Album Reviews
With In the Court of the Crimson King, King Crimson Bet on Themselves and Changed Rock Forever
King Crimson set out to change the world of popular music, and the mad lads did just that. With In the Court of the Crimson King, King Crimson Bet on Themselves and Changed Rock Forever Jonah Krueger
Wednesday Touch the Divine on the Glorious Rat Saw God
Our March CoSign are set to take over indie with their latest LP. Wednesday Touch the Divine on the Glorious Rat Saw God Jonah Krueger
On FACE, Jimin Sets Himself Free: Review
The BTS member embraces his past while stepping into a dazzling future. On FACE, Jimin Sets Himself Free: Review Mary Siroky
Eight Albums in, The Gorillaz Universe Is Still Expanding
Damon Albarn keeps examining the intersection of technology and art through the prism of a virtual band, and it keeps working. Eight Albums in, The Gorillaz Universe Is Still Expanding Cady Siregar
RM’s ‘Indigo’: Every Song Ranked
When RM officially introduced himself to the music industry through BTS‘ debut in 2013, the then-18-year-old Kim Namjoon was known through the stage name Rap Monster after being praised by hip-hop veterans for his spitting abilities, but he later shared a love-hate relationship with the moniker. In 2017, the star made the formal move to professionally go by RM after realizing it didn’t fully represent who he was or his love for all music. Instead, “RM” now opened his name up to represent a range of meanings, one of them thought to be the “Real Me.” Even if rap is where RM started, his first proper solo album, Indigo, shows that it’s only one facet of the musician. With assistance from longtime musical legends in different genres, plus rising up-and-comers, the LP is a collection of songs t...
With Indigo, RM Makes Fleeting Moments Feel Permanent
The album cover of RM’s Indigo includes artwork by Korean artist Yun Hyong-keun, a painter known for meditative, contemplative pieces characterized by splashes of umber and ultramarine. While the contemporary paintings are relatively minimalist, they’re technically complex, and all the more layered considering the artist was a bold, persistent figure who survived one of the most turbulent and traumatic periods in South Korea’s history. The streaming press preview of Indigo included extensive notes on the record; it’s there that Yun Hyong-keun is noted as RM’s favorite painter. RM, who was born Kim Namjoon, is the leader of BTS, the biggest pop group on the planet. He’s also a vocal supporter and passionate collector of contemporary art, particularly interested in elevating work by South Ko...
Lil Baby’s It’s Only Me Is Mired in Mediocrity
Following up the biggest album of your career is tough sledding for any artist. But for rappers? It’s something only Houdini might pull off with ease. Hip-hop is always about what you’re doing now, not what you did yesterday. Just one false move takes you from relevant to irrelevant at the drop of a quarter, nickel, or dime. Lil Baby finds himself in that very unenviable position. 2020’s My Turn was, in a word, massive. Baby not only refined his hit-making skills but improved his rapping technique and writing. Since its release, Baby found himself the focus of a documentary that premiered at the Tribeca Film Festival. So yeah, Lil Baby finds himself in a bit of a moment. It’s Only Me, out Friday, October 14th, is the result of all that pressure, success, and newfound lifestyle for the...
Björk Is as Vibrant as Ever on the Moving, Earthy Fossora
Aside from her unmatched ability to constantly and successfully reinvent herself, one of Björk’s greatest qualities is her deft, poignant interrogations on the complex ties between humanity and nature. On her previous album, 2017’s lovely Utopia, the Icelandic experimental pop singer envisioned a world beyond ours, contrasting ethereal imagery and feather-light production with her growing concerns about the environment and her lingering grief around her divorce. Fossora — the followup to Utopia and her 10th overall record, out Friday (September 30th) — finds Björk coming back down to Earth, surveying the decay of our natural world and meditating on its debilitating effect on our own relationships. We don’t take care of our planet, Björk seems to suggest, because we fail to take care o...
The Anxiety and Ambition of Yeah Yeah Yeahs’ Cool It Down
It goes without saying that the world has changed since the Yeah Yeah Yeahs unleashed their feral debut album, Fever to Tell, in 2003. Written in the wake of of 9/11, it was a 37-minute adrenaline rush of post-punk you can dance to. The record cemented them as an integral part of the wave of guitar-heavy New York bands, such as The Strokes and Interpol, that rose to prominence at the start of the century. Even now, they’re still considered a New York band, despite the city, its music, the band themselves, and the world around them continuing to change. The band went on hiatus shortly after releasing their third album Mosquito in 2013, though Karen O focused on releasing her solo work and contributing to film soundtracks, and became a mother for the first time. Meanwhile, Nick Zinner lent h...
Natural Brown Prom Queen Is Sudan Archives’ Brilliant Homecoming
Brittney Parks might be the only artist who can use the phrases “step inside my cottage” and “only bad bitches” in the same verse. The multi-hyphenate alt-R&B musician — better known as Sudan Archives, our September Artist of the Month — uses both of them effortlessly in “Home Maker,” the opening track to her multifarious new album Natural Brown Prom Queen. At once, she paints herself as both the modern hot girl and a timeless Aphrodite. “Home Maker” is a fitting mission statement to Natural Brown Prom Queen, a record that luxuriates in introversion, creature comforts, and the freedom allotted by the places you feel most safe. “Don’t you feel at home when you’re with me?” she repeats in the bridge. There’s a bit of a come-hither wink to it, but also an edge. Rather than playing into th...
Muse’s Will of the People is Vague, Jumbled, and Unimaginative: Review
At the end of Muse‘s third studio album, 2003’s Absolution, is a powerful ballad that, to this day, is one of the band’s best ever creations: “Ruled By Secrecy.” The song, rooted in Matt Bellamy‘s dueling arpeggiated pianos, is a patient exploration of an individual’s lack power against an unknown societal force, a stirring call to those who “are working so hard/ but [they’re] never in charge,” and a nod of suspicion towards society’s manipulative leaders. “Ruled By Secrecy,” along with the other dramatic, apocalyptic themes of Absolution, marked a new thematic highway for the British trio, and it’s one that they’ve followed staunchly since the album’s release in 2003. Black Holes and Revelations came next with a greater emphasis on sci-fi, but still found the band using a s...
Megan Thee Stallion’s Traumazine Is a Kaleidoscope of Pain and Gain
Do not let the title of Megan Thee Stallion’s sophomore album, Traumazine, fool you — she is stronger than ever, even as she processes her pain through vulnerability. Honesty is at the heart of working through any kind of trauma, and Megan has decided to let us into her process. Meg comes out swinging with “NDA,” finding pockets within pockets of the beat — one of her greatest assets as a rapper. “I ain’t perfect, but anything I did to any of you n****s, y’all deserved it/ You see me in that mode, don’t disturb me when I’m workin’,” she declares. She’s focused over the entire 51 minutes of the project, zeroing in on the intensity that pulsed beneath the surface of her earlier mixtapes Tina Snow and Fever. Traumazine (released Friday, August 12th) is absent of obvious club bangers, which wi...
