry and Lisa Gerrard will return to North America since their 2013 ...
Kyle Meredith With… Manchester Orchestra Listen via Apple Podcasts | Spotify | Google Play | Stitcher | Radio Public | RSS Manchester Orchestra masterminds Andy Hull and Robert McDowell sit down with Kyle Meredith to unpack their new album, The Million Masks of God. Together, they discuss how its themes of life, death and the afterlife were inspired by the passing of McDowell’s father and why the record plays like a seamless, rock opera. They also digress on their process of giving into jams, and detail what the plan is for the live version when the time comes to return to the stage. Kyle Meredith With… is an interview series in which WFPK’s Kyle Meredith speaks to a wide breadth of musicians. Every Monday, Wednesday, and Fr...
black midi are back. The London experimental rock band have announced that their sophomore album Cavalcade will arrive in May via Rough Trade Records, and today they’re sharing its lead single “John L”. The record is the highly anticipated follow-up to their widely-praised 2019 album Schlagenheim, and the first new material they’ve shared since last year’s spoken-word Bandcamp project, The Black Midi Anthology Vol. 1: Tales of Suspense and Revenge. Unlike the songs on their debut, which were all written together in the same room and recorded rather spontaneously, the quartet wrote half of this album on their own and then brought them to life in the studio with producers Marta Salogni (Bjork, M.I.A.) and John Murphy (Lankum, Katie Kim). In a press release, vocalist Geordie Greep s...
Listen via Apple Podcasts | Spotify | Pandora | Stitcher | Google | Pocket Casts | Radio Public | RSS Presented by Consequence of Sound and Sound Mind Live, Going There with Dr. Mike is an interview podcast series in which clinical psychologist and life coach Dr. Mike Friedman talks with musicians about the crossroads where music and mental health meet. As part of National Day of Unplugging, which reminds us all to put away the smart devices just for a day and find healthier ways to connect, Sound Mind Live teamed with NDU to present Unwound & Unplugged, an acoustic concert and mental health panel livestream. Hosted by Dr. Mike Friedman, the panel featured Gerard Way of My Chemical Romance, Julien Baker, and DeathbyRomy, who shared their own mental health battles, dealing wi...
Former Stone Roses singer Ian Brown has been outspoken about COVID-19 “plandemic” conspiracy theories, which he says had made him a target of Spotify. On Friday, the British musician accused the streaming service of taking down his anti-lockdown anthem, “Little Seed Big Tree”, as an act of censorship. “SPOTiFY stream the streams and censor artists like they have with my last song TOOK IT DOWN just put it down the memory hole!” he wrote on Twitter. “FREE EXPRESSiON AS REVOLUTiON” Consequence of Sound verified “Little Seed Big Tree” is no longer playable on Spotify, but the conspiracy-spewing track remains up on Apple Music, TIDAL, and YouTube. Stream it below to open your third eye. For the uninitiated, the song features lyrics about forced vaccines and microchips. “A forced vaccine, l...
Fiona Apple was one of the big winners at the Grammys’ Premiere Ceremony on Sunday, taking home two Grammy Awards. Apple’s latest opus Fetch the Bolt Cutters was awarded Best Alternative Music Album, besting formidable contenders including Beck’s Hyperspace, Phoebe Bridgers’ Punisher, Brittany Howard’s Jamie, and Tame Impala’s The Slow Rush. She also won Best Rock Performance for “Shameika”. Other nominees in the category included Big Thief’s “Not”, Phoebe Bridgers’ “Kyoto”, HAIM’s “The Steps”, Brittany Howard’s “Stay High”, and Grace Potter’s “Daylight”. Today’s victories mark the second and third Grammys of Apple’s career, and first in 23 years. She previously won in 1998, earning Best Female Rock Vocal Performance for “Criminal”. Apple did not attend the Pr...
Fiona Apple is nominated for three Grammys this year, including Best Rock Performance, Best Rock Song, and Best Alternative Music Album. While a limited number of guests will be allowed to attend tonight’s ceremony, Apple will not be among them. “It’s not because I’m trying to protest, even though I have problems with the Grammys, it’s not because of that,” Apple explained in a video posted to her friend Zelda Hallman’s Instagram on Sunday. “It’s really because I don’t want to be on national television — I’m just not made for that kind of stuff anymore. I want to stay sober and I can’t do that sober — it doesn’t feel safe to me to be under exposure, scrutiny, comparison to people. I can’t.” Apple continued by noting that “there’s been lots of questions about the transparency of the Gr...
Kyle Meredith With… Ben Howard Listen via Apple Podcasts | Spotify | Google Play | Stitcher | Radio Public | RSS Ben Howard catches up with Kyle Meredith to tell us about Collections From the Whiteout. The new album finds him teaming up with The National’s Aaron Dessner and getting more experimental. To that end, Howard discusses writing about real-life characters such as Donald Crowhurst and Richard Russell, weaving dark humor into his art, and being influenced by the cities he tours through. Kyle Meredith With… is an interview series in which WFPK’s Kyle Meredith speaks to a wide breadth of musicians. Every Monday, Wednesday, and Friday, Meredith digs deep into the artist’s work to find out how the music is made and where ...
After four long years with no new music, The Horrors have just released their highly anticipated new EP, Lout. Stream it below via Apple Music and Spotify. Lout is the first record The Horrors have put out since their 2017 studio album V. On the new EP, the indie punk rockers embrace a darker, industrial metal sound with ominous hooks (“Lout”), gritty bass (“Org”), and some unrelenting drumming (“Whiplash”). It’s a welcome sound that they sport well, and allegedly it came pretty naturally to the band. “There’s something about it which feels like a return to a heavier sound but really it’s a million miles away from anything we’ve done,” said keyboardist Tom Furse in a statement. “Keeping the sound aggressive and the beats heavy was a central tenet, everything seemed to fall around that.” “I...