Bad Bunny’s Un Verano Sin Ti is back atop the Billboard 200 albums chart (dated Oct. 8) for a 12th nonconsecutive week, as the set steps from No. 2 to No. 1 with 87,000 equivalent album units earned in the U.S. in the week ending Sept. 29 (down 6%), according to Luminate. The last album with more weeks at No. 1 was Drake’s Views, with 13 nonconsecutive weeks on top in 2016. See latest videos, charts and news Also in the top 10 of the new Billboard 200, 5 Seconds of Summer’s new 5SOS5 bows at No. 2, while Alice in Chains’ Dirt re-enters the chart at No. 9 following its 30th anniversary reissue. The Billboard 200 chart ranks the most popular albums of the week in the U.S. based on multi-metric consumption as measured in equivalent album units, compiled by Luminate. Units comprise album ...
Bud Light Seltzer’s New Year’s Eve livestream was appropriately headlined by the human incarnation of Bud Light itself, better known as Post Malone. But if fans were expecting Posty to stick with his own tracks, they clearly hadn’t been paying attention to last year. Much like how the Crocs collaborator busted out his own take on Nirvana classics toward the beginning of quarantine, he closed the year with “Rooster” by Alice in Chains and “War Pigs” by Black Sabbath. And similarly to how the Nirvana set featured Travis Barker on drums, Malone got some help from his famous friends like Slash, Red Hot Chili Peppers drummer (and Will Ferrell lookalike) Chad Smith, and Jane’s Addiction bassist Chris Chaney. The stream also included sets by Steve Aoki, Saweetie, Jack Harlow, and Sebastian Y...
“Dark.” That word came up the most as SPIN spoke to nine musicians about Facelift, the groundbreaking debut album from grunge gods Alice in Chains. Thirty years later, it’s the ultimate description for the album’s bleak sound, anchored by the tortured lyricism of frontman Layne Staley and guitarist Jerry Cantrell. While 1992’s Dirt is widely considered Alice in Chains’ masterpiece, 1990’s Facelift introduced the world to Staley’s hypnotic voice and the band’s ominously groovy approach. The album — released this very day, three decades ago — explored somber lyrical themes like death, drugs and censorship. And on classic songs like “Love, Hate, Love,” “Bleed the Freak,” “Sea of Sorrow” and the MTV-endorsed “Man in the Box,” they helped define the ...