Marcus Mumford of Mumford and Sons has released his first solo LP, (self-titled), via Capitol Records. Stream it below via Apple Music and Spotify. (self-titled) was recorded in Los Angeles throughout 2021 after Mumford and the band “agreed it was probably a story I had to tell on my own.” The album was produced by Blake Mills and features collaborations with Phoebe Bridgers, Brandi Carlile, Clairo, and Monica Martin as well as co-writes with Fleet Foxes’ Robin Pecknold, Julia Michaels, and Tobias Jesso Jr. “It’s a record about freedom and it’s a record about healing,” Mumford shared in an interview with Zane Lowe on Apple Music 1. “I think, certainly in my story, it’s important to face up to some of the gnarlier stuff first in order to get to that place of freedom and healing. In the way ...
A new box set celebrating Joe Strummer’s work with his post-Clash band The Mescaleros has just arrived. To mark the occasion, Heavy Consequence caught up with the late punk legend’s widow, Lucinda Tait, to discuss the collection. Joe Strummer 002: The Mescaleros Years includes all three of the band’s studio albums — Rock Art and the X-Ray Style (1999), Global A Go-Go (2001), and Streetcore (2003) — along with a brand-new compilation of 15 B-sides and rarities titled Vibes Compass. It’s available as a 4-CD set with a 72-page book or a 7-LP set with a 32-page book. Strummer’s sketches and handwritten lyrics appear in both the book and on the album sleeves. Tait, who was married to Strummer from 1995 until his passing in December 2002, worked with Dark Horse Records’ David Zonshine to sort th...
Blood Orange has dropped a new EP called Four Songs, marking his first new music since 2019. Listen to the project below. Dev Hynes wrote and produced all of Four Songs, while Ian Isaiah, Eva Tolkin, and Erika de Casier appear on the project as well. The artist initially announced the EP by sharing its opening track, “Jesus Freak Lighter.” Blood Orange’s last studio project was 2019’s Angel’s Pulse mixtape. Apart from his usual brand of R&B, Hynes has spent the last couple of years writing classical music: he scored the series We Are Who We Are and In Treatment, as well as the films Mainstream, Naomi Osaka, and Passing. He also earned a Grammy nomination for Best Chamber Music/Small Ensemble Performance for his album Fields. Next up, he...
The Mars Volta are back with their new self-titled album, which marks the band’s first full-length in 10 years. Listen to the project below via Bandcamp. Cedric Bixler-Zavala and Omar Rodríguez-López departed The Mars Volta after releasing 2012’s Noctourniquet before returning this year with the singles “Blacklight Shine” and “Graveyard Love.” Both tracks appear on The Mars Volta, a record that departs from the duo’s original prog rock sound in favor of more electronic melodies; perhaps that’s why the album is self-titled. (Confused about the switch up? Read our guide to The Mars Volta in 10 Songs). Check out the artwork and tracklist for The Mars Volta below, and once you’re doing listening to the record, see if you agree with our review. Advertisement Relat...
Rina Sawayama has released her sophomore studio album. Hold the Girl, the pop artist’s long-awaited follow-up to 2020’s SAWAYAMA, is out now via Dirty Hit. Like SAWAYAMA, Hold the Girl is an amalgam of genres spanning grunge, country, EDM, and more, tied together with the Japanese-British artist’s keen ear for pop. The record comprises 13 tracks, a few of which Sawayama shared as singles: The belt-worthy title track, the rock-tinged “Catch Me in the Air,” the power ballad “Phantom,” and the rodeo banger “This Hell” — the latter of which we crowned Song of the Week. In her album review, Mary Siroky writes: “What Sawayama has successfully captured with Hold the Girl is the healing power of pop music, and the catharsis that can come just as easily with an arena-ready...
Built to Spill have revealed their new album, When the Wind Forgets Your Name, out September 9th via Sub Pop. Listen to it in full below. When the Wind Forgets Your Name mark’s Built to Spill’s first album in seven years and their debut release with Sub Pop. “I’m psyched: I’ve wanted to be on Sub Pop since I was a teenager,” founding member Doug Martsch said in a press statement. “And I think I’m the first 50-year-old they’ve ever signed.” Martsch started working on the album after meeting Oruã members Le Almeida and João Casaes several years ago. After serving as his new backing band for shows in Brazil, they joined him on tour in the US and Europe, learning new songs Martsch had written. After coming off the road, they recorded the bass and drum tracks at his rehearsal space in Bois...
The Afghan Whigs have revealed their new album, How Do You Burn?, the band’s first release in five years. Greg Dulli and co. first got to work on How Do You Burn? in September 2020. Despite the years apart, the band were able to assemble the album remotely, with frontman Dulli, his co-producer Christopher Thorn and drummer Patrick Keeler together in California, bassist John Curley in Cincinnati, guitarist Jon Skibic in New Jersey, and strings man Rick Nelson in New Orleans. “Once we got the system down, we started flying,” Dulli says in a press release. Dulli also spoke about the album in a recent appearance on Kyle Meredith With…, detailing Thorn’s involvement and the saints and sinners that populate the collection. Listen to the full interview here. Advertisement Related Video The ...
Rosalīa has shared a deluxe edition of her blockbuster third album, Motomami. Entitled Motomami+, the expanded set adds on eight tracks. In addition to “DESPECHÁ,” there are new songs called “AISLAMIENTO,” “LA KILIÉ,” “LAX,” and “CHIRI,” as well as a remix of “CANDY” and a live version of “LA FAMA.” Take a listen to Motomami+ below. Starting later this month, Rosalía will kick off the North American leg of her “Motomami World Tour.” Tickets are still available here. Related Video Motomami+ Artwork: <img data-attachment-id="1238692" data-permalink="https://consequence.net/2022/09/rosalia-motomami-deluxe-stream/motomami/" data-orig-file="https://consequence.net/wp-content/uploads/2022/09/Motomami.jpeg?quality=80" data-orig-size="1200,1200" data...
Dirty Heads have returned with their new album Midnight Control. The reggae-rock group’s eighth studio LP is out today via Better Noise Music. “Midnight Control is the culmination of almost twenty years of musical exploration, creativity, and our love for creating original impactful art and music,” vocalist Jared Watson said in a press release. “It’s the best album we’ve ever written, and I think that’s due to the fact we have been through so much, done so much, and are comfortable as songwriters, producers, players and human beings. And knowing who we want to work with to get what Sonics. We are so connected and on the same frequency with Ryan Ogren that it was just magic the whole time. We just wanna continue to make dope shit and push music forward and midnight control is exactly t...
Singer, composer, producer, and multi-instrumentalist Laufey (pronounced Lay-Vay) has introduced a new generation to the world of classic jazz through her intimate songwriting. Today (August 26th), the LA-based artist shares her debut album, Everything I Know About Love. Laufey, who is known to draw from her classically trained background, weaves pieces of Tchaikovsky and Bach throughout the record, creating a captivating symphony for the modern age. Everything I Know About Love — which follows her 2021 EP Typical of Me — explores Laufey’s story of falling in love with a new city and letting go of the old faces of a past life. The contemporary jazz artist navigates her recent move to Los Angeles and the start of a new chapter, but doesn’t shy away from the challenges that come with moving ...
UK hip-hop veteran Mike Skinner has returned with a new EP under his moniker The Streets. The three-song project is called Brexit at Tiffany’s, and it’s out now along with the title track’s music video. Brexit at Tiffany’s is a smorgasbord of Skinner’s sonic personas as The Streets. Opening track “3 Minutes to Midnight,” which features grime artist Manga Saint Hilare, is driven by a pulsing beat that mirrors the imminent anxiety of the track’s nihilistic, dystopian themes: “It’s three minutes to midnight on the doomsday clock/ Hold up your lighter, we’re all still alive.” Closer “Test of Time” is more melodic, switching off between a driving synth and a piano backdrop. But the Jazz Morley-featuring “Brexit at Tiffany’s” is the most somber, comparing the agony of a breakup to the ...