Album Reviews
21 Savage and Metro Boomin Deliver a Grimy Sequel with the Masterful Savage Mode II: Review
The Lowdown: After the success of Savage Mode in 2016 and Without Warning in 2017, 21 Savage and Metro Boomin return to the scene with their latest collaborative album, Savage Mode II. Although some time has elapsed since they released their last project as a dynamic duo, both have kept plenty busy on their own, providing the streets and clubs with hit after hit. Savage dropped the highly acclaimed I Am > I Was in 2018 while Metro Boomin has crafted a plethora of hits with his signature trap sound. Featuring guest appearances from Drake, Young Thug, and Young Nudy, there’s plenty of reason why Savage Mode II became one of the most highly anticipated albums of 2020 the moment it was announced. The Good: The album begins in cinematic form with the masculine voice of God, none other than A...
Jónsi Soars and Crashes (in a Good Way) on Shiver: Review
The Lowdown: On Shiver, his first solo album in 10 years, Icelandic artist Jónsi presents atmospheric electronic art-pop, which balances uplift with glitchy dread. With band Sigur Rós on indefinite hiatus, and after separating from his longtime partner/collaborator, the singer-songwriter-composer now lives in LA and had his first visual-art exhibition last fall. Those themes of the uncomfortable freedom of dislocation and transition are reflected on the songs of Shiver, which soar, short-out, crash and re-boot. [embedded content] The Good: While Jónsi’s mystical countertenor voice has often been associated with glacial fjords and forests thick with elves, Shiver evokes dark landscapes that are more industrial and interior. The 45-year-old multi-instrumentalist teamed up with en vogue young...
BLACKPINK’s The Album Delivers Everything Fans Love About Them: Review
The Lowdown: It’s pretty rare to be pop icons before your first album even drops, but BLACKPINK are an exception to the rule. Coachella, an arena tour, and one million album pre-orders: all with less than 20 songs to their name. The group released their first single in 2016 and, until this point, have put out a string of increasingly similar-sounding title tracks with the occasional B-sides. It’s easy to see why the album, appropriately titled The Album, was so highly anticipated by dedicated fans and casual listeners alike. The group deliver on everything fans love about them — like glossy production, addicting beats, distinctive vocals, and captivating performances — while managing to show off some new sides of BLACKPINK as well. [embedded content] The Good: The Album opens by kicking do...
Shamir’s Self-Titled Album Shows Them Coming into Their Own: Review
The Lowdown: In a recent interview with the Los Angeles Times, Shamir referred to their new album as “definitely a COVID record.” The Philadelphia-based nonbinary artist, born Shamir Bailey, has cited influences all over the map for the album recorded entirely in quarantine, from Gwen Stefani and Miranda Lambert to Unsolved Mysteries and My Friend Dahmer, and you can hear it in the music. Despite being only 25, Shamir has already released a prolific number of albums and EPs, all of them experimenting boldly with indie rock, electronics, R&B, and pop styles branching back through several decades. Their self-titled album is a sure-handed invention that finds their myriad influences colliding and coalescing more smoothly than ever before and ultimately crystallizing into something new. [e...
Dolly Parton’s A Holly Dolly Christmas Invites Everyone over for the Holidays: Review
The Lowdown: Christmas means different things to different people. For some, it holds great spiritual significance. For others, it’s one of the few times a year where they are able to reconnect with the ones they love most. And for others still, it’s a much-needed day off work, an excuse to spoil each other with gifts, or even a cue to snuggle up next to someone special. The holidays can mean any number of things, and if Nashville legend Dolly Parton’s new Christmas album, A Holly Dolly Christmas, has one consistent message for her eclectic fan base, the “Cult of Many Colors,” it’s come all ye … well, everyone. In other words: the more the merrier. [embedded content] The Good: In that spirit, Parton throws a Christmas party with a little something for everyone. She opens with a playful tri...
Matt Berninger Finds Stripped-Down Solace on Debut LP Serpentine Prison: Review
The Lowdown: As the founding singer of Ohio alt rock troupe The National, Matt Berninger has already proven himself to be a captivating vocalist and — alongside wife Carin Besser — an insightful lyricist. For instance, we praised last year’s I Am Easy to Find for its “conversational” approach regarding “the intricacies of modern romance.” Thus, his monotone yet elegantly arid voice and observational storybook songwriting rarely fail to charm and connect with us, especially when they’re placed on top of such vibrantly picturesque and subtly exploratory arrangements. For the most part, that holds true on his first solo record, Serpentine Prison. Produced by Booker T. Jones — a revered artist in his own right who’s also collaborated with Otis Redding, Willie Nelson, Sheryl Crow, Elton John, a...
