Snail Mail has today returned with her sophomore studio album, Valentine. Stream it via Apple Music or Spotify below. The 10-track effort marks Lindsey Jordan’s follow-up to her 2018 debut, Lush. The 22-year-old indie rocker wrote the album in 2019 and 2020 and enlisted Brad Cook (Bon Iver, Waxahatchee) as her co-producer. “I wanted to take as much time as possible with this record to make sure I was happy with every detail before unleashing it unto y’all,” explained Jordan in a press statement. “Referring to the process as the deepest level of catharsis and therapy I have ever experienced would be a huge understatement.” Advertisement Related Video Ahead of Valentine, Snail Mail dropped a trio of pre-release singles including the title track, “Ben Franklin,” and “Madonna.” Pick...
Christmas has come early, Hotties! Megan Thee Stallion has dropped her new mixtape Something for Thee Hotties via 300 Entertainment. Stream it below. On the 21-track project, Meg delivers multiple freestyles (“Tuned In Freestyle,” “Megan Monday Freestyle,” “Southside Forever Freestyle,” etc.) while peppering the tracklist with skits (“Trippy Skit” with Juicy J), interludes (“Tina Snow Interlude”), and certified bangers (the power couple name-dropping “Bae Goals”) from her archives. Following hit single “Thot Shit,” the rapper ends the mixtape with a special message for her fans on spoken word closer “To Thee Hotties,” saying, “Thank you to the OG Hotties. Thank you to the Hotties that been rockin’ with me since I was doin’ shows at the strip club, doin’ shows at any bar, any club, to the b...
Though they’ve become known as one of the most influential indie rock acts of the 1990s, Dinosaur Jr. have shown little interest in slowing down anytime soon. Today, the Massachusetts trio have released Emptiness at The Sinclair, a new live album that only further illustrates Dinosaur Jr.’s infallible legacy. Additionally, the band have announced their rescheduled North American tour dates for 2022. Recorded at Boston’s Sinclair, Emptiness at The Sinclair includes live renditions of Dinosaur Jr. tracks that span their entire career. It includes fan-favorite cuts from the band’s early days like “Just Like Heaven” and “Freak Scene,” as well as a handful of highlights from their new album, Sweep It into Space. “It was odd going back to Harvard Square for the Sinclair show, lots of ...
A$AP Rocky has unveiled the new song “Sandman.” The track appears as a bonus cut on the new digital edition of his 2011 breakout mixtape Live. Love. A$AP, which is now available on streaming services for the first time. “Sandman” was produced by Clams Casino, who contributed five tracks to the original mixtape, as well as Kelvin Krash. Rocky opens by comparing himself to visionary fimmakers: “My mind like George Lucas, I think like Stanley Kubrick/ House full of eucalyptus, that boy straight mucus.” After starting off with a slower flow, he quickens the pace for the second half of the verse, spitting, “Back to the wall, with your wall to the back, don’t back down/ Buck up, tell ’em how the fuck your mama ain’t raise no bitch.” This serves to set the scene for the spaced...
CHVRCHES have released a deluxe edition of their latest album Screen Violence via Glassnote Records. Stream it below. Screen Violence: Director’s Cut features three new tracks “originally intended to be included on the release” of the original LP, the band revealed in a tweet ahead of the unveiling. They’re titled: “Killer,” “Bitter End,” and “Screaming.” The standard edition of Screen Violence dropped in August. The Scottish trio recently opened up to Consequence about recording the album during he pandemic, as well as what it was like working with Robert Smith and horror king John Carpenter in a separate sit-down for Kyle Meredith With… Advertisement Last month, the synth-pop act recorded a cover of Avril Lavigne’s 2002 single “I’m With You” for Apple Music’s Home Session along wit...
Tori Amos has released her sixteenth studio album, Ocean to Ocean, via Decca. Stream it below. The studio effort is the pianist’s first full-length since last 2017’s Native Invaders, and was preceded by singles “Speaking with Trees” and “Spies.” “The goal was to make a sonic potion that would give people hope and make them feel, I don’t know, like magic does exist. For all of us. Even through these crazy times,” Amos said in an interview for Kyle Meredith With… about the new album, which she wrote and recorded in lockdown at her house in Cornwall, in the southwest of England Related Video The art-pop artist also revealed during the chat that album cut “Metal Water Wood” was the first song she penned after the LP’s thematic direction changed drastically around the start of the year. “I thin...
Just in time to ring in autumn, The War on Drugs return with their new album. I Don’t Live Here Anymore, the rock band’s first record in four years and fifth overall, arrives today via Atlantic. Take a listen below via Apple Music or Spotfiy. I Don’t Live Here Anymore is 10 tracks total, and features the previously-released singles “Living Proof” and the title track, the latter featuring background vocals from Lucius. Sonically, the record blends The War on Drugs’ heartland-rock roots with a bit of an ’80s sheen, at once recalling the homey feel of Bob Dylan and the grandiose arena jams of Bruce Springsteen. The band began writing the album shortly after frontman Adam Granduciel welcomed his first child back in 2019 — also named Bruce, naturally — and its lyrics expectedly ponder them...
Japanese Breakfast has released a surprise EP, Live at Electric Lady. Stream it below. Recorded as part of Spotify’s ongoing series at New York City’s famed Electric Lady Studios, the eight-track project includes live versions of singles “Be Sweet” and “Savage Good Boy” off Michelle Zauner’s latest LP, Jubilee, with accompaniment by the Quartet 121 string section. “Recording at Electric Lady was truly the perfect experience,” Zauner said in a statement about crafting the EP. “The longer I’ve worked as a recording artist, the more I’ve realized it’s the simple, stripped down songs that are the hardest to get right. Having the opportunity to revisit the core catalog of my songwriting in a room with so much history, surrounded by engineers and gear of the highest caliber, it was just a dream ...
For our Track by Track feature, artists open up about the stories behind each song on their latest album. Today, SEVENTEEN take us track by track through their ninth mini-album, Attacca. Welcome to Attacca: aptly named after an antiquated word describing moving forward without pause, the EP is SEVENTEEN‘s ninth mini-album, the fourth during the pandemic era alone. The group has been going nonstop. As is par for the course for SEVENTEEN, the album features writing, composing, and arranging credits for all the group members, along with trusted collaborator Bumzu. It’s not all too common for K-pop artists to have such a heavy hand in the process, but the members of SEVENTEEN (along with many other artists under the HYBE umbrella) are enthusiastic exceptions. Advertisement Related Video This a...
Helado Negro has released his seventh album Far In. Containing the singles “Gemini and Leo,” “Outside the Outside,” and “La Naranja,” the LP marks the musician’s first full-length studio set since signing to 4AD and follows his 2019 breakout album This is How You Smile. “When you’re trying to escape something, it’s always far in,” the singer-songwriter otherwise known as Roberto Carlos Lange explained of the album’s title in a profile for Pitchfork. “Whatever problems I have, all that shit gets packed away in invisible luggage. I’ve been thinking about how to express those themes in multiple ways — not in a melancholy or sad way, but dancing it out a little bit.” To round out the sound of Far In, Lange collaborated with the likes of Kacy Hill (opener “Wake Up Tomorrow”), Buscabulla (“...
Parquet Courts return today with their new album, Sympathy for Life. The post punk torchbearers’ follow-up to 2018’s Wide Awake! is out via Rough Trade, and marks the band’s seventh LP to date. Spanning 11 tracks, Sympathy for Life originated from a series of live jam sessions, inspired by the likes of Primal Scream, Pink Floyd, and bygone live music clubs in their New York City home base. The record was produced alongside Rodaidh McDonald and John Parish, whose credits between them include David Byrne and PJ Harvey, just to name a few. “Historically, some amazing rock records have been made from mingling in dance music culture — from Talking Heads to Screamadelica,” co-frontman Austin Brown explained in a statement. “Our goal was to bring that into our own music. ...