Public Enemy Are Mostly in Full Effect on the Rallying What You Gonna Do When the Grid Goes Down?: Review
The Lowdown: 2020 has become a year of extremes. A global pandemic that will forever affect the way that we live our lives. A political climate that has created division at a level that the United States has rarely seen. And a racial divide that has reached a boiling point. During times as distressing as these, it is important to have representation — a voice that holds the establishment accountable and gives an in-depth report on the current state of the nation and the world at large. For over 30 years, the legendary hip-hop crew Public Enemy have provided that hard-hitting soundtrack reporting back on our oft-troubled country. Last Friday, PE released their 15th studio album, What You Gonna Do When the Grid Goes Down?. Their first on Def Jam since 1998, Chuck D, Flavor Flav, and DJ Lord ...
Fleet Foxes’ Shore Comes as a Soul-Soothing Surprise: Review
The Lowdown: Earlier this week, folk outfit Fleet Foxes made major waves (no pun intended) upon the spontaneous release of their latest album, Shore, which is their first in three years following 2017’s Crack-Up. Released to coincide with the autumnal equinox, which marks the shift from summer to fall, the album is peppered with themes related to transition and change within oneself, in others, and in the world. What makes Shore feel special, though, is the multidimensional lens in which transition and change are explored. [embedded content] Through a tapestry of 15 tracks, Shore details how transitions often involve the pain of letting go (and sometimes before we’re ready to do so), the challenge that can come with accepting their presence, reckoning with the myriad of impacts they can ha...
Sylvan Esso Share a Mystical Partnership on Free Love: Review
The Lowdown: At first glance, the crowd at a Sylvan Esso show may look still. Hone in on the mound of bodies, though, and you’ll see that the opposite is true: The crowd is moving unanimously. “Just imagine you’re the seaweed in Ursula’s cave,” lead singer Amelia Meath said during the band’s 2015 Tiny Desk Concert. Although she cringed at herself after sharing the thought, it was a resoundingly accurate way to describe the innate physical reaction the band provokes. Comprised of Meath and producer Nick Sanborn, the duo formed in 2013 after unearthing the power of their combined talents. Meath told her then-boss Feist, “It’s sort of electronic music and he’s going to make beats and I’m going to sing and it’s going to be massive and amazing,” according to an Entertainment Weekly interview. A...
Deftones Embrace Their Heavy Roots on the Commanding Ohms: Review
The Lowdown: Sacramento alt-metallers Deftones tend to transform at the turns of decades. In 2000, they released their conceptual high-water mark White Pony, while 2010’s Diamond Eyes is a stellar collection of catchy-but-clever skate rock tracks. On the other hand, 2020’s Ohms isn’t a radical reinvention, but it’s a solid addition to their legacy — a surprisingly heavy one, at that. The Good: Deftones’ albums exist along a delicate axis: At the one end, singer Chino Moreno’s romantic and crooning atmospheres, and on the other, guitarist Stephen Carpenter’s sludgy, metallic slug-fests. The band is at its best when these elements are in balance, and the tension between these poles is the core of their identity. 2016’s Gore seemed like a Moreno-heavy album, focused on dreamy landscapes. In c...
IDLES’ Ultra Mono Offers Rallying Cries for a Burning World: Review
The Lowdown: In a year that’s seen the world burn physically, politically, and epidemiologically, getting into a debate about whether or not a rock band is phony feels as nostalgic as it does futile. However, this is an IDLES review, so that’s exactly what we’re going to do (at least for a minute). After the twin triumphs of 2017’s Brutalism and 2018’s Joy as an Act of Resistance vaulted the Bristol five-piece into the upper echelon of the British music world, the backlash arrived with bite that seemed to go beyond the music. Pick any IDLES profile from this album cycle, and you’ll inevitably see references to the recent charges and epithets leveled by fellow artists like Sleaford Mods (“their take on [political music] is cliched, patronising, insulting and mediocre”) and Fat White Family ...
Artist of the Month Anjimile’s Giver Taker Is a Startlingly Beautiful Prayer to the Present: Review
The Lowdown: Anjimile Chithambo might be new to the spotlight, but he’s been paying attention for a long time. His debut album, Giver Taker, carries a wide variety of influences — among them church choirs, ’80s pop, African music, and indie-folk — and melds them together as if they were born for this, born to flow into one another. The Boston-based trans musician wrote much of Giver Taker while in treatment for drug and alcohol abuse, and many of the songs are also concerned with his experiences coming out as trans and non-binary. As such, the entire album is papered with transformation, but through lenses of tenderness: the love implicit in confessions and the awe of one’s own resilience in the face of socialization and struggle. The Good: Would that I could just plop every single lyric f...